The first “war correspondent,” William H. Russell of The Times of London, described himself and his profession as “the miserable parent of a luckless tribe.” Others saw it differently: the war correspondent became the stuff of dreams and an urgent romantic calling. . . .  Now, Robert H. Patton, acclaimed historian, author of The Pattons (“Exceptional”—The Washington Post; “Truly remarkable”—John S. Eisenhower) and Patriot Pirates (“Soul-stirring—as good as reading a Patrick O’Brian novel, except that every word is true”—Michael Korda), rediscovers and celebrates, in Hell Before Breakfast, America’s first war correspondents, forgotten today but legends in their time. Here are the men who, between 1850 and 1914, and particularly during America’s Civil War and the Spanish-American War, led the most romantic and thrilling of lives on the edgiest frontiers of time and space, where empires fell and dynasties flourished; they were correspondents who saw the world, broke the story, were making the news during the years when newspapers made available the most foreign of landscapes and their circulation wars were revolutionizing contemporary life, shaping global events, and creating history. Patton writes of the decades of lightning progress and high adventure, when America was emerging as a great power and the monarchies of Europe battled for dominance through a series of brief, bloody imperial wars; when the newly discovered electric telegraph enabled these extraordinary first-person dispatches to be splashed across the daily newspapers then proliferating on both sides of the Atlantic. Through the eyes (and minds) of American adventurers, soldiers, and artists-turned-correspondents—Mark Twain and the painter John Millet among them—we see what they saw and what they brought to life: the Civil War, the Austro-Prussian War, the Franco-Prussian War, the Russo-Turkish War. Patton writes about New York Herald reporter Henry Stanley, who led a caravan from the Tanzanian coast into the uncharted “cannibal country” and, after a 236-day trek, discovered the long lost and presumed dead Dr. David Livingstone . . . about Archibald Forbes of the London Daily News bringing to life in his dispatches the frantic assembly of barricades along Paris streets as royalists and Communists fought with bayonets following the Prussian invasion. Here are the fearless young correspondents, among them Henry Villard of Bavaria, a journalist who covered the Civil War and ended up a financial titan, head of the Northern Pacific Railway and an early investor in the company that would ultimately become General Electric; and George Smalley, chief war correspondent of the New York Tribune, who watched for twenty-four hours as the Union Army of the Potomac and the Confederate Army of Northern Virginia fought in the cornfields and woodlands around Antietam Creek. These correspondents were at center stage and, through their on-the-spot reporting, became legends in their time. Their intrepid spirit and sense of adventure inspired generations of storytellers, explorers, artists, writers, statesmen and politicians, and even moviemakers—from Rudyard Kipling and Winston Churchill to Theodore Roosevelt, D. W. Griffith, and Cecil B. DeMille—men whose adolescence was shaped during this spectacular age of war correspondence.

There is no question who killed the tourist scuba diver caught poaching from local lobster traps at dawn off Penscot Island. Robby Cochran letting the guy go unpunished would have been the surprise. But aftermath brings down flutters of doubt that are near miraculous in a thug like Robby, and he's only the first to find the rules and customs he's living by overturned by his act. Life Between Wars examines the ripples being caused by one violent incident as they disperse and build to a virtual tidal wave through the Penscot community. Meet teenagers bending on comic crusades for sex and contraband, a would-be nun seeking a last romance to miss from within the cloister, and an eccentric octogenarian certain he's seeing the face of God in his backyard shrubbery. An ex-lieutenant and his former platoon sergeant warily circle one another, too old to be reliving ugly rivalries born in South Vietnam almost two decades earlier, yet too set in the ways to risk the dangers of forgiveness. There is a flamboyant painter, with frightening and thrilling sexual infatuations, along with his delusions of terminal illness. And then there is the handicapped youth whose very nickname, "Johnwayne," both parodies and embodies the mystery of proper American manhood that so compels and befuddles his neighbors.

The first “war correspondent,” William H. Russell of The Times of London, described himself and his profession as “the miserable parent of a luckless tribe.” Others saw it differently: the war correspondent became the stuff of dreams and an urgent romantic calling. . . .  Now, Robert H. Patton, acclaimed historian, author of The Pattons (“Exceptional”—The Washington Post; “Truly remarkable”—John S. Eisenhower) and Patriot Pirates (“Soul-stirring—as good as reading a Patrick O’Brian novel, except that every word is true”—Michael Korda), rediscovers and celebrates, in Hell Before Breakfast, America’s first war correspondents, forgotten today but legends in their time. Here are the men who, between 1850 and 1914, and particularly during America’s Civil War and the Spanish-American War, led the most romantic and thrilling of lives on the edgiest frontiers of time and space, where empires fell and dynasties flourished; they were correspondents who saw the world, broke the story, were making the news during the years when newspapers made available the most foreign of landscapes and their circulation wars were revolutionizing contemporary life, shaping global events, and creating history. Patton writes of the decades of lightning progress and high adventure, when America was emerging as a great power and the monarchies of Europe battled for dominance through a series of brief, bloody imperial wars; when the newly discovered electric telegraph enabled these extraordinary first-person dispatches to be splashed across the daily newspapers then proliferating on both sides of the Atlantic. Through the eyes (and minds) of American adventurers, soldiers, and artists-turned-correspondents—Mark Twain and the painter John Millet among them—we see what they saw and what they brought to life: the Civil War, the Austro-Prussian War, the Franco-Prussian War, the Russo-Turkish War. Patton writes about New York Herald reporter Henry Stanley, who led a caravan from the Tanzanian coast into the uncharted “cannibal country” and, after a 236-day trek, discovered the long lost and presumed dead Dr. David Livingstone . . . about Archibald Forbes of the London Daily News bringing to life in his dispatches the frantic assembly of barricades along Paris streets as royalists and Communists fought with bayonets following the Prussian invasion. Here are the fearless young correspondents, among them Henry Villard of Bavaria, a journalist who covered the Civil War and ended up a financial titan, head of the Northern Pacific Railway and an early investor in the company that would ultimately become General Electric; and George Smalley, chief war correspondent of the New York Tribune, who watched for twenty-four hours as the Union Army of the Potomac and the Confederate Army of Northern Virginia fought in the cornfields and woodlands around Antietam Creek. These correspondents were at center stage and, through their on-the-spot reporting, became legends in their time. Their intrepid spirit and sense of adventure inspired generations of storytellers, explorers, artists, writers, statesmen and politicians, and even moviemakers—from Rudyard Kipling and Winston Churchill to Theodore Roosevelt, D. W. Griffith, and Cecil B. DeMille—men whose adolescence was shaped during this spectacular age of war correspondence.

There is no question who killed the tourist scuba diver caught poaching from local lobster traps at dawn off Penscot Island. Robby Cochran letting the guy go unpunished would have been the surprise. But aftermath brings down flutters of doubt that are near miraculous in a thug like Robby, and he's only the first to find the rules and customs he's living by overturned by his act. Life Between Wars examines the ripples being caused by one violent incident as they disperse and build to a virtual tidal wave through the Penscot community. Meet teenagers bending on comic crusades for sex and contraband, a would-be nun seeking a last romance to miss from within the cloister, and an eccentric octogenarian certain he's seeing the face of God in his backyard shrubbery. An ex-lieutenant and his former platoon sergeant warily circle one another, too old to be reliving ugly rivalries born in South Vietnam almost two decades earlier, yet too set in the ways to risk the dangers of forgiveness. There is a flamboyant painter, with frightening and thrilling sexual infatuations, along with his delusions of terminal illness. And then there is the handicapped youth whose very nickname, "Johnwayne," both parodies and embodies the mystery of proper American manhood that so compels and befuddles his neighbors.