Robert H. Jordan – författare

Theodore (759–826), abbot of the influential Constantinopolitan monastery of Stoudios, is celebrated as a saint by the Orthodox Church for his stalwart defense of icon veneration. Three important texts promoting the monastery and the memory of its founder are collected in The Life and Death of Theodore of Stoudios.In the Life of Theodore, Michael the Monk describes a golden age at Stoudios, as well as Theodore’s often antagonistic encounters with imperial rulers. The Encyclical Letter of Naukratios, written in 826 by his successor, informed the scattered monks of their leader’s death. Translation and Burial contains brief biographies of Theodore and his brother, along with an eyewitness account of their reburial at Stoudios.These works, translated into English for the first time, appear here alongside new editions of the Byzantine Greek texts.

The Synaxarion of the monastery of the Theotokos Evergetis: March to August, The Moveable Cycle.

Essays and translations.

A veteran, Emmy Award-winning TV news anchor provides a unique insider glimpse into the newsroom revealing how murder cases are selected for TV coverage.Television news anchor Robert Jordan Jr. draws from forty-seven years of news experiences to provide an eye-opening look at how news programs decide which murders to cover and which ones to ignore. Jordan takes readers behind the scenes into the big city newsrooms of Chicago. Here split-second decisions are made on where to send limited resources when dozens of shootings and several murders are occurring on a daily basis.Using interviews from decision makers--such as assignment editors and producers--who work daily in the trenches of working newsrooms, the reader learns how they decide where to send reporters; when to dispatch live trucks; and how the stories will be treated as they are placed in the news programming. Why will one story get "breaking news" banners and be placed at the top of the broadcast while others may not make the air at all or may be given casual mention in later segments?Additionally, Jordan reveals the results of a ground-breaking questionnaire sent to producers and assignment editors at Chicago television stations to assess their rationales for covering murder stories the way they do.Finally, he examines how the explosion of social media platforms has changed the dynamic of reporting the news and why murders are the perfect stories for television, as news organizations struggle to survive.