Robert Justin Goldstein - Böcker

In this comprehensive account of censorship of the visual arts in nineteenth-century Europe, when imagery was accessible to the illiterate in ways that print was not, specialists in the history of the major European countries trace the use of censorship by the authorities to implement their fears of the visual arts, from caricature to cinema.

Robert Justin Goldstein's Political Repression in Modern America provides the only comprehensive narrative account ever published of significant civil liberties violations concerning political dissidents since the rise of the post-Civil War modern American industrial state. A history of the dark side of the "land of the free," Goldstein's book covers both famous and little-known examples of governmental repression, including reactions to the early labor movement, the Haymarket affair, "little red scares" in 1908, 1935, and 1938-41, the repression of opposition to World War I, the 1919 "great red scare," the McCarthy period, and post-World War II abuses of the intelligence agencies.  Enhanced with a new introduction and an updated bibliography, Political Repression in Modern America remains an essential record of the relentless intolerance that suppresses radical dissent in the United States.

Political Censorship of the Arts and the Press in Nineteenth-Century Europe presents a comprehensive account of the attempts by authorities throughout Europe to stifle the growth of political opposition during the nineteenth-century by censoring newspapers, books, caricatures, plays, operas and film.

First published in 1995, Saving Old Glory provides a detailed account of the origins and development of the American flag desecration controversy.

First published in 1995, Saving Old Glory provides a detailed account of the origins and development of the American flag desecration controversy.

Originally published in 1983. The nineteenth century was a time of great economic, social and political change. As Europe modernized, previously ignorant and apathetic elements in the population began to demand political freedoms. There was pressure also for a freer press, for the rights of assembly and association. The apprehension of the existing elites manifested itself in an intensification of often brutal form of political repression. The first part of this book summarizes on a pan-European basis, the major techniques of repression such as the denial of popular franchise and press censorship. This is followed by a chronological survey of these techniques from 1815 – 1914 in each European country. The book analyzes the long and short-term importance of these events for European historical development in the 19th and 20th centuries.

During the Allies’ invasion of Italy inthe thick of World War II, Americansoldier James Kutcher was hit by a German mortar shell and lost both of his legs. Back home, rehabilitated and given a job at the Veterans’ Administration, he was soon to learn that his battles were far from over. In 1948, in the throes of the post-warRed Scare, the hysteria over perceived Communist threats that marked the Cold War, the government moved to fire Kutcher because of his membership in a small, left-wing group that had once espousedrevolutionary sentiments. Kutcher’s eightyear legal odyssey to clear his name and assert his First Amendment rights, described in full for the first time in this book, is at once a cautionary tale in a new period of patriotic one-upmanship, and a story of tenacious patriotism in its own right.The son of Russian immigrants, James Kutcher came of age during the Great Depression. Robbed of his hope of attending college or finding work of any kind, he joined the Socialist Workers Party, left-wing and strongly anti-Soviet, in his hometown of Newark. When his membership in the SWP came back to haunt him at the height of the Red Scare, Kutcher took up the fight against efforts to punish people for their thoughts, ideas, speech, and associations. As a man who had fought for his country and paid a great price, had never done nything that could be construed as treasonous, held a low-level clerical position utterly unconnected with national security, and was the sole support of his elderly parents; Kutcher cut an especially sympathetic figure in the drama of Cold War witch-hunts. In a series of confrontations, in what were highly publicized as the “case of the legless veteran,” the federal government tried to oust Kutcher from his menial Veterans’ dministration job, take away his World War II disability benefits, and to evict him and his family from their federally subsidized housing.Discrediting the Red Scare tells the story of his long legal struggle in the face of government persecution—that redoubled after every setback until the bitter end

Desecrating the American Flag is the only comprehensive, edited, and annotated collection of critical documents regarding the controversies swirling around the desecration of the American flag. Should violators of the Stars and Stripes be prosecuted? Or legally protected? This issue reached center stage in American politics throughout the 1990s when Congress debated whether or not to amend the constitution to forbid flag desecration; but this debate has been hotly contested since the Civil War.Robert Justin Goldstein brings together almost 150 key documents spanning more than 100 years. He culls from a variety of sources—Congressional hearings, debates, legal briefs, oral arguments, newspaper articles, and court rulings, for example—and then carefully edits each document to retain key material. Introductory essays place each document within a broader historical, political, and legal context.

"All essays are well researched and clearly written, with invaluable extensive bibliographies. They also illustrate the complexities of interaction between politics and culture and paradoxes in the use of the theater." * Choice "Theater censorship in the 19th-century is a key issue for understanding relationships between urban society, government and new cultural trends. This book offers a large view of the different situations in Europe, showing both the specificities of each country and the converging trends, thus revealing the secret unity of theater as a forum in Europe at large. A very useful and finely composed book." * Christophe Charle, Professor and Director of the Institute of Modern and Contemporary History at the Sorbonne in Paris. He is the author of almost 20 books, including, most recently, Theatres en capitales: Naissance de la societe du spectacle a Paris, Berlin, Londres et Vienne (2008). "This is an exceptionally rich collection of essays on a key intersection between culture and politics in 19th-century Europe.The volume highlights the importance of wide-ranging censorship in European politics of the time, but also the social context in which theater could assume an importance that will surprise and inform a contemporary readership. Stimulating comparative insights cap a significant contribution to modern history." * Peter N. Stearns, Provost, George Mason University, Editor, Journal of Social History "An excellent introduction to theater censorship for an English-speaking audience as well as for individuals who have the linguistic skills to carry out further, more specialized research. It brings out the similarities between theater censorship across Europe during the nineteenth century, but at the same time provides fascinating details of how different political events in each country influenced the types and severity of theater censorship." * Janice Best, Chair of the Department of Languages and Literature at Acadia University, Canada and author of La subversion silencieuse: censure, autocensure et lutte pour la liberte d'expression (2001) "This is a very useful collection ...fills a real gap in the literature...The texts are ...very good and the bibliographical essays make the volume a valuable resource." * Robin Lenman, formerly University of Warwick, author of Artists and Society in Germany, 1850-1914 (1997) In nineteenth-century Europe the ruling elites viewed the theater as a form of communication which had enormous importance. The theater provided the most significant form of mass entertainment and was the only arena aside from the church in which regular mass gatherings were possible. Therefore, drama censorship occupied a great deal of the ruling class's time and energy, with a particularly focus on proposed scripts that potentially threatened the existing political, legal, and social order. This volume provides the first comprehensive examination of nineteenth-century political theater censorship at a time, in the aftermath of the French Revolution, when the European population was becoming increasingly politically active.

Originally published in 1983. The nineteenth century was a time of great economic, social and political change. As Europe modernized, previously ignorant and apathetic elements in the population began to demand political freedoms. There was pressure also for a freer press, for the rights of assembly and association. The apprehension of the existing elites manifested itself in an intensification of often brutal form of political repression. The first part of this book summarizes on a pan-European basis, the major techniques of repression such as the denial of popular franchise and press censorship. This is followed by a chronological survey of these techniques from 1815 – 1914 in each European country. The book analyzes the long and short-term importance of these events for European historical development in the 19th and 20th centuries.

Anti-communism has long been a potent force in American politics, capable of gripping both government and popular attention. Nowhere is this more evident that the two great 'red scares' of 1919-20 and 1946-54; the latter generally - if somewhat inaccurately - termed McCarthyism. The interlude between these two major scares has tended to garner less attention, but as this volume makes clear, the lingering effects of 1919-20 and the gathering storm-clouds of 'McCarthyism' were clearly visible throughout the 20s and 30s, even if in a more low-key way. Indeed, the period between the two great red scares was marked by frequent instances of political repression, often justified on anti-communist grounds, at local, state and federal levels. Yet these events have been curiously neglected in the history of American political repression and anti-communism, perhaps because much of the material deals with events scattered in time and space which never reached the intensity of the two great scares. By focusing on this twenty-five year 'interim' period, the essays in this collection bridge the gap between the two high-profile 'red scares' thus offering a much more contextualised and fluid narrative for American anti-communism. In so doing the rationale and motivations for the 'red scares' can be seen as part of an evolving political landscape, rather than as isolated bouts of hysteria exploding onto - and then vanishing from - the political scene. Instead, a much more nuanced appreciation of the conflicting interests and fears of government, politicians, organised labour, free-speech advocates, employers, and the press is offered, which will be of interest to anyone wishing to better understand the political history of modern America.

Political Censorship of the Arts and the Press in Nineteenth-Century Europe presents a comprehensive account of the attempts by authorities throughout Europe to stifle the growth of political opposition during the nineteenth-century by censoring newspapers, books, caricatures, plays, operas and film.

In this comprehensive account of censorship of the visual arts in nineteenth-century Europe, when imagery was accessible to the illiterate in ways that print was not, specialists in the history of the major European countries trace the use of censorship by the authorities to implement their fears of the visual arts, from caricature to cinema.

Anti-communism has long been a potent force in American politics, capable of gripping both government and popular attention. Nowhere is this more evident that the two great 'red scares' of 1919-20 and 1946-54; the latter generally - if somewhat inaccurately - termed McCarthyism. The interlude between these two major scares has tended to garner less attention, but as this volume makes clear, the lingering effects of 1919-20 and the gathering storm-clouds of 'McCarthyism' were clearly visible throughout the 20s and 30s, even if in a more low-key way. Indeed, the period between the two great red scares was marked by frequent instances of political repression, often justified on anti-communist grounds, at local, state and federal levels. Yet these events have been curiously neglected in the history of American political repression and anti-communism, perhaps because much of the material deals with events scattered in time and space which never reached the intensity of the two great scares. By focusing on this twenty-five year 'interim' period, the essays in this collection bridge the gap between the two high-profile 'red scares' thus offering a much more contextualised and fluid narrative for American anti-communism. In so doing the rationale and motivations for the 'red scares' can be seen as part of an evolving political landscape, rather than as isolated bouts of hysteria exploding onto - and then vanishing from - the political scene. Instead, a much more nuanced appreciation of the conflicting interests and fears of government, politicians, organised labour, free-speech advocates, employers, and the press is offered, which will be of interest to anyone wishing to better understand the political history of modern America.