Robert Hahn – författare

Vilken sorts vätska, hur mycket blod, när, hur och varför? Blodersättning och vätsketerapi går igenom dagens utbud av blodprodukter och infusionsvätskor, och beskriver förtjänster och nackdelar men även fallgropar och risker vid felanvändning.Intravenös infusion av blod och vätska är viktiga behandlingar i samband med kirurgiska operationer, trauma och intensivvård. Säker behandling kräver kunskaper om hur medlen verkar i kroppen. Boken beskriver på ett lättfattligt sätt viktiga fysiologiska mekanismer och presenterar de senaste vetenskapliga rönen. Förutom den teoretiska bakgrunden läggs stor vikt vid praktisk behandling.Blodersättning och vätsketerapi fokuserar på verksamhet som bedrivs på akutmottagningar och operations- och intensivvårdsavdelningar, men mycket av innehållet har betydelse för arbetet på vårdavdelningar, främst inom kirurgiska discipliner. Målgrupper är både studerande och verksamma läkare och sjuksköterskor, och även andra studerande inom vårdyrken.

No Messages, the 2001 winner of the Ernest Sandeen Prize, is Robert Hahn's second major collection of poetry. In commenting on Hahn's collection All Clear, Richard Howard called attention to Hahn's ability "to ground his perceptions, his discoveries in a specific circumstance . . . to reach the risen condition, the state beyond, which is the purpose of all his poems."Howard's analysis anticipates the poems of No Messages, which focus on particular places and characters while they progress, through motions of the mind and maneuvers of language, toward a "state beyond," which involves a reformulating or a reseeing—reconfigurations of an apprehended world through language and form.In its exploration of the seams and the seamlessness of language and reality, No Messages is an apt introduction to the new millennium. The "no messages" of the title reflects a basic tension in contemporary poetry, between its claim to exist in the realms of language and structure, and its sense of responsibility to render the world in its actuality, in a clarified or confronted state. A striking balance of this tension is found in the collection's central section, a suite of poems responding to the influence of James Merrill.While No Messages is devoted to revisionings of the world in language, it remains grounded in circumstance and place and in the actions and convictions of historical figures. The book opens with John Knox on the beach at St. Andrews in Scotland and closes with John Brown on the bank of the Pottowatamie River in Kansas. Between these two shores, No Messages describes a series of luminous arcs connecting this world and the world beyond.

Uses textual and archaeological evidence to argue that emerging Egyptian and Greek architectural technologies were crucial to the origins and development of Greek philosophy.Anaximander and the Architects opens a previously unexplored avenue into Presocratic philosophy-the technology of monumental architecture. The evidence, coming directly from sixth century B.C.E. building sites and bypassing Aristotle, shows how the architects and their projects supplied their Ionian communities with a sprouting vision of natural order governed by structural laws. Their technological innovations and design techniques formed the core of an experimental science and promoted a rational, not mythopoetical, discourse central to our understanding of the context in which early Greek philosophy emerged. Anaximander's prose book and his rationalizing mentality are illuminated in surprising ways by appeal to the ongoing, extraordinary projects of the archaic architects and their practical techniques.

Uses textual and archaeological evidence to argue that emerging Egyptian and Greek architectural technologies were crucial to the origins and development of Greek philosophy.Anaximander and the Architects opens a previously unexplored avenue into Presocratic philosophy-the technology of monumental architecture. The evidence, coming directly from sixth century B.C.E. building sites and bypassing Aristotle, shows how the architects and their projects supplied their Ionian communities with a sprouting vision of natural order governed by structural laws. Their technological innovations and design techniques formed the core of an experimental science and promoted a rational, not mythopoetical, discourse central to our understanding of the context in which early Greek philosophy emerged. Anaximander's prose book and his rationalizing mentality are illuminated in surprising ways by appeal to the ongoing, extraordinary projects of the archaic architects and their practical techniques.

Places the development of Anaximander's thought within social, political, cosmological, astronomical, and technological contexts.Promoting a new, broadly interdisciplinary horizon for future studies in early Greek philosophy, Dirk L. Couprie, Robert Hahn, and Gerard Naddaf establish the cultural context in which Anaximander's thought developed and in which the origins of Greek philosophy unfolded in its earliest stages. In order to better understand Anaximander's achievement, the authors call our attention to the historical, social, political, technological, cosmological, astronomical, and observational contexts of his thought. Anaximander in Context brings to the forefront of modern debates the importance of cultural context, and the indispensability of images to clarify ancient ideologies.

Places the development of Anaximander's thought within social, political, cosmological, astronomical, and technological contexts.Promoting a new, broadly interdisciplinary horizon for future studies in early Greek philosophy, Dirk L. Couprie, Robert Hahn, and Gerard Naddaf establish the cultural context in which Anaximander's thought developed and in which the origins of Greek philosophy unfolded in its earliest stages. In order to better understand Anaximander's achievement, the authors call our attention to the historical, social, political, technological, cosmological, astronomical, and observational contexts of his thought. Anaximander in Context brings to the forefront of modern debates the importance of cultural context, and the indispensability of images to clarify ancient ideologies.

Detailed study of how Anaximander's cosmological and philosophical conceptions were affected by architectural technologies.Promoting a new way to study and illuminate early Greek philosophy, Archaeology and the Origins of Philosophy explores archaeological resources and art historical evidence to contribute to the ongoing debates concerning the origins of philosophy. Focusing on the philosopher Anaximander, Robert Hahn addresses the history of scholarship surrounding ancient philosophy, which has often overlooked archaeology, as he unearths the importance of both a historical and cultural context in the study of philosophy. Weaving together the significance of ancient building sites in ancient Greek culture to the empirical inspiration for Anaximander's cosmology, this distinctive and encompassing study reveals new possibilities for the origins of Greek philosophy.

Detailed study of how Anaximander's cosmological and philosophical conceptions were affected by architectural technologies.Promoting a new way to study and illuminate early Greek philosophy, Archaeology and the Origins of Philosophy explores archaeological resources and art historical evidence to contribute to the ongoing debates concerning the origins of philosophy. Focusing on the philosopher Anaximander, Robert Hahn addresses the history of scholarship surrounding ancient philosophy, which has often overlooked archaeology, as he unearths the importance of both a historical and cultural context in the study of philosophy. Weaving together the significance of ancient building sites in ancient Greek culture to the empirical inspiration for Anaximander's cosmology, this distinctive and encompassing study reveals new possibilities for the origins of Greek philosophy.

Explores Thales's speculative philosophy through a study of geometrical diagrams.Bringing together geometry and philosophy, this book undertakes a strikingly original study of the origins and significance of the Pythagorean theorem. Thales, whom Aristotle called the first philosopher and who was an older contemporary of Pythagoras, posited the principle of a unity from which all things come, and back into which they return upon dissolution. He held that all appearances are only alterations of this basic unity and there can be no change in the cosmos. Such an account requires some fundamental geometric figure out of which appearances are structured. Robert Hahn argues that Thales came to the conclusion that it was the right triangle: by recombination and repackaging, all alterations can be explained from that figure. This idea is central to what the discovery of the Pythagorean theorem could have meant to Thales and Pythagoras in the sixth century BCE. With more than two hundred illustrations and figures, Hahn provides a series of geometric proofs for this lost narrative, tracing it from Thales to Pythagoras and the Pythagoreans who followed, and then finally to Plato's Timaeus. Uncovering the philosophical motivation behind the discovery of the theorem, Hahn's book will enrich the study of ancient philosophy and mathematics alike.

Explores Thales's speculative philosophy through a study of geometrical diagrams.Bringing together geometry and philosophy, this book undertakes a strikingly original study of the origins and significance of the Pythagorean theorem. Thales, whom Aristotle called the first philosopher and who was an older contemporary of Pythagoras, posited the principle of a unity from which all things come, and back into which they return upon dissolution. He held that all appearances are only alterations of this basic unity and there can be no change in the cosmos. Such an account requires some fundamental geometric figure out of which appearances are structured. Robert Hahn argues that Thales came to the conclusion that it was the right triangle: by recombination and repackaging, all alterations can be explained from that figure. This idea is central to what the discovery of the Pythagorean theorem could have meant to Thales and Pythagoras in the sixth century BCE. With more than two hundred illustrations and figures, Hahn provides a series of geometric proofs for this lost narrative, tracing it from Thales to Pythagoras and the Pythagoreans who followed, and then finally to Plato's Timaeus. Uncovering the philosophical motivation behind the discovery of the theorem, Hahn's book will enrich the study of ancient philosophy and mathematics alike.

With this collection, Robert Hahn offers poems that range from sestinas to sharp-edged lyrics, from the meditative drift of ""Attending"" to the intricate precision of ""False Dawn"". The figures in the book are often artists who altered perceptions of reality by creating their own separate worlds.