Robert Forster – författare

First published in 1997, this volume looks at the process of European expansion which brought into contact societies and cultures across the world which had been initially alien to one another. Conflict was one aspect of this interaction, but accommodation, mutual adaptation, and institutional and behavioural synthesis were also present though often biased in favour of European norms. The intent of this book is to avoid treating ’colonization’, ’dominance’ and exploitation’ as the only focuses of attention. The second volume focuses on the Americas, and uses the topics of religion, class, gender, and race as its points of entry.

First published in 1997, this volume looks at the process of European expansion which brought into contact societies and cultures across the world which had been initially alien to one another. Conflict was one aspect of this interaction, but accommodation, mutual adaptation, and institutional and behavioural synthesis were also present though often biased in favour of European norms. The intent of this book is to avoid treating ’colonization’, ’dominance’ and exploitation’ as the only focuses of attention. The second volume focuses on the Americas, and uses the topics of religion, class, gender, and race as its points of entry.

First published in 1997, this is the first of two volumes. It looks at the process of European expansion which brought into contact societies and cultures across the world which had been initially alien to one another. Conflict, and violent conflict, was one aspect of this interaction, but accommodation, mutual adaptation, and institutional and behavioural synthesis were also present though often biased in favour of European norms. The intent of this book is to avoid treating ’colonization’, ’dominance’ and exploitation’ as the only focuses of attention. In the first volume Robert Forster explores issues of formative influences, the impact of Eurocentrism on historiography and the reaction against it, and the differing approaches and perceptions of the Europeans, notably the Spanish, French and English. In this period he distinguishes three modes of interaction: that of the trading empires, generally in Africa and Asia, where the European control of the encounter was slighter; and those of the regions of settlement, as in North America, and of exploitation, typified by the Caribbean, where the European impact was profound. The second volume focuses on the Americas, and uses the topics of religion, class, gender, and race as its points of entry.

First published in 1997, this is the first of two volumes. It looks at the process of European expansion which brought into contact societies and cultures across the world which had been initially alien to one another. Conflict, and violent conflict, was one aspect of this interaction, but accommodation, mutual adaptation, and institutional and behavioural synthesis were also present though often biased in favour of European norms. The intent of this book is to avoid treating ’colonization’, ’dominance’ and exploitation’ as the only focuses of attention. In the first volume Robert Forster explores issues of formative influences, the impact of Eurocentrism on historiography and the reaction against it, and the differing approaches and perceptions of the Europeans, notably the Spanish, French and English. In this period he distinguishes three modes of interaction: that of the trading empires, generally in Africa and Asia, where the European control of the encounter was slighter; and those of the regions of settlement, as in North America, and of exploitation, typified by the Caribbean, where the European impact was profound. The second volume focuses on the Americas, and uses the topics of religion, class, gender, and race as its points of entry.

In his first book, Australian singer-songwriter Robert Forster takes readers on an idiosyncratic journey through the past and present of popular music: from Bob Dylan to Cat Power, from AC/DC to Nana Mouskouri, from The Saints to Franz Ferdinand.

With 30 years experience as a recording artist and performer and an undimmed love of popular music, Forster’s observations about his fellow artists balance the enthusiasm of a fan with an insider’s authority. He is that rare thing, a musician who can write about music, and he brings to this collection of critical essays the erudition, wit and craft of his songwriting.

Originally published in Australia in 2009, The 10 Rules of Rock and Roll was praised for its “fresh insights by a genuine master” (Courier Mail) and for providing an “assured guide to recent pop music from the perspective of a songwriter who has willingly kept up” (Weekend Australian). This revised and updated edition features new material not included in the original book, as well as short fiction and two moving tributes to Forster’s fellow Go-Between, Grant McLennan.