Robert Byron – författare

Discover the ultimate in classic 1930s travel writing.'A writer of breathtaking prose – prose whose sensuous, chiselled beauty has cast its spell on English travel writing ever since' William DalrympleIn 1933, the delightfully eccentric, Robert Byron set out on a journey through the Middle East via Beirut, Jerusalem, Baghdad and Tehran to Oxiana – the country of the Oxus, the ancient name for the river Amu Darya which formed part of the border between Afghanistan and the Soviet Union. His journey ended in what is now Peshawar, Pakistan.While his arrival at his destination, the legendary tower of Qabus, is a wonder, the journey itself is a captivating, quirky record of his adventures and a rare account of the architectural treasures of a region now lost to time and conflict.‘Funny, didactic and biting, Byron's masterpiece transports us across the world and, better still, across the decades’ Independent

A real-life adventure that inspired countless travellers in fact and fiction, the Penguin Classics edition of Robert Byron's The Road to Oxiana includes an introduction by Colin Thubron.In 1933 Robert Byron began a journey through the Middle East via Beirut, Jerusalem, Baghdad, and Teheran to Oxiana - the country of the Oxus, the ancient name for the river Amu Darya which forms part of the border between Afghanistan and the Soviet Union. The Road to Oxiana offers not only a wonderful record of his adventures, but also a rare account of the architectural treasures of a region now inaccessible to most Western travelers. Robert Byron (1905-41) was born in 1905, and educated at Eton and Merton College, Oxford. He died during the Second World War, when the ship he was serving on was torpedoed by a U-Boat off Cape Wrath. Byron's The Road to Oxiana is considered by many modern travel writers to be the first example of great travel writing.If you enjoyed The Road to Oxiana you might like Charles Darwin's The Voyage of the Beagle, also available in Penguin Classics.'The greatest of all pre-war travel books'William Dalrymple'What Ulysses is to the novel between the wars, and what 'The Waste Land' is to poetry, The Road to Oxiana is to the travel book'Paul Fussell'In any list of the great travel books of the 20th century, Robert Byron's account of his travels in Persia and Afghanistan, The Road to Oxiana, must be put somewhere near the very top'Telegraph

In 1933, the delightfully eccentric travel writer Robert Byron set out on a journey through the Middle East via Beirut, Jerusalem, Baghdad and Teheran to Oxiana, near the border between Afghanistan and the Soviet Union. Throughout, he kept a thoroughly captivating record of his encounters, discoveries, and frequent misadventures. His story would become a best-selling travel book throughout the English-speaking world, until the acclaim died down and it was gradually forgotten. When Paul Fussell published his own book Abroad, in 1982, he wrote that The Road to Oxiana is to the travel book what "Ulysses is to the novel between the wars, and what The Waste Land is to poetry." His statements revived the public's interest in the book, and for the first time, it was widely available in American bookstores. Now this long-overdue reprint will introduce it to a whole new generation of readers. This edition features a new introduction by Rory Stewart, best known for his book The Places In Between, about his extensive travels in Afghanistan.Today, in addition to its entertainment value, The Road to Oxiana also serves as a rare account of the architectural treasures of a region now inaccessible to most Western travelers, and a nostalgic look back at a more innocent time.

First published in 1929, this highly influential study offers a historical perspective on the Byzantine Empire, from the establishment of Constantinople by Emperor Constantine around 330 AD, through to the fall of Constantinople at the hands of the Ottoman Empire in 1453 AD.Byron’s work considers the empire in its entirety, assessing the highs and lows across a thousand year period. He provides insights into trade, culture, the organs of state, religion, the imperial rulers, and the battle with the Ottoman Empire, which would ultimately end in the fall of the Byzantine Empire and the end of the final remnants of the Roman Empire.

First published in 1931, Robert Byron’s Essay on India evaluates the state of colonial rule in India and analyses the contemporary problems facing the country.Based upon Byron’s travelling experiences within India in 1929 as a correspondent for the Daily Express, the work explores political factors more fully than in Byron's earlier writings, evaluating the successes and failures of British colonialism in the region.

First published in 1931, Robert Byron’s Essay on India evaluates the state of colonial rule in India and analyses the contemporary problems facing the country.Based upon the Byron’s travelling experiences within India in 1929 as a correspondent for the Daily Express, the work explores political factors more fully than in Byron's earlier writings, evaluating the successes and failures of British colonialism in the region.

First published in 1929, this highly influential study offers a historical perspective on the Byzantine Empire, from the establishment of Constantinople by Emperor Constantine around 330 AD, through to the fall of Constantinople at the hands of the Ottoman Empire in 1453 AD.Byron’s work considers the empire in its entirety, assessing the highs and lows across a thousand year period. He provides insights into trade, culture, the organs of state, religion, the imperial rulers, and the battle with the Ottoman Empire, which would ultimately end in the fall of the Byzantine Empire and the end of the final remnants of the Roman Empire.

First published in 1930, this book deals with Byzantine art, not as an isolated province, but as one intimately connected with the subsequent history of European painting. After a summary of the whole question in its relation to modern art, the second chapter opens with a novel analysis of the iconoclast controversy, and shows how it was only by this movement that Hellenistic naturalism was finally vanquished and the seed of interpretational art planted in Europe in its stead. The third chapter reveals how this seed was nourished by the Constantinopolitan Renascence, and how that event, combined with the increasing humanisation of religious emotion, culminated, not only in Duccio and Giotto, but in the equally important work of their contemporaries at Mistra and Mount Athos. A detailed account of these works is given and in the last part of the book, the mystery of El Greco is finally resolved. The book is based, not only on extensive research but on personal observation of nearly all the works mentioned, in Constantinople, Greece, Crete, Italy, and Spain. It is an important and exciting addition to the history of European Art and establishes, scientifically, theories which only existed in conjecture before its publication. The book includes 94 black and white plates.

First published in 1930, this book deals with Byzantine art, not as an isolated province, but as one intimately connected with the subsequent history of European painting. After a summary of the whole question in its relation to modern art, the second chapter opens with a novel analysis of the iconoclast controversy, and shows how it was only by this movement that Hellenistic naturalism was finally vanquished and the seed of interpretational art planted in Europe in its stead. The third chapter reveals how this seed was nourished by the Constantinopolitan Renascence, and how that event, combined with the increasing humanisation of religious emotion, culminated, not only in Duccio and Giotto, but in the equally important work of their contemporaries at Mistra and Mount Athos. A detailed account of these works is given and in the last part of the book, the mystery of El Greco is finally resolved. The book is based, not only on extensive research but on personal observation of nearly all the works mentioned, in Constantinople, Greece, Crete, Italy, and Spain. It is an important and exciting addition to the history of European Art and establishes, scientifically, theories which only existed in conjecture before its publication. The book includes 94 black and white plates.

The Station follows three high-spirited young men as they visit twenty monasteries on Mount Athos in 1927. They examine treasures, photograph frescoes and sketch the courtyards and those who live in them. They swim ecstatically off the sparkling, deserted beaches, climb mountains, talk and share meals with monks and transcribe these conversations with relish. For life is very different for a celibate hermit on Mount Athos. Time has no meaning: the Son of God, His Virgin Mother, the Angels and the Saints are all living creatures of flesh and blood, and the Pope is a heretic. This slim book was little short of revolutionary in its fearless championing of Greek Orthodoxy and Byzantine civilization, reversing centuries of western prejudice. It was the first of Robert Byron s travel books, revealing the flashing wit, bravery, passion and astonishing powers of visual observation which made him such a brilliant writer. The playfully obscure title is only finally explained in his last sentence: This is the holy Mountain Athos, station of a faith where all the years have stopped.

Over the course of several months during 1931 and 1932, Robert Byron journeyed to three countries teetering on the brink of change. In Russia, which was stricken by famine, Lenin had just died, Stalin's dictatorship was in its infancy and the Great Terror was yet to begin. Having taken the first commercial flight to India, which took a week, Byron was thrown into the tumultuous last years of the British Raj. Gandhi was imprisoned while rioting and clashes between Hindus and Muslims had become commonplace. Finally Byron entered Tibet, the forbidden country. Exploring the Land of Snows, he saw Tibet as it was when the then Dalai Lama was still ensconced in the Potala Palace, twenty years before China's invasion. Blending classic travel writing with passionate observations on the deeper political and social issues of the time, Byron writes with uncanny prescience of the eventual horrors of the Soviet Union and the downfall of the Raj. As a piece of travel literature, "First Russia, Then Tibet" is compelling and beautifully-written. As a portrait of these countries in the 1930s, it is invaluable.Ultimately, it illuminates the constant quest for meaning that underscored Robert Byron's life and travels.