Robert G. Bednarik – författare

The Domestication of Humans explains the alternative to the African Eve model by attributing human modernity, not to a speciation event in Africa, but to the unintended self-domestication of humans. This alternative account of human origins provides the reader with a comprehensive explanation of all features defining our species that is consistent with all the available evidence. These traits include, but are not limited to, massive neotenisation, numerous somatic changes, susceptibility to almost countless detrimental conditions and maladaptations, brain atrophy, loss of oestrus and thousands of genetic impairments. The teleological fantasy of replacement by a ‘superior’ species that has dominated the topic of modern human origins has never explained any of the many features that distinguish us from our robust ancestors. This book explains all of them in one consistent, elegant theory. It presents the most revolutionary proposal of human origins since Darwin. Although primarily intended for the academic market, this book is perfectly suitable for anyone interested in how and why we became the species that we are today.

The Domestication of Humans explains the alternative to the African Eve model by attributing human modernity, not to a speciation event in Africa, but to the unintended self-domestication of humans. This alternative account of human origins provides the reader with a comprehensive explanation of all features defining our species that is consistent with all the available evidence. These traits include, but are not limited to, massive neotenisation, numerous somatic changes, susceptibility to almost countless detrimental conditions and maladaptations, brain atrophy, loss of oestrus and thousands of genetic impairments. The teleological fantasy of replacement by a ‘superior’ species that has dominated the topic of modern human origins has never explained any of the many features that distinguish us from our robust ancestors. This book explains all of them in one consistent, elegant theory. It presents the most revolutionary proposal of human origins since Darwin. Although primarily intended for the academic market, this book is perfectly suitable for anyone interested in how and why we became the species that we are today.

This book summarizes the work of several decades, culminating in a revolutionary model of recent human evolution. It challenges current consensus views fundamentally, presenting in its support a mass of evidence, much of which has never been assembled before. This evidence derives primarily from archaeology, paleoanthropology, genetics, clinical psychology, neurosciences, linguistics and cognitive sciences. No even remotely similar thesis of recent human origins has ever been published, but some of the key elements of this book have been published by the author in major refereed journals in the last two years. Its implications are far-reaching and profoundly affect the way we perceive ourselves as a species. This book about what it means to be human is heavily referenced, with a bibliography of many hundreds of scientific entries.

This book summarizes the work of several decades, culminating in a revolutionary model of recent human evolution. No even remotely similar thesis of recent human origins has ever been published, but some of the key elements of this book have been published by the author in major refereed journals in the last two years.

This book contains a series of selected papers presented at two symposia entitled ‘Scientific study of rock art’, one held in the IFRAO Congress of Rock Art in La Paz, Bolivia, in June 2012, the other held in the IFRAO Congress in Cáceres, Spain, in September 2015; as well as some invited papers from leading rock art scientists. The core topic of the book is the presentation of scientific approaches to the materiality of rock art, ranging from recording and sampling methods to data analyses. These share the fact that they provide means of testing hypotheses and/or of finding trends in the data which can be used as independent sources of evidence to support specific interpretations. The issue of the materiality of visual productions of the distant past, which in archaeological theory has attracted much attention recently and has stimulated much conceptual debate, is addressed through a variety of scientific approaches, including fieldwork methods, laboratory work techniques and/or data analysis protocols. These, in turn, will provide new insights into human agency and people-image engagements through the study of rock art production, display and use.

Rather than considering the myths supposedly depicted in the world’s rock art, this book examines the myths archaeologists and others have created about the meanings and significance of rock art. This vast body of opinions dominates our concepts of the principal surviving cultural manifestations of early worldviews. Here these constructs are subjected to detailed analysis and are found to consist largely of misinterpretations. From the misidentification of natural rock markings as rock art to mistaken interpretations, from sensationalist claims to pareidolic elucidations of iconographies, the book presents numerous examples of myths researchers have created about pre-Historic ‘art’. The claims about a connection between rock art and the neuropathologies of its producers are assessed, and the neuroscience of rock art interpretation is reviewed. The book presents a comprehensive catalogue of falsities claimed about palaeoart, and it endeavours to explain how these arose, and how they can be guarded against by recourse to basic principles of science. It therefore represents a key resource in the scientific study of rock art.