Robert Burnett – författare

Topics covered include:

Web Theory is a comprehensive and critical introduction to the theories of the internet and the world wide web. Robert Burnett and P. David Marshall examine the key debates which surround internet culture, from issues of globalisation, political economy and regulation, to ideas about communication, identity and aesthetics.Web Theory explore the shifts in society, culture and the media which have been brought about by the growth of the world wide web. It identifies significant readings, web sites and hypertext archive sources which illustrate the critical discussion about the internet and it mediates these discussions, indicating key positions within each debate and pointing the reader to key texts.Web Theory includes:*Chapters showing how specific media have been affected by the internet*Boxed case studies and examples*References, an extensive bibliography and a list of web sites*A glossary of key terms with important words highlighted in the text*A Web Theory timeline which details important events*A comprehensive and regularly updated website at www.webtheory.nu with inks and support material

Web Theory is a comprehensive and critical introduction to the theories of the internet and the world wide web. Robert Burnett and P. David Marshall examine the key debates which surround internet culture, from issues of globalisation, political economy and regulation, to ideas about communication, identity and aesthetics.Web Theory explore the shifts in society, culture and the media which have been brought about by the growth of the world wide web. It identifies significant readings, web sites and hypertext archive sources which illustrate the critical discussion about the internet and it mediates these discussions, indicating key positions within each debate and pointing the reader to key texts.Web Theory includes:*Chapters showing how specific media have been affected by the internet*Boxed case studies and examples*References, an extensive bibliography and a list of web sites*A glossary of key terms with important words highlighted in the text*A Web Theory timeline which details important events*A comprehensive and regularly updated website at www.webtheory.nu with inks and support material

Popular music is with us constantly. It is part of our everyday enviroment and in global terms it is now perhaps the most universal means of communication.The Global Jukebox is the first comprehensive study of the international music industry at a time of great change, as the entertainment industry acknowledges its ever growing global audience. Robert Burnett provides an international overview of the music business and its future prospects in the UK, Northern Europe and the United States and Canada. He examines the relationship between local and global cultures and between concentration of ownership (Sony, Warner and the rest of the `big six'') and the diversity of music production and consumption.The Global Jukebox not only illuminataes the workings of the contemporary entertainment industries, it captures the dynamics at work in the production of musical culture between the transnational media conglomerates, the independent music companies and the public. It is essential reading for anyone studying popular music.

Popular music is with us constantly. It is part of our everyday enviroment and in global terms it is now perhaps the most universal means of communication.The Global Jukebox is the first comprehensive study of the international music industry at a time of great change, as the entertainment industry acknowledges its ever growing global audience. Robert Burnett provides an international overview of the music business and its future prospects in the UK, Northern Europe and the United States and Canada. He examines the relationship between local and global cultures and between concentration of ownership (Sony, Warner and the rest of the `big six'') and the diversity of music production and consumption.The Global Jukebox not only illuminataes the workings of the contemporary entertainment industries, it captures the dynamics at work in the production of musical culture between the transnational media conglomerates, the independent music companies and the public. It is essential reading for anyone studying popular music.