Robert H. Cataliotti – författare

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7 produkter

Music in African American Fiction
AvRobert H. Cataliotti
E-bok
Engelska, 2018
733 kr
Läs direkt efter köp
Originally published in 1995, The Music of African American Fiction is a historical analysis of the tradition of representing music in African American fiction. The book examines the impact of evolving musical styles and innovative musicians on black culture as is manifested in the literature. The analysis begins with the slave narratives and the emergence of the first black fiction of the antebellum years and moves through the Reconstruction. This is followed by analyses of definitive fictional representations of African American music from the turn-of-the-century through Harlem Renaissance, the Depression and World War II eras through the 1960s and the Black Arts Movement. The representation of black music shapes a lineage that extends from the initial chronicles written in response to sub-human bondage to the declarations of an autonomous "black aesthetic" and dramatically influences the evolution of an African American literary tradition.
Music in African American Fiction
AvRobert H. Cataliotti
E-bok
PDF, Engelska, 2018
735 kr
Läs direkt efter köp
Originally published in 1995, The Music of African American Fiction is a historical analysis of the tradition of representing music in African American fiction. The book examines the impact of evolving musical styles and innovative musicians on black culture as is manifested in the literature. The analysis begins with the slave narratives and the emergence of the first black fiction of the antebellum years and moves through the Reconstruction. This is followed by analyses of definitive fictional representations of African American music from the turn-of-the-century through Harlem Renaissance, the Depression and World War II eras through the 1960s and the Black Arts Movement. The representation of black music shapes a lineage that extends from the initial chronicles written in response to sub-human bondage to the declarations of an autonomous "black aesthetic" and dramatically influences the evolution of an African American literary tradition.
Music in African American Fiction
Representing Music in African American Fiction
AvRobert H. Cataliotti
Inbunden, Engelska, 1995
1 275 kr
Skickas inom 10-15 vardagar
This is the first comprehensive historical analysis of how black music and musicians have been represented in the fiction of African American writers. It also examines how music and musicians in fiction have exemplified the sensibilities of African Americans and provided paradigms for an African American literary tradition.The fictional representation of African American music by black authors is traced from the nineteenth century (William Wells Brown, Martin Delany, Pauline E. Hopkins, Paul Laurence Dunbar) through the early twentieth century and the Harlem Renaissance (James Weldon Johnson, Langston Hughes, Claude McKay, Zora Neale Hurston) to the 1940s and 50s (Richard Wright, Ann Petry, James Baldwin, Ralph Ellison) and the 1960s and the Black Arts Movement (Margaret Walker, William Melvin Kelley, Leroi Jones/Amiri Baraka, Henry Dumas). In the century between Brown and Baraka, the representation of music in black fiction went through a dramatic metamorphosis. Music occupied a representative role in African American culture from which writers drew ideas and inspiration. The music provided a way out of a limited situation by offering a viable option to the strictures of racism. Individuals who overcome these limitations then become role models in the struggle toward equality. African American musical forms-for both artist and audience-also offerd a way of looking at the world, survival, and resistance. The black musician became a ritual leader. This study delineates how black writers have captured the spirit of the music that played such a pivotal role in African American culture. (Ph.D. dissertation, State University of New York at Stony Brook, 1993; revised with new preface and index)
Music in African American Fiction
AvRobert H. Cataliotti
Inbunden, Engelska, 2018
2 364 kr
Skickas inom 10-15 vardagar
Originally published in 1995, The Music of African American Fiction is a historical analysis of the tradition of representing music in African American fiction. The book examines the impact of evolving musical styles and innovative musicians on black culture as is manifested in the literature. The analysis begins with the slave narratives and the emergence of the first black fiction of the antebellum years and moves through the Reconstruction. This is followed by analyses of definitive fictional representations of African American music from the turn-of-the-century through Harlem Renaissance, the Depression and World War II eras through the 1960s and the Black Arts Movement. The representation of black music shapes a lineage that extends from the initial chronicles written in response to sub-human bondage to the declarations of an autonomous "black aesthetic" and dramatically influences the evolution of an African American literary tradition.
Music in African American Fiction
AvRobert H. Cataliotti
Häftad, Engelska, 2020
621 kr
Skickas inom 10-15 vardagar
Originally published in 1995, The Music of African American Fiction is a historical analysis of the tradition of representing music in African American fiction. The book examines the impact of evolving musical styles and innovative musicians on black culture as is manifested in the literature. The analysis begins with the slave narratives and the emergence of the first black fiction of the antebellum years and moves through the Reconstruction. This is followed by analyses of definitive fictional representations of African American music from the turn-of-the-century through Harlem Renaissance, the Depression and World War II eras through the 1960s and the Black Arts Movement. The representation of black music shapes a lineage that extends from the initial chronicles written in response to sub-human bondage to the declarations of an autonomous "black aesthetic" and dramatically influences the evolution of an African American literary tradition.
Del 14 - African-American Literature and Culture
Songs Became the Stories
The Music in African-American Fiction, 1970–2005
AvRobert H. Cataliotti,Carlyle V. Thompson
Häftad, Engelska, 2007
381 kr
Tillfälligt slut
The Songs Became the Stories: The Music in African-American Fiction, 1970–2005 is a sequel to The Music in African-American Fiction, which traced the representation of music in fiction from its mid-nineteenth-century roots in slave narratives through the Black Arts Movement of the 1960s. The Songs Became the Stories continues the historical, critical and musicological analyses of the first book through an examination of many of the major figures in African-American fiction over the past thirty-five years, including Ishmael Reed, Toni Morrison, Ntozake Shange, Nathaniel Mackey, Alice Walker, Albert Murray and John Edgar Wideman. The volume also includes an extensive annotated discography and excerpts from first-hand interviews with major African-American musical artists.
Music in African American Fiction
Representing Music in African American Fiction
AvRobert H. Cataliotti
Häftad, Engelska, 2019
463 kr
Tillfälligt slut
This is the first comprehensive historical analysis of how black music and musicians have been represented in the fiction of African American writers. It also examines how music and musicians in fiction have exemplified the sensibilities of African Americans and provided paradigms for an African American literary tradition.The fictional representation of African American music by black authors is traced from the nineteenth century (William Wells Brown, Martin Delany, Pauline E. Hopkins, Paul Laurence Dunbar) through the early twentieth century and the Harlem Renaissance (James Weldon Johnson, Langston Hughes, Claude McKay, Zora Neale Hurston) to the 1940s and 50s (Richard Wright, Ann Petry, James Baldwin, Ralph Ellison) and the 1960s and the Black Arts Movement (Margaret Walker, William Melvin Kelley, Leroi Jones/Amiri Baraka, Henry Dumas). In the century between Brown and Baraka, the representation of music in black fiction went through a dramatic metamorphosis. Music occupied a representative role in African American culture from which writers drew ideas and inspiration. The music provided a way out of a limited situation by offering a viable option to the strictures of racism. Individuals who overcome these limitations then become role models in the struggle toward equality. African American musical forms-for both artist and audience-also offerd a way of looking at the world, survival, and resistance. The black musician became a ritual leader. This study delineates how black writers have captured the spirit of the music that played such a pivotal role in African American culture. (Ph.D. dissertation, State University of New York at Stony Brook, 1993; revised with new preface and index)

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Robert H. Cataliotti – författare

Music in African American Fiction

Music in African American Fiction

Music in African American Fiction

Music in African American Fiction

Music in African American Fiction

Songs Became the Stories

Music in African American Fiction

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