Robert Hough – författare

In the 1910s and 1920s, when circus was the most popular form of entertainment in North America, Mabel Stark made her name in a man’s world as the greatest female tiger trainer in history, the centre-ring finale act for the Ringling Brothers Barnum & Bailey Circus. Brazen, courageous, obsessed with tigers and sexually eccentric, Stark survived a dozen severe maulings — and five husbands. Now, at age 80 and about to lose her job, she decides that there is one last thing she needs to do: Mabel Stark wants to confess.

Hank Wallins is a broken man working the night shift in a meaningless job. Tormented by the tinnitus constantly ringing in his ears, he sleepwalks through life, too scarred by a tragic love affair to try again. When a madman pushes him into the path of an oncoming subway train, this scrape with death re-awakens Hank to the world. Craving a reengagement with passion, he reaches out to a young slightly cross-eyed Russian beauty who he locates on a website. He ventures by plane to meet the lovely and mysterious Anna in her hometown of St. Petersburg. Anna Verkoskova seeks to flee not only the hopelessness of her economic situation, but also the reminders of her own failed love affair with Ruslan, a womanizing Dagastani rock star look-alike from the Chechen region. Finding no particular reason to dislike the kind, lumbering Hank, she agrees to follow him to Canada. But once she has left Russia behind, she is overwhelmed by homesickness and a dread of disappearing into the grey Toronto winter. Then she receives a frightening note: Ruslan has been kidnapped. She races home immediately, carrying a bag stuffed with cash. Hank’s cash.Held captive and tortured by the FSB, Ruslan has been crippled by his tormentors and injected with N20, a mysterious CIA-developed serum that fills its victims’ brains with the totality of human knowledge, rendering them insane. Ruslan is traded to Chechen radicals and ransomed. As Anna is now associated with a “rich” Westerner, she is now a target for the ransom. Ruslan’s former political disengagement has been replaced by a new sort of apathy, one that renders him a pawn to whomever has control of the omniscient demons in his ears screaming for blood. Returned to St. Petersburg and reunited with Ruslan, Anna quickly realizes that her former lover has been lost to her forever, as has her nation. With few options, she returns to the safety of Hank and Canada and discovers that, with her passion for Ruslan faded, she has room for new passions to emerge. But she also carries with her a life-altering secret.The novel unfolds through the words of a narrator who describes himself as an abomination, yet he is heroic and compassionate, and capable of immense acts of love, including the creation of this very narrative itself–a gift for his unborn half-sister. His horrors have been formed as a result of untold millennia of blood hatred. But it is through his existence that our protagonists transcend their own human culpability.A kaleidoscopic and riotous tale, voiced by one of the most unusual narrators in literary history, Robert Hough’s The Culprits puts shape and flesh to the murky unknowns surrounding a real-life terrorist incident and all that led up to it, shining a light into some of humanity’s most inscrutable sins. This novel is at once a mind-blowing hallucination and a classic love story, exploring the human thirsts for love and passion, for allegiance and trust, and for terrible vengeance.From the Hardcover edition.

The Stowaway is at once a thrilling maritime adventure and a thought-provoking morality tale based on real-life events. The novel begins in the spring of 1996 when Rodolfo Miguel, a bosun on the Taiwanese container ship Maersk Dubai, discovers a hungry and frightened pair of Romanian stowaways. He presents them to his officers, fully expecting that they’ll be put to work or else dropped off at the nearest port. Instead, he and his fellow Filipino crewmen watch in silent horror as the Romanians are cast overboard in a flimsy raft only to disappear beneath the ship’s wake. The Stowaway moves seamlessly between two storylines. Aboard the Maersk Dubai, Rodolfo and his crewmen must deal with the emotional trauma of what they’ve seen – as well as grapple with how to act on what they know. The atmosphere on the ship grows increasingly tense as fear, anxiety and paranoia grip the Filipino sailors. Trapped witnesses to a crime, they wonder whom they can trust and whether they themselves will meet with the same fate as the stowaways.Meanwhile, a nineteen-year-old Romanian named Daniel Pacepa heads out on a nail-biting adventure from Bucharest to Algeciras. Poor, brave and full of youthful indiscretion, Daniel is desperate to stow away on a ship and head to a better life in America. Along the way, he meets another Romanian named Gheorghe and together they perform cheap labour, pose as evangelical Christians and do whatever it takes to find their way to the Spanish port of Algeciras.Eventually the two stories merge when Daniel and Gheorghe sneak onto the ill-fated Maersk Dubai. One man is killed, the other discovered by Rodolfo. Once again, the Filipino crewmen find themselves faced with an excruciating moral dilemma. Do they risk their own personal safety to save the life of a complete stranger? All of the scenes involving the Filipino sailors are as close to the truth as Robert Hough could manage based on exhaustive interviews with the crewmen as well as on their letters and journals. Though Hough invented the Romanians’ land adventure, he based the story on considerable research, including interviews with Romanian-Canadians who had lived under the Ceausescu regime.Hough was widely praised for the deft way in which he mixes fact and fiction in The Stowaway. The critics were also unanimous in their admiration for the novel’s ability to seduce with suspense while at the same time posing profound issues for the reader to ponder. “This is a powerful novel that artfully combines the vivid, breathless pacing of the best adventure stories with the moral and metaphysical depth of the best literary fiction,” said Quill & Quire. And from the Vancouver Sun: “Harnessing the force of fiction and the weight of history, Hough has created a powerful, deeply human masterpiece out of tragedy and inhumanity.”From the Trade Paperback edition.

With the suspense of a thriller and the moral resonance of a Joseph Conrad classic, The Stowaway is an adventure story of the highest caliber, a profound tale of good and evil all the more moving because it is based on actual events.When two Romanian stowaways show themselves on the container ship Maersk Dubai one day into its passage across the Atlantic Ocean, bosun Rodolfo Miguel escorts them to his captain, assuming they’ll be fed and put to work. To his horror, and that of the rest of the crew, the officers order the men to be put onto a flimsy raft, which in an instant is sucked under the frigid, unforgiving water. Over the next few weeks, the crew is divided between those loyal to the officers and those who cannot accept what they have seen. When on a later voyage a third stowaway is found, and then another, they’re forced to come to terms with the earlier murders and, at the risk of their own lives, act for good or evil. Intercut with these events is the backstory of the desperate stowaways, forced to flee their impoverished country in search of a better life. The powerful resolution of these two narratives, of the stowaways and the crew, makes for a tense and heart-pounding tale of murder, fear, and courage on the high seas.