Robert J. Higgs - Böcker

Analyzing a sample of 25 films, including such notables as Red River, Shane, Unforgiven, The Wild Bunch, Wyatt Earp, and Dances with Wolves, this work examines traditional leadership theories as reflected in the western film genre. The western vividly portrays a variety of leadership styles, motifs, and characteristics giving perspective on several traditional leadership theories. The different leadership styles the films exhibit are categorized and described through content analysis. Some of the concepts and underlying theories and styles reveal a universal quality about leadership that transcends theoretical research. As a cultural study that traces the relative popularity of leadership styles, this work provides new insight toward studying leadership effectiveness.Through the lens of leadership theory, this unique look at the western films from 1945 to 1995 and the American culture they depict will appeal not only to leadership, film, and popular culture scholars but to leaders in business, government, and the military. Chapters group films by their similar depiction of leadership styles. Within each chapter the films are separately described, then each is explored within the context of leadership theory. Films prior to 1980 are included on the basis of their critical or commercial success, while films after 1980 are included on the basis of their box office success or their individual portrayals of gender or cultural leadership.

From the worship of Michael Jordan to the downfall of O.J. Simpson, it has become clear that sports and sports heroes have assumed a role in American society far out of proportion to their traditional value. In this powerful critique of present-day American popular culture, Robert J. Higgs examines the complex and increasingly pervasive control that sports wield in shaping the national self-image. He provides a thoughtful history and analysis of how sports and religion have become intertwined and offers a stinging indictment of the sports-religion-media-education complex.Beginning with the place of sports in Puritan life, Higgs traces the contributions of various individuals and institutions to the present circumstances in which sports and religion are joined. He discusses the transfer of the Puritan ideal to the New World and then moves to the revolutionary period of the national hero and manifest destiny, through the classic period of education for a sound mind in a sound body, to the imperial phase of American supremacy.In the process of tracing this history Higgs makes clear the growing influence of "muscular" Christianity, from circuit-riding evangelists to pulpit-pounding televangelists, from Billy Sunday to Billy Graham, from the YMCA to the Fellowship of Christian Athletes. Finally he arrives at our present Low Roman or "bread and circuses" period in which sports simultaneously serve the purposes of entertainment, religious proselytism, distraction of the masses, and political propaganda, all under the colorful banner of Christian knighthood as seen in the stadium revivals of Billy Graham and the sporting enthusiasm of Jerry Falwell.In brief, sports and Christianity have followed similar paths. In the beginning they were nationalized, then Hellenized, then Romanized, and, in our own time, televised. The result is that spectator sports have become the reigning American religion, one sharply at odds with a traditional shepherd ethos.This well-written and innovative book makes clear the dangerous power wielded by the sports-religion-media-education complex over the minds and energies of the American people. It is a call for recognition and reevaluation of our present situation that will concern anyone interested in the future of American culture.

To examine the social and cultural significance of the athlete hero in American literature, Robert J. Higgs turns to the works of Ring Lardner, Ernest Hemingway, F. Scott Fitzgerald, Thomas Wolfe, William Faulkner, Robert Penn Warren, Arthur Miller, and Tennessee Williams.Higgs views the athlete in literature not as an artistic creation but as one who reflects the tastes, attainments, beliefs, and ideals of his society. The athletes he describes as Apollonian are the know-it-alls, of whom Lardner's Busher Keefe is an example; the Dyonisian, as exemplified by Irwin Shaw's Christian Darling, worships his body as an end in itself. The Adonic seeks knowledge for the sake of self-realization and lives in a world of tension, pain, struggle, and hope. Such a figure is Wolfe's Nebraska Crane. Higgs finds in contemporary American literature a clear rejection of the Apollonian and Dyonisian models and an acceptance of the Adonic.