Robert L. Montgomery – författare

While much work has been done to apply anthropological insights to the study of missions, the sociological perspective has been generally neglected by missiologists. This volume defines the sociology of missions as a discrete subdiscipline within the sociology of religion and provides a working set of conceptual resources for those involved in mission work to use in furthering their understanding of their task. The author reviews the major areas of sociology that are most relevant to missions and presents his findings as a basis for discussion and a stimulus to further exploration of relevant sociological concepts and theories. One of his main goals is to increase dialogue between missiologists and sociologists of religion, by providing the former with a sociological perspective and the latter with a deeper understanding of the missionary enterprise.

Comparing the spread of Christianity to the East to its more successful spread to the West, Montgomery illustrates the uneven diffusion of one of the world's most influential and successful religions. Through his sociological analysis, the author examines the causes for Christianity's success to the West and its relative failings in major societies to the east of Jerusalem, including India, Persia, and China. Applying five variables, including Christianity's missionary orientation, geography, intersocietal relations, sociocultural structures, and individual perceptions, Montgomery provides a theory of the diffusion of religion in general, and of Christianity in particular.Beginning by laying out the variables he will apply to the study, Montgomery carefully explains his approach, introducing the reader to this unique field of study. He then moves on to examine Christianity's earliest spread to areas east of Jerusalem. An examination of the rise of Islam in the East precedes a comparative analysis of the success of Christianity in its spread to the West to its relative failure to spread to the East. He concludes with a discussion of religious pluralism. Groundbreaking in its attempt to establish a better understanding of religious diffusion, this work will be indispensable to those interested in the study of sociology of religions, religious studies, missionary studies, and Christianity.

Few Elizabethans left the image of their personalities cut so deeply into the Renaissance imagination as did Sir Philip Sidney. Widely admired in his own time, Sidney must seem to the modern reader almost universally accomplished. His talents as courtier, diplomat, soldier, scholar, novelist, and poet are history. Almost immediately after Sidney's death in battle against the Spaniards in the Low Countries, the process of legend began, and the legend has survived, sometimes obscuring the facts. The versatile "Renaissance man" has become, in the eyes of some critics, the romantic lover whose frustrations and despair found release in the "confessional" form of the sonnet sequence, Astrophel and Stella, and in other poems. To show these poems to be consciously constructed works of art, not simply passionate outbursts of romantic emotion, is one aim of this study. The author examines Sidney as poet and critic, concentrating his study on rhetorical technique and poetic rhythm and form. He shows Sidney experimenting with the symmetrical possibilities of rhythm and phrase; practicing the ornateness current and acceptable in his day. He examines Sidney's comment on such a style in The Defense of Poesy and the ways in which the poet's own work agreed with or departed from his expressed opinions. He also balances Sidney's poetry against the powerful tradition of Petrarchan love literature and the equally powerful Renaissance impulse to subject passion to the rule of reason. Finally, in an extended analysis of Astrophel and Stella, he shows Sidney as the master of a plainer, wittier, more subtly fashioned style and a complex, more dramatically immediate form. What emerges from the study is not the personality of the poet, but the principles of his art and the value of his achievement in the mainstream of English Renaissance verse.