Rob Young – författare

'A real treat for Can fans.' SpectatorAll Gates Open is the definitive story of the most influential and revered avant-garde band of the late twentieth century: Can. In part one, Rob Young gives us the full biography- an in-depth and exhilarating history of the band.In part two, Irmin Schmidt presents an oral history of Can, drawing on extensive interviews with many musicians who cite the band as an influence, including Bobby Gillespie and Mark E. Smith.An essential book for Can fans, All Gates Open is illustrated throughout with previously unseen art, photographs and ephemera from the band's archive.

Rob Young's Electric Eden: Unearthing Britain's Visionary Music is a seminal book on British music and cultural heritage, that spans the visionary classical and folk tradition from the nineteenth-century to the present day. 'A thoroughly enjoyable read and likely to remain the best-written overview for a long time.'GUARDIAN'A perfectly timed, perfectly pitched alternative history of English folk music . . . wide-ranging, insightful, authoritative, thoroughly entertaining.'NEW STATESMAN'A stunning achievement.'SIMON REYNOLDS'A masterpiece.' CAUGHT BY THE RIVER'Excellent . . . blissfully quotable.' NEW YORK TIMES'An authoritative account.' THE TIMES'Consistently absorbing.' INDEPENDENT'An impassioned and infectious rallying cry of a book.' SUNDAY TIMESIn this groundbreaking survey of more than a century of music making in the British Isles, Rob Young investigates how the idea of folk has been handed down and transformed by successive generations - song collectors, composers, Marxist revivalists, folk-rockers, psychedelic voyagers, free festival-goers, experimental pop stars and electronic innovators.In a sweeping panorama of Albion's soundscape that takes in the pioneer spirit of Cecil Sharp; the pastoral classicism of Ralph Vaughan Williams and Peter Warlock; the industrial folk revival of Ewan MacColl and A. L. Lloyd; the folk-rock of Fairport Convention, Sandy Denny, Nick Drake, Shirley Collins, John Martyn and Pentangle; the bucolic psychedelia of The Incredible String Band, The Beatles and Pink Floyd; the acid folk of Comus, Forest, Mr Fox and Trees; The Wicker Man and occult folklore; the early Glastonbury and Stonehenge festivals; and the visionary pop of Kate Bush, Julian Cope and Talk Talk, Electric Eden maps out a native British musical voice that reflects the complex relationships between town and country, progress and nostalgia, radicalism and conservatism.An attempt to isolate the 'Britishness' of British music - a wild combination of pagan echoes, spiritual quest, imaginative time-travel, pastoral innocence and electrified creativity - Electric Eden will be treasured by anyone interested in the tangled story of Britain's folk music and Arcadian dreams.'A treat.' TIME OUT'Young is a fine writer.' MOJO'Young's immense narrative is both educative and gripping.' UNCUT'A multitudinous, fascinating and beautifully written account.' TLS

Rob Young's Electric Eden: Unearthing Britain's Visionary Music is a seminal book on British music and cultural heritage, that spans the visionary classical and folk tradition from the nineteenth-century to the present day. 'A thoroughly enjoyable read and likely to remain the best-written overview for a long time.'GUARDIAN'A perfectly timed, perfectly pitched alternative history of English folk music . . . wide-ranging, insightful, authoritative, thoroughly entertaining.'NEW STATESMAN'A stunning achievement.'SIMON REYNOLDS'A masterpiece.' CAUGHT BY THE RIVER'Excellent . . . blissfully quotable.' NEW YORK TIMES'An authoritative account.' THE TIMES'Consistently absorbing.' INDEPENDENT'An impassioned and infectious rallying cry of a book.' SUNDAY TIMESIn this groundbreaking survey of more than a century of music making in the British Isles, Rob Young investigates how the idea of folk has been handed down and transformed by successive generations - song collectors, composers, Marxist revivalists, folk-rockers, psychedelic voyagers, free festival-goers, experimental pop stars and electronic innovators.In a sweeping panorama of Albion's soundscape that takes in the pioneer spirit of Cecil Sharp; the pastoral classicism of Ralph Vaughan Williams and Peter Warlock; the industrial folk revival of Ewan MacColl and A. L. Lloyd; the folk-rock of Fairport Convention, Sandy Denny, Nick Drake, Shirley Collins, John Martyn and Pentangle; the bucolic psychedelia of The Incredible String Band, The Beatles and Pink Floyd; the acid folk of Comus, Forest, Mr Fox and Trees; The Wicker Man and occult folklore; the early Glastonbury and Stonehenge festivals; and the visionary pop of Kate Bush, Julian Cope and Talk Talk, Electric Eden maps out a native British musical voice that reflects the complex relationships between town and country, progress and nostalgia, radicalism and conservatism.An attempt to isolate the 'Britishness' of British music - a wild combination of pagan echoes, spiritual quest, imaginative time-travel, pastoral innocence and electrified creativity - Electric Eden will be treasured by anyone interested in the tangled story of Britain's folk music and Arcadian dreams.'A treat.' TIME OUT'Young is a fine writer.' MOJO'Young's immense narrative is both educative and gripping.' UNCUT'A multitudinous, fascinating and beautifully written account.' TLS

A LOUDER THAN WAR BOOK OF THE YEARA riveting journey into the psyche of Britain through its golden age of television and film; a cross-genre feast of moving pictures, from classics to occult hidden gems, The Magic Box is the nation's visual self-portrait in technicolour detail. 'The definition of gripping. Truly, a trove of wyrd treasures.'BENJAMIN MYERS'A lovingly researched history of British TV [that] recalls the brilliant, the bizarre and the unworldly.'GUARDIAN'A reclamation, not just of a visual 'golden age', but of Britain as a darkly magical place.'THE SPECTATOR'A feat of argument, description and affection.' FINANCIAL TIMES'Young unearths the ghosts of TV past - and Britain's dark psyche.' HERALD'Highly entertaining . . . [A] fabulous treasure trove.' SCOTSMAN'Young is a phenomonal scholar.' OBSERVER'Impassioned.' THE CRITICGrowing up in the 1970s, Rob Young's main storyteller was the wooden box with the glass window in the corner of the family living room, otherwise known as the TV set. Before the age of DVDs and Blu-ray discs, YouTube and commercial streaming services, watching television was a vastly different experience. You switched on, you sat back and you watched. There was no pause or fast-forward button.The cross-genre feast of moving pictures produced in Britain between the late 1950s and late 1980s - from Quatermass and Tom Jones to The Wicker Man and Brideshead Revisited, from A Canterbury Tale and The Go-Between to Bagpuss and Children of the Stones, and from John Betjeman's travelogues to ghost stories at Christmas - contributed to a national conversation and collective memory. British-made sci-fi, folk horror, period drama and televisual grand tours played out tensions between the past and the present, dramatised the fractures and injustices in society and acted as a portal for magical and ghostly visions.In The Magic Box, Rob Young takes us on a fascinating journey into this influential golden age of screen and discovers what it reveals about the nature and character of Britain, its uncategorisable people and buried histories - and how its presence can still be felt on screen in the twenty-first century.'[A] forensic dissection . . . this tightly packed treatise takes pains to illustrate how what we view affects how we view ourselves.'TOTAL FILM

A LOUDER THAN WAR BOOK OF THE YEARA riveting journey into the psyche of Britain through its golden age of television and film; a cross-genre feast of moving pictures, from classics to occult hidden gems, The Magic Box is the nation's visual self-portrait in technicolour detail. 'The definition of gripping. Truly, a trove of wyrd treasures.'BENJAMIN MYERS'A lovingly researched history of British TV [that] recalls the brilliant, the bizarre and the unworldly.'GUARDIAN'A reclamation, not just of a visual 'golden age', but of Britain as a darkly magical place.'THE SPECTATOR'A feat of argument, description and affection.' FINANCIAL TIMES'Young unearths the ghosts of TV past - and Britain's dark psyche.' HERALD'Highly entertaining . . . [A] fabulous treasure trove.' SCOTSMAN'Young is a phenomonal scholar.' OBSERVER'Impassioned.' THE CRITICGrowing up in the 1970s, Rob Young's main storyteller was the wooden box with the glass window in the corner of the family living room, otherwise known as the TV set. Before the age of DVDs and Blu-ray discs, YouTube and commercial streaming services, watching television was a vastly different experience. You switched on, you sat back and you watched. There was no pause or fast-forward button.The cross-genre feast of moving pictures produced in Britain between the late 1950s and late 1980s - from Quatermass and Tom Jones to The Wicker Man and Brideshead Revisited, from A Canterbury Tale and The Go-Between to Bagpuss and Children of the Stones, and from John Betjeman's travelogues to ghost stories at Christmas - contributed to a national conversation and collective memory. British-made sci-fi, folk horror, period drama and televisual grand tours played out tensions between the past and the present, dramatised the fractures and injustices in society and acted as a portal for magical and ghostly visions.In The Magic Box, Rob Young takes us on a fascinating journey into this influential golden age of screen and discovers what it reveals about the nature and character of Britain, its uncategorisable people and buried histories - and how its presence can still be felt on screen in the twenty-first century.'[A] forensic dissection . . . this tightly packed treatise takes pains to illustrate how what we view affects how we view ourselves.'TOTAL FILM

Faber Forty-Fives is a series of six short ebooks that between them tell the story of British pop music from the birth of psychedelia in the late sixties, through electric folk, glam, seventies rock and punk, to the eclecticism of post-punk in the late seventies and early eighties. Each book is drawn from a larger work on Faber's acclaimed music list.Rob Young's Electric Eden: Unearthing Britain's Visionary Music is a seminal book on British music and cultural heritage, that spans the visionary classical and folk tradition from the nineteenth-century to the present day. 'A thoroughly enjoyable read and likely to remain the best-written overview for a long time.'GUARDIAN'A perfectly timed, perfectly pitched alternative history of English folk music . . . wide-ranging, insightful, authoritative, thoroughly entertaining.'NEW STATESMAN'A stunning achievement.'SIMON REYNOLDS'A masterpiece.' CAUGHT BY THE RIVER'Excellent . . . blissfully quotable.' NEW YORK TIMES'An authoritative account.' THE TIMES'Consistently absorbing.' INDEPENDENT'An impassioned and infectious rallying cry of a book.' SUNDAY TIMESIn this groundbreaking survey of more than a century of music making in the British Isles, Rob Young investigates how the idea of folk has been handed down and transformed by successive generations - song collectors, composers, Marxist revivalists, folk-rockers, psychedelic voyagers, free festival-goers, experimental pop stars and electronic innovators.In a sweeping panorama of Albion's soundscape that takes in the pioneer spirit of Cecil Sharp; the pastoral classicism of Ralph Vaughan Williams and Peter Warlock; the industrial folk revival of Ewan MacColl and A. L. Lloyd; the folk-rock of Fairport Convention, Sandy Denny, Nick Drake, Shirley Collins, John Martyn and Pentangle; the bucolic psychedelia of The Incredible String Band, The Beatles and Pink Floyd; the acid folk of Comus, Forest, Mr Fox and Trees; The Wicker Man and occult folklore; the early Glastonbury and Stonehenge festivals; and the visionary pop of Kate Bush, Julian Cope and Talk Talk, Electric Eden maps out a native British musical voice that reflects the complex relationships between town and country, progress and nostalgia, radicalism and conservatism.An attempt to isolate the 'Britishness' of British music - a wild combination of pagan echoes, spiritual quest, imaginative time-travel, pastoral innocence and electrified creativity - Electric Eden will be treasured by anyone interested in the tangled story of Britain's folk music and Arcadian dreams.'A treat.' TIME OUT'Young is a fine writer.' MOJO'Young's immense narrative is both educative and gripping.' UNCUT'A multitudinous, fascinating and beautifully written account.' TLS

All Gates Open presents the definitive story of arguably the most influential and revered avant-garde band of the late twentieth century: CAN. It consists of two books. In Book One, Rob Young gives us the full biography of a band that emerged at the vanguard of what would come to be called the Krautrock scene in late sixties Cologne. With Irmin Schmidt and Holger Czukay - two classically trained students of Stockhausen - at the heart of the band, CAN's studio and live performances burned an incendiary trail through the decade that followed: and left a legacy that is still reverberating today in hip hop, post rock, ambient, and countless other genres. Rob Young's account draws on unique interviews with all founding members of CAN, as well as their vocalists, friends and music industry associates. And he revisits the music, which is still deliriously innovative and unclassifiable more than four decades on. All Gates Open is a portrait of a group who worked with visionary intensity and belief, outside the system and inside their own inner space. Book Two, Can Kiosk, has been assembled by Irmin Schmidt, founding member and guiding spirit of the band, as a 'collage - a technique long associated with CAN's approach to recording. There is an oral history of the band drawing on interviews that Irmin made with musicians who see CAN as an influence - such as Bobby Gillespie, Geoff Barrow, Daniel Miller, and many others. There are also interviews with artists and filmmakers like Wim Wenders and John Malkovitch, where Schmidt reflects on more personal matters and his work with film. Extracts of Schmidt's notebook and diaries from 2013-14 are also reproduced as a reflection on the creative process, and the memories, dreams, and epiphanies it entails. Can Kiosk offers further perspectives on a band that have inspired several generations of musicians and filmmakers in the voices of the artists themselves. CAN were unique, and their legacy is articulated in two books in this volume with the depth, rigour, originality, and intensity associated with the band itself. It is illustrated throughout with previously unseen art, photographs, and ephemera from the band's archive.

A new edition as part of the Faber Greatest Hits - books that have taken writing about music in new and exciting directions for the twenty-first century.Rob Young's Electric Eden: Unearthing Britain's Visionary Music is a seminal book on British music and cultural heritage, that spans the visionary classical and folk tradition from the nineteenth-century to the present day. 'A thoroughly enjoyable read and likely to remain the best-written overview for a long time.'GUARDIAN'A perfectly timed, perfectly pitched alternative history of English folk music . . . wide-ranging, insightful, authoritative, thoroughly entertaining.'NEW STATESMAN'A stunning achievement.'SIMON REYNOLDS'A masterpiece.' CAUGHT BY THE RIVER'Excellent . . . blissfully quotable.' NEW YORK TIMES'An authoritative account.' THE TIMES'Consistently absorbing.' INDEPENDENT'An impassioned and infectious rallying cry of a book.' SUNDAY TIMESIn this groundbreaking survey of more than a century of music making in the British Isles, Rob Young investigates how the idea of folk has been handed down and transformed by successive generations - song collectors, composers, Marxist revivalists, folk-rockers, psychedelic voyagers, free festival-goers, experimental pop stars and electronic innovators.In a sweeping panorama of Albion's soundscape that takes in the pioneer spirit of Cecil Sharp; the pastoral classicism of Ralph Vaughan Williams and Peter Warlock; the industrial folk revival of Ewan MacColl and A. L. Lloyd; the folk-rock of Fairport Convention, Sandy Denny, Nick Drake, Shirley Collins, John Martyn and Pentangle; the bucolic psychedelia of The Incredible String Band, The Beatles and Pink Floyd; the acid folk of Comus, Forest, Mr Fox and Trees; The Wicker Man and occult folklore; the early Glastonbury and Stonehenge festivals; and the visionary pop of Kate Bush, Julian Cope and Talk Talk, Electric Eden maps out a native British musical voice that reflects the complex relationships between town and country, progress and nostalgia, radicalism and conservatism.An attempt to isolate the 'Britishness' of British music - a wild combination of pagan echoes, spiritual quest, imaginative time-travel, pastoral innocence and electrified creativity - Electric Eden will be treasured by anyone interested in the tangled story of Britain's folk music and Arcadian dreams.'A treat.' TIME OUT'Young is a fine writer.' MOJO'Young's immense narrative is both educative and gripping.' UNCUT'A multitudinous, fascinating and beautifully written account.' TLS

A colourful collection of pieces on the enigmatic genius of Scott Walker from THE WIRE.Scott Walker has travelled from teen idol to the outer limits of music. From 'The Sun Ain't Gonna Shine Any More' reaching No.1, through to recordings of meat being punched on his last album, THE DRIFT, he somehow seems to have reached a passionate and committed fan base. Throughout his career, his impeccable critical reputation as a serious and uncompromising musician has never been questioned. The recent film, 30TH CENTURY MAN, had a litany of stars queuing up to praise Walker: the likes of David Bowie, Damon Albarn, Jarvis Cocker, Radiohead, Johnny Marr and Sting. But despite this, in 40 years of music, there has yet to be a serious book on Scott Walker. This collection, put together by Rob Young of THE WIRE magazine, features a handful of previously published articles and newly commissioned pieces, largely drawn from the orbit of THE WIRE's writers including Ian Penman, Chris Bohn and Rob Young.

The inspirational story of Rob Young, who has set numerous endurance records, including running 370 marathons in a year

Marathon Man is a truly remarkable book that will inspire all who read it to know that they can take on the biggest challenges in their lives and overcome them. It all began when Rob's fiancee, exasperated as he sat slumped in front of the television watching the London marathon, bet him 20p that he'd never complete even one such race. Watching the 40,000 competitors as they raised over £53 million for charity, Rob decided to take things a little bit further. Despite never having run a marathon before, he set out to achieve an astonishing new record: he would run more than 365 marathons in a year. So it was that Marathon Man UK was born. This book not only tells the incredible story of Young's quest, during which he broke numerous world records, but also provides vital lessons in how to motivate yourself to achieve your goals and essential tips (learned the very hard way) in how to run and keep on going. He takes the reader on a vivid journey through some of the most beautiful scenery, as they join him in some of the toughest marathons and ultra-marathons in the UK. After suffering horrendous abuse as a child, Young has developed a determination that few can match. It enabled him to complete 370 marathons in the year and to win the Race Across USA (competing with a group of elite marathon-runners) by 30 hours. As Paula Radcliffe commented: 'This is amazing!' Marathon Man shows exactly why and how he achieved it.

This is the authoritative book on sea level rise and its coastal consequences. On Shismaref Island in Alaska, homes are being washed into the sea. In the South Pacific, small island nations face annihilation by encroaching waters. In coastal Louisiana, an area the size of a football field disappears every day. For these communities, sea level rise isn't a distant, abstract fear: it's happening now and it's threatening their way of life. In "The Rising Sea", Orrin H. Pilkey and Rob Young warn that many other coastal areas may be close behind. Prominent scientists predict that the oceans may rise by as much as seven feet in the next hundred years. That means coastal cities will be forced to construct dikes and seawalls or to move buildings, roads, pipelines, and railways to avert inundation and destruction. The question is no longer whether climate change is causing the oceans to swell, but by how much and how quickly. Pilkey and Young deftly guide readers through the science, explaining the facts and debunking the claims of industry-sponsored 'sceptics'. They also explore the consequences for fish, wildlife - and people.While rising seas are now inevitable, we are far from helpless. By making hard choices - including uprooting citizens, changing where and how we build, and developing a coordinated national response - we can save property, and ultimately lives. With unassailable research and practical insights, "The Rising Sea" is a critical first step in understanding the threat and keeping our heads above water.

While rising seas are now inevitable, we are far from helpless. By making hard choices - including uprooting communities, changing where and how we build, and developing a coordinated response - we can save property, and ultimately lives. With unassailable research and practical insights, "The Rising Sea" is a critical first step in understanding the threat and keeping our heads above water.

Since it was founded in 1982, The Wire magazine has covered a vast range of alternative, experimental, underground and non-mainstream music. Now some of that knowledge has been distilled into The Wire Primers: a comprehensive guide to the core recordings of some of the most visionary and inspiring, subversive and radical musicians on the planet, past and present. Each chapter surveys the musical universe of a particular artist, group or genre by way of a contextualizing introduction and a thumbnail guide to the most essential recordings. A massive and eclectic range of music is celebrated and demystified, from rock mavericks such as Captain Beefheart and The Fall; the funk of James Brown and Fela Kuti; the future jazz of Sun Ra and Ornette Coleman; and the experimental compositions of John Cage and Morton Feldman. Genres surveyed and explained include P-funk, musique concr�te, turntablism, Brazilian Tropic�lia, avant metal and dubstep. The Wire Primers is a vital guide to contemporary sounds, providing an accessible entry point for any reader wanting to dig below the surface of mainstream music.

Since it was founded in 1982, The Wire magazine has covered a vast range of alternative, experimental, underground and non-mainstream music. Now some of that knowledge has been distilled into The Wire Primers: a comprehensive guide to the core recordings of some of the most visionary and inspiring, subversive and radical musicians on the planet, past and present. Each chapter surveys the musical universe of a particular artist, group or genre by way of a contextualizing introduction and a thumbnail guide to the most essential recordings. A massive and eclectic range of music is celebrated and demystified, from rock mavericks such as Captain Beefheart and The Fall; the funk of James Brown and Fela Kuti; the future jazz of Sun Ra and Ornette Coleman; and the experimental compositions of John Cage and Morton Feldman. Genres surveyed and explained include P-funk, musique concrète, turntablism, Brazilian Tropicália, avant metal and dubstep. The Wire Primers is a vital guide to contemporary sounds, providing an accessible entry point for any reader wanting to dig below the surface of mainstream music.

Marathon Man is a truly remarkable book that will inspire all who read it to know that they can take on the biggest challenges in their lives and overcome them. It all began when Rob's fiancee, exasperated as he sat slumped in front of the television watching the London marathon, bet him 20p that he'd never complete even one such race. Watching the 40,000 competitors as they raised over £53 million for charity, Rob decided to take things a little bit further. Despite never having run a marathon before, he set out to achieve an astonishing new record: he would run more than 365 marathons in a year. So it was that Marathon Man UK was born. This book not only tells the incredible story of Young's quest, during which he broke numerous world records, but also provides vital lessons in how to motivate yourself to achieve your goals and essential tips (learned the very hard way) in how to run and keep on going. He takes the reader on a vivid journey through some of the most beautiful scenery, as they join him in some of the toughest marathons and ultra-marathons in the UK. After suffering horrendous abuse as a child, Young has developed a determination that few can match. It enabled him to complete 370 marathons in the year and to win the Race Across USA (competing with a group of elite marathon-runners) by 30 hours. As Paula Radcliffe commented: 'This is amazing!' Marathon Man shows exactly why and how he achieved it.