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The New Orleans writer Grace King was an intensely loyal daughter of the South. Fostered by bitter memories of the Civil War, her loyalty was kept burning by her family's struggle to regain its wealth and maintain its social position during the long agony of Reconstruction.In Grace King: A Southern Destiny, Robert Bush tells of King's life and her art, both of which she enthusiastically dedicated to the memory and welfare of her region, her city, and her family. When she began writing in 1886, it was out of a sense of anger at what she saw as George Washington Cable's disloyalty to the South, his deliberately false portrayal of New Orleans' Creoles and blacks. King was herself a conservative in racial matters, and a number of her stories celebrate the loyalty that she has observed freed slaves showing their former masters.But Grace King was far from conservative in her determination to earn money as a writer and to master the ideas of her era, neither endeavor considered a particularly appropriate ambition for a patrician woman of her time. She was proud to be able to contribute to her family's income, and she developed a sharp eye for the fluctuations in the literary marketplace. In the late 1880s King worked in the local-colour genre that was then in vogue. When the demand for that school of regional writing declined in the 1890s, she turned to the shorter ""balcony stories"" in which the details of local background were minimized. Then later in the decade, she focused her talents on writing Louisiana history after she found that publishers wanted the kind of sound, colourful work she was capable of producing.Grace King's major accomplishments in fiction are a small number of first-rate stories and a quiet, realistic novel about New Orleans during Reconstruction, The Pleasant Ways of St. Médard. Her best historical work is New Orleans, the Place and the People. However the significance and fascination of her life lies not just in the pages of the books she wrote but also in her role as a literary champion of the South, carrying her determined views from New Orleans to New York, New England, Canada, England, and France.
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Not as well-known as some of her contemporaries- Mark Twain, George W. Cable, and Joel Chandler Harris, to name a few- author and historian Grace King (1851- 1932) was nonetheless highly praised in her own right. She garnered attention from such eminent critics as William Dean Howells, and her work frequently appeared in Harper's and Century Magazine. She published thirteen volumes of fiction, history, biography, and memoir. What contributed to King's critical acclaim, and her continued importance across time, was the panoramic view of social and historical New Orleans that she captured in her writing. She was, scholar Robert Bush argues, one of the most talented and perceptive citizens of New Orleans during the post- Civil War period.In pursuing an intellectual career, King broke with many Old South traditions. She embraced Anglo-Saxon and Creole French cultures. Much of her work is especially interesting for the way in which her view of the southern temper and cultural contribution supplemented that of other writers of the period. In his introduction, Bush analyzes the breadth of King's work, leading the reader on a biographical journey that clearly establishes King as an important symbol of a bygone era. He then offers selections that cover the full range of her writing: chapters from her autobiography, Memories of a Southern Woman of Letters; her major short fiction, including five uncollected stories and the best of her Balcony Stories; a large portion of The Pleasant Ways of St. Médard, a novel about life during Reconstruction; sections from her historical writings, including New Orleans: The Place and the People; a series of biographical sketches of Mark Twain and others; excerpts from her notebooks; and a group of more than twenty letters. Grace King of New Orleans offers readers a nuanced understanding of King's impressions of the people and places of New Orleans as well as southern life and culture.