A valuable source of information on third-century Chinese argumentation and thought, the essays are eloquent, clear, and to the point; humorous at times; philosophically subtle; and psychologically perceptive. They treat matters of perennial concern--immortality, the nature of morality, the relation of music to emotion--and should be of interest to specialist and nonspecialist alike. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A valuable source of information on third-century Chinese argumentation and thought, the essays are eloquent, clear, and to the point; humorous at times; philosophically subtle; and psychologically perceptive. They treat matters of perennial concern--immortality, the nature of morality, the relation of music to emotion--and should be of interest to specialist and nonspecialist alike. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This is an annotated English translation of the poetry of Han-shan (Cold Mountain), a 7th or 8th century Chinese Buddhist recluse who wrote many poems about his life alone in the hills. Many of his poems describe the mountains where he lived in dramatic, yet appealing terms, while at the same time symbolizing in Zen fashion the Buddhist quest for enlightenment. Han-shan became a cult figure in the Ch'an/Zen tradition, and legends portray him and his companion Shih-te as eccentrics who said and did nonsensical things. Han-shan does often write on unusual topics with some of his "poems" being clever insights that just happen to be metric and rhymed. His language is simple and direct; his images and symbols fresh and bold. While the literary value of his work has for the most part been overlooked, this book provides line-by-line literary analysis of some of the more artistically interesting poems. Henricks' work represents, therefore, a major contribution to the study of Chinese literature and Chinese religion.

A valuable source of information on third-century Chinese argumentation and thought, the essays are eloquent, clear, and to the point; humorous at times; philosophically subtle; and psychologically perceptive. They treat matters of perennial concern--immortality, the nature of morality, the relation of music to emotion--and should be of interest to specialist and nonspecialist alike. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A valuable source of information on third-century Chinese argumentation and thought, the essays are eloquent, clear, and to the point; humorous at times; philosophically subtle; and psychologically perceptive. They treat matters of perennial concern--immortality, the nature of morality, the relation of music to emotion--and should be of interest to specialist and nonspecialist alike. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This is an annotated English translation of the poetry of Han-shan (Cold Mountain), a 7th or 8th century Chinese Buddhist recluse who wrote many poems about his life alone in the hills. Many of his poems describe the mountains where he lived in dramatic, yet appealing terms, while at the same time symbolizing in Zen fashion the Buddhist quest for enlightenment. Han-shan became a cult figure in the Ch'an/Zen tradition, and legends portray him and his companion Shih-te as eccentrics who said and did nonsensical things. Han-shan does often write on unusual topics with some of his "poems" being clever insights that just happen to be metric and rhymed. His language is simple and direct; his images and symbols fresh and bold. While the literary value of his work has for the most part been overlooked, this book provides line-by-line literary analysis of some of the more artistically interesting poems. Henricks' work represents, therefore, a major contribution to the study of Chinese literature and Chinese religion.