Rivka Galchen – författare

‘Riveting’ Margaret Atwood‘I loved this book intensely’ Lauren Groff GuardianThe plague is spreading. The hundred year war is beginning. Katharina Kepler is believed to be a witch.Known for her herbal remedies and successful children – among them Johannes, Imperial Mathematician and author of the laws of planetary motion – Katharina’s life is changed by an accusation of witchcraft. Facing financial ruin, torture and even execution, she tells her side of the story.Witty, engaging and vividly imagined, Everyone Knows Your Mother Is a Witch draws on historical documents to illuminate a society undone by collective aggression and hysterical fear – a narrative with true resonance for today. ‘Darkly funny … Her prose, which recalls Hilary Mantel’s Wolf Hall, is light, pared back and subtly archaic’ Financial Times ‘Superbly voiced … funny’ Telegraph ‘A magical brew of absurdity and brutality’ Washington Post ‘Galchen expertly weaves together a story told from multiple perspectives, showing how easy it is for a mob mentality to take hold in a climate of fear and ignorance when a woman simply exists outside of the norm’ New York Times

‘Last December, a woman entered my apartment who looked exactly like my wife…’ Dr Leo Liebenstein is convinced that his wife has disappeared and that she has been replaced by a double.While everyone else may be fooled, Leo knows she cannot be his real wife, and sets off on a quixotic journey to reclaim his lost love. With the help of his psychiatric patient Harvey – who believes himself to be a secret agent who can control the weather – Leo attempts to unravel this mystery. Why has his wife been replaced? What do the secret workings of The Royal Society of Meteorology have to do with it? Who is the enigmatic Dr. Tzvi Gal-Chen, and is he, or maybe his wife, or perhaps even Harvey, at the centre of it all? From the streets of New York to the southernmost reaches of Patagonia, Leo’s erratic quest ultimately becomes a test of how far he is willing to take his struggle against the uncontested truth he knows to be false.‘Atmospheric Disturbances’ is at once a moving love story, a dark comedy, a psychological thriller, and a deeply disturbing portrait of a fracturing mind. In this highly inventive debut, with tremendous compassion and dazzling literary sophistication, Rivka Galchen explores the mysterious nature of human relationships, and how we spend our lives trying to weather the storms of our own making.

A short-story collection from one of America’s brightest young talents.In one of these intensely imaginative stories a young woman’s furniture walks out on her. In another, the narrator feels compelled to deliver a takeout order that has incorrectly been phoned in to her. In a third, the petty details of a property transaction illuminate the complicated dependences and loves of a family.Following spiralling paths towards utterly logical, entirely absurd conclusions, Galchen’s creations occupy a dreamlike dimension, where time is fluid and identities are best defined by the qualities they lack. The tales in this groundbreaking collection are secretly in conversation with canonical stories, allowing the reader the pleasure of discovering familiar favourites in new guises. Here ‘The Lost Order’ covertly recapitulates James Thurber’s ‘The Secret Life of Walter Mitty’, while ‘The Region of Unlikeness’ playfully mirrors Jorge Luis Borges’s ‘The Aleph’.By turns realistic, fantastical and lyrical, all these marvellously uneasy stories share a deeply emotional core and are written in dryly witty, pitch-perfect prose. Whether exploring the tensions in a mother-daughter relationship or the finer points of time travel, Galchen is a writer of eye-opening ingenuity.

AN OBSERVER BOOK OF THE YEAR A droll and dazzling compendium of observations, stories, lists, and brief essays about babies.‘Beguiling … A wunderkabinett of baby-related curios … A peculiar book, and astonishing in its effect.’ Boston GlobeOne August day, a baby was born, or as it seemed to Rivka Galchen, a puma moved into her apartment. Her arrival felt supernatural, she seemed to come from another world. And suddenly, the world seemed ludicrously, suspiciously, adverbially sodden with meaning.But Galchen didn’t want to write about the puma. She had never been interested in babies, or in mothers before. Now everything seemed directly related to them and she specifically wanted to write about other things because it might mean she was really, covertly, learning something about babies, or about being near babies.The result is Little Labours, a slanted enchanted miscellany. Galchen writes about babies in art (with wrongly shaped head) and babies in literature (rarer than dogs or abortions, often monstrous); about the effort of taking a passport photo for a baby not yet able to hold up her head and the frightening prevalence of orange as today’s chic colour for baby gifts; about Frankenstein as a sort of baby and a baby as a sort of Godzillas. In doing so she opens up an odd and tender world of wonder.

In this enchanting miscellany, Galchen notes that literature has more dogs than babies (and also more abortions), that the tally of children for many great women writers—Jane Bowles, Elizabeth Bishop, Virginia Woolf, Janet Frame, Willa Cather, Patricia Highsmith, Iris Murdoch, Djuna Barnes, Mavis Gallant—is zero, that orange is the new baby pink, that The Tale of Genji has no plot but plenty of drama about paternity, that babies exude an intoxicating black magic, and that a baby is a goldmine.

Sei Shonagon’s Pillow Book—a key inspiration for Rivka Galchen’s new book—contains a list of “Things That Make One Nervous.” And wouldn’t the blessed event top almost anyone’s list?Little Labors is a slanted, enchanted literary miscellany. Varying in length from just a sentence or paragraph to a several-page story or essay, Galchen’s puzzle pieces assemble into a shining, unpredictable, mordant picture of the ordinary-extraordinary nature of babies and literature. Anecdotal or analytic, each part opens up an odd and tender world of wonder. The 47 Ronin; the black magic of maternal love; babies morphing from pumas to chickens; the quasi-repellent concept of “women writers”; origami-ophilia in Oklahoma as a gateway drug to a lifelong obsession with Japan; discussions of favorite passages from the Heian masterpieces Genji and The Pillow Book; the frightening prevalence of orange as today’s new chic color for baby gifts; Frankenstein as a sort of baby; babies gold mines; babies as tiny Godzillas …Little Labors–atomized and exploratory, conceptually byzantine and freshly forthright–delights.