Robert Fraser – författare
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33 produkter
33 produkter
Häftad, Engelska, 2009
207 kr
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A classic study of the beliefs and institutions of mankind, and the progress through magic and religion to scientific thought, The Golden Bough has a unique status in modern anthropology and literature. First published in 1890, The Golden Bough was eventually issued in a twelve-volume edition (1906-15) which was abridged in 1922 by the author and his wife. That abridgement has never been reconsidered for a modern audience. In it some of the more controversial passages were dropped, including Frazer's daring speculations on the Crucifixion of Christ. For the first time this one-volume edition restores Frazer's bolder theories and sets them within the framework of a valuable introduction and notes. A seminal work of modern anthropolgy, The Golden Bough also influenced many twentieth-century writers, including D H Lawrence, T S Eliot, and Wyndham Lewis. Its discussion of magical types, the sacrificial killing of kings, the dying god, and the scapegoat is given fresh pertinence in this new edition. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
E-bok
Engelska, 1998170 kr
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A classic study of the beliefs and institutions of mankind, and the progress through magic and religion to scientific thought, The Golden Bough has a unique status in modern anthropology and literature.First published in 1890, The Golden Bough was eventually issued in a twelve-volume edition (1906-15) which was abridged in 1922 by the author and his wife. That abridgement has never been reconsidered for a modern audience. In it some of the more controversial passages were dropped, including Frazer''s daring speculations on the Crucifixion of Christ. For the first time this one-volume edition restores Frazer''s bolder theories and sets them within the framework of a valuableintroduction and notes.A seminal work of modern anthropolgy, The Golden Bough also influenced many twentieth-century writers, including D H Lawrence, T S Eliot, and Wyndham Lewis. Its discussion of magical types, the sacrificial killing of kings, the dying god, and the scapegoat is given fresh pertinence in this new edition.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Inbunden, Engelska, 2012
1 155 kr
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The poet David Gascoyne (1916-2001) led a life as surreal as his early poems. At eighteen he drafted the manifesto of the English Surrealist Group and at nineteen he published what remains an authoritative account of the international movement. He translated for Salvador Dalì and crossed swords with André Breton; the 1936 International Surrealist Exhibition in London was largely his brainchild. During the war he toured as an actor, embraced religious existentialism and became, in the words of John Lehmann, 'the most important philosophic poet of our time'. After the war he wrote for radio, painted, cooked, and went mad. The journals he kept during his periods of mental instability are masterpieces of the bizarre. Gascoyne found unexpected happiness in late middle age, emerging as an elder statesman of British poetry. Robert Fraser contends that, through all the twists and turns of his variegated existence, Gascoyne strove for candour and truth of self-expression. With equivalent candour this pioneering biography describes his creative work and multifarious translations, his inconvenient addictions, his tormented private life, and his many friendships in England and in France.
Inbunden, Engelska, 2008
624 kr
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Where does the book belong? Does it enshrine the soul of a nation, or is it a means by which nations talk to one another, sharing ideas, technologies, texts? This book, the first in a two-volume set of original essays, responds to these questions with archive-based case studies of print culture in a number of countries around the world.
E-bok
PDF, Engelska, 2008868 kr
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Where does the book belong? Does it enshrine the soul of a nation, or is it a means by which nations talk to one another, sharing ideas, technologies, texts? This book, the first in a two-volume set of original essays, responds to these questions with archive-based case studies of print culture in a number of countries around the world.
Inbunden, Engelska, 2008
2 771 kr
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This surprising study draws together the disparate fields of postcolonial theory and book history in a challenging and illuminating way.Robert Fraser proposes that we now look beyond the traditional methods of the Anglo-European bibliographic paradigm, and learn to appreciate instead the diversity of shapes that verbal expression has assumed across different societies. This change of attitude will encourage students and researchers to question developmentally conceived models of communication, and move instead to a re-formulation of just what is meant by a book, an author, a text.Fraser illustrates his combined approach with comparative case studies of print, script and speech cultures in South Asia and Africa, before panning out to examine conflicts and paradoxes arising in parallel contexts. The re-orientation of approach and the freshness of view offered by this volume will foster understanding and creative collaboration between scholars of different outlooks, while offering a radical critique to those identified in its concluding section as purveyors of global literary power.
Häftad, Engelska, 2008
715 kr
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This surprising study draws together the disparate fields of postcolonial theory and book history in a challenging and illuminating way.Robert Fraser proposes that we now look beyond the traditional methods of the Anglo-European bibliographic paradigm, and learn to appreciate instead the diversity of shapes that verbal expression has assumed across different societies. This change of attitude will encourage students and researchers to question developmentally conceived models of communication, and move instead to a re-formulation of just what is meant by a book, an author, a text.Fraser illustrates his combined approach with comparative case studies of print, script and speech cultures in South Asia and Africa, before panning out to examine conflicts and paradoxes arising in parallel contexts. The re-orientation of approach and the freshness of view offered by this volume will foster understanding and creative collaboration between scholars of different outlooks, while offering a radical critique to those identified in its concluding section as purveyors of global literary power.
Häftad, Engelska, 1986
625 kr
Skickas inom 7-10 vardagar
Previous studies of African poetry have tended to concentrate either on its political content or on its relationship to various European schools. This book examines West African poetry in English and French against the background of oral poetry in the vernacular. Do the roots of such poetry lie in Africa or in Europe? In committing their work to writing, do poets lose more than they gain? Can the immediacy of oral performance ever be recovered? Robert Fraser's account of two centuries of West African verse examines its subjugation to a succession of international styles: from the heroic couplet to the austerity of experimental Modernism. Successive chapters take us through the Négritude movement and the emergence of anglophone free verse in the 1950s to the rediscovery in recent years of the neglected springs of orality, which is the subject of the concluding chapter.
Häftad, Engelska, 1998
374 kr
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Late Victorian quest romance has recently attracted renewed attention from critics. Much of this interest has centred on its politics of gender, and its vision of Empire. This book prefers to view the genre in the light of debates within the then nascent sciences of Anthropology and Archaeology. Starting with a discussion of the nature of romance, it goes on to interpret the encounters with lost or buried pasts. By describing encounters with remote places and times, so it argues, these authors were asking their readers disconcerting questions about humankind, and about their own culture’s institutions and beliefs. The book ends by considering the implications of such a view for the whole colonial enterprise.
Häftad, Engelska, 2002
374 kr
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This first ever full-length study of Ben Okri's life and work is based on twenty years of friendship and close attention to his texts. It argues that his writing is best appreciated against the background of his early exposure to the Nigerian Civil War (1967-70) and his attempts since then to forge a medium of conciliation through literature. "We live by stories", Okri once wrote, "We also live in them". Following him from Lagos to London and from obscurity to recognition, Fraser interprets Okri's successive books as refashionings of his inner and outer narrative space. Okri's fiction, essays and poems beckon us through the shabby but vibrant streets of the strife-ridden metropolis towards a potential city of justice, sincerity and peace.
Häftad, Engelska, 1992
428 kr
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In the formative years of Ontario's history, the law loomed large, as a profession, a preoccupation of legislators, a subject of debate and controversy, and a force that many citizens found themselves up against. Robert Fraser has drawn from the pages of the Dictionary of Canadian Biography the stories of sixty people who played a key role in the legal history of Upper Canada.Told in a readable style that has been much praised, these profiles contain information that bears the authoritative stamp of the DCB volumes from which they come. They add a valuable personal dimension to Ontario's legal history.
Häftad, Engelska, 2026
166 kr
Skickas inom 5-8 vardagar
E-bok
Engelska, 2008849 kr
Läs direkt efter köp
This surprising study draws together the disparate fields of postcolonial theory and book history in a challenging and illuminating way.
Robert Fraser proposes that we now look beyond the traditional methods of the Anglo-European bibliographic paradigm, and learn to appreciate instead the diversity of shapes that verbal expression has assumed across different societies. This change of attitude will encourage students and researchers to question developmentally conceived models of communication, and move instead to a re-formulation of just what is meant by a book, an author, a text.
Fraser illustrates his combined approach with comparative case studies of print, script and speech cultures in South Asia and Africa, before panning out to examine conflicts and paradoxes arising in parallel contexts. The re-orientation of approach and the freshness of view offered by this volume will foster understanding and creative collaboration between scholars of different outlooks, while offering a radical critique to those identified in its concluding section as purveyors of global literary power.
E-bok
PDF, Engelska, 2008851 kr
Läs direkt efter köp
This surprising study draws together the disparate fields of postcolonial theory and book history in a challenging and illuminating way.
Robert Fraser proposes that we now look beyond the traditional methods of the Anglo-European bibliographic paradigm, and learn to appreciate instead the diversity of shapes that verbal expression has assumed across different societies. This change of attitude will encourage students and researchers to question developmentally conceived models of communication, and move instead to a re-formulation of just what is meant by a book, an author, a text.
Fraser illustrates his combined approach with comparative case studies of print, script and speech cultures in South Asia and Africa, before panning out to examine conflicts and paradoxes arising in parallel contexts. The re-orientation of approach and the freshness of view offered by this volume will foster understanding and creative collaboration between scholars of different outlooks, while offering a radical critique to those identified in its concluding section as purveyors of global literary power.
Häftad, Engelska, 2010
208 kr
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E-bok
PDF, Engelska, 1990755 kr
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Häftad, Engelska, 1990
544 kr
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E-bok
PDF, Engelska, 1990810 kr
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E-bok
PDF, Engelska, 1994868 kr
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In 1899 Marcel Proust read a translation of Ruskin''s The Lamp of Memory in a Belgian magazine. Fourteen years later he back-projected the experience onto the narrator of Du cote de chez Swann who describes himself as a boy reading the self-same piece in the garden at Combray. In between lay a period of intermittent enthusiasm for Victorian writing: a period which saw the refurbishment of Proust''s method and a fundamental rethinking of his views. Much of this reassessment was achieved in relation to English writers whom Proust adopted, absorbed and then as often as not discarded. The end result was to enable him to pass from one aesthetic to another.It is the contention of this book that the clue to this process can be found not only in Proust''s evolving views on memory and time but also in his progression through a three-fold typology of form: from ''mimetic form'' (art-imitating-the-real) through ''mnemonic form'' (art-imitating-memory) to ''abstract form'' (art-imitating-itself). The progress from one to another is illustrated through Proust''s reactions to Carlyle, Darwin, Emerson, Ruskin, George Eliot, Hardy, Stevenson, Wells and Wilde. There is also a chapter on the connection in Proust''s mind between literary and art criticism and his delayed response to the Ruskin-Whistler trial of 1878. A final chapter relates these matters to the current debate as to the parallel between the nineteenth century fin-de-siecle and our own.
Häftad, Engelska, 1994
625 kr
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In 1899 Marcel Proust read a translation of Ruskin's The Lamp of Memory in a Belgian magazine. Fourteen years later he back-projected the experience onto the narrator of Du cote de chez Swann who describes himself as a boy reading the self-same piece in the garden at Combray. In between lay a period of intermittent enthusiasm for Victorian writing: a period which saw the refurbishment of Proust's method and a fundamental rethinking of his views. Much of this reassessment was achieved in relation to English writers whom Proust adopted, absorbed and then as often as not discarded. The end result was to enable him to pass from one aesthetic to another.It is the contention of this book that the clue to this process can be found not only in Proust's evolving views on memory and time but also in his progression through a three-fold typology of form: from 'mimetic form' (art-imitating-the-real) through 'mnemonic form' (art-imitating-memory) to 'abstract form' (art-imitating-itself). The progress from one to another is illustrated through Proust's reactions to Carlyle, Darwin, Emerson, Ruskin, George Eliot, Hardy, Stevenson, Wells and Wilde. There is also a chapter on the connection in Proust's mind between literary and art criticism and his delayed response to the Ruskin-Whistler trial of 1878. A final chapter relates these matters to the current debate as to the parallel between the nineteenth century fin-de-siecle and our own.
Häftad, Engelska, 2008
625 kr
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Where does the book belong? Does it enshrine the soul of a nation, or is it a means by which nations talk to one another, sharing ideas, technologies, texts? This book, the first in a two-volume set of original essays, responds to these questions with archive-based case studies of print culture in a number of countries around the world.
Inbunden, Engelska, 2018
346 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2008
387 kr
Skickas inom 3-6 vardagar
E-bok
PDF, Engelska, 19921 255 kr
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In the formative years of Ontario's history, the law loomed large, as a profession, a preoccupation of legislators, a subject of debate and controversy, and a force that many citizens found themselves up against. Robert Fraser has drawn from the pages of the Dictionary of Canadian Biography the stories of sixty people who played a key role in the legal history of Upper Canada.Told in a readable style that has been much praised, these profiles contain information that bears the authoritative stamp of the DCB volumes from which they come. They add a valuable personal dimension to Ontario's legal history.
E-bok
Engelska, 2014165 kr
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The poet George Barker was convinced that his biography could never be written. 'I've stirred the facts around too much,' he told Robert Fraser. 'It simply can't be done.' Eliot wrote of his 'genius'. Yeats thought him the most interesting poet of his generation. Dylan Thomas envied his power over women. War trapped him in Japan. In America he conducted one of the most celebrated love affairs of the century. He fathered fifteen children in several countries, three during one battle-torn summer. By the 1950s he was the toast of Soho. Barker was Catholic and bohemian, frank and elusive, tender and boisterous. In Eliot's phrase, he was 'a most peculiar fellow.' Robert Fraser's biography offers both a portrait of a talented, tormented and irresistibly entertaining man, and a broad cultural landscape. Around the central figure cluster painters like Francis Bacon, Lucian Freud, Johnny Minton and the 'Roberts' Colquhoun and MacBryde; writers such as Dylan Thomas, Walter de la Mare and Elizabeth Smart, whose By Grand Central Station I Sat Down and Wept hymns their liaison; the lugubrious humorist Jeffrey Bernard. After closing time at the Colony Room, Minton declared, they had to sweep up the jokes.
Inbunden, Engelska, 2019
1 400 kr
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"This well-written and highly readable book makes a major contribution to advancing our understanding of the contribution that economics can make to analysing the impact of international trade policies for environmental risks … Regardless of the likelihood that the current WTO dispute settlement procedures can be changed in the way suggested by the authors of this book, it is essential reading for those interested in the contribution that economics can make to advancing our understanding of the implications of international trade law for environmental issues."Journal of Agricultural EconomicsWe live in a world that is increasingly dependent on international trade in a context of substantial regional/national political tensions. Adding to this is an emerging understanding and concern about the social impact of biosecurity and ecosystem services risks associated with such trade. As the key international trade 'arbiter', the World Trade Organization (WTO) has never before faced such complexity within its decision-making remit.With increasing numbers of bilateral and regional agreements, as well as new developments emerging such as the Comprehensive and Progressive Agreement for Trans-Pacific Partnership (CPTPP) initiated by multi-national corporations in 2018, the WTO needs to implement ways of reinforcing its legitimacy and enhancing its relevance.This book provides an original analysis of these linked developments and delivers a timely contribution to resolving environment-related international trade disputes. It provides a clear roadmap for improving WTO trade dispute resolution procedures so both biosecurity and ecosystem services risks are considered in evaluating the social, economic and environmental impacts of international trade proposals. In so doing, the WTO should deliver enhanced multilateral social welfare.
Häftad, Engelska, 2025
138 kr
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"Without Contraries is no progression." - William BlakeBertram and Eustace are brothers. Bertram is extroverted, practical, a celebrity and a social success. Eustace is introverted, scholarly and shyly oblique. They understand neither themselves nor one another. Instead, they tell one another stories.Only two people see through their defences: their cousin Mimi, a retired violinist who lives in 'Tartini's Rest', and Kariba, a literary genius from Africa, Bertram's nemesis and Eustace's fraternal friend...
Inbunden, Engelska, 2020
594 kr
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Marrying life-writing with classical reception, this book examines ancient biography and its impact on subsequent ages. Close readings of ancient texts are framed by an assessment of their influence on the age of the French Revolution and Napoleon, and on the nineteenth, twentieth, and twenty-first centuries, of responses to ancient biography of modern critics, and of its visible legacy in art and film. Crucially it asks what modern biographers can learn from their ancient predecessors. Are the challenges involved in life-writing still the same? Have working methods changed, and in what ways? What in the context of biographical writing is truth, and how are its interests best served? How is it possible, now as then, honestly to convey a life?
E-bok
Engelska, 2020778 kr
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Marrying life-writing with classical reception, this book examines ancient biography and its impact on subsequent ages. Close readings of ancient texts are framed by an assessment of their influence on the age of the French Revolution and Napoleon, and on the nineteenth, twentieth, and twenty-first centuries, of responses to ancient biography of modern critics, and of its visible legacy in art and film. Crucially it asks what modern biographers can learn from their ancient predecessors. Are the challenges involved in life-writing still the same? Have working methods changed, and in what ways? What in the context of biographical writing is truth, and how are its interests best served? How is it possible, now as then, honestly to convey a life?
Häftad, Engelska, 2021
594 kr
Skickas inom 10-15 vardagar
Marrying life-writing with classical reception, this book examines ancient biography and its impact on subsequent ages. Close readings of ancient texts are framed by an assessment of their influence on the age of the French Revolution and Napoleon, and on the nineteenth, twentieth, and twenty-first centuries, of responses to ancient biography of modern critics, and of its visible legacy in art and film. Crucially it asks what modern biographers can learn from their ancient predecessors. Are the challenges involved in life-writing still the same? Have working methods changed, and in what ways? What in the context of biographical writing is truth, and how are its interests best served? How is it possible, now as then, honestly to convey a life?