Robert Leach – författare

Contemporary local governance in Britain comprises a complex network of organisations working in partnership to formulate policies to address local needs and issues. Within this, local government continues to play an important part in policy and practice and in the structures and processes of local democracy. This book provides a systematic assessment of the key development issues and debates that are shaping local governance now situating these in their historical context.

Partners of the Imagination is the first in-depth study of the work of John Arden and Margaretta D’Arcy, partners in writing and cultural and political campaigns. Beginning in the 1950s, Arden and D’Arcy created a series of hugely admired plays performed at Britain’s major theatres. Political activists, they worked tirelessly in the peace movement and the Northern Ireland ‘Troubles’, during which D’Arcy was gaoled. She is also a veteran of the Greenham Common Women’s Peace camp. Their later work included Booker-listed novels, prize-winning stories, essays and radio plays, and D’Arcy founded and ran a Woman’s Pirate Radio station. Raymond Williams described Arden as ‘the most genuinely innovative’ of the playwrights of his generation, and Chambers and Prior claimed that ‘The Non-Stop Connolly Show’, D’Arcy and Arden’s six-play epic, ‘has fair claim to being one of the finest pieces of post-war drama in the English language’. This study explores the connections between art and life, and between the responsibilities of the writer and the citizen. Importantly, it also evaluates the range of literary works (plays, poetry, novels, essays, polemics) created by these writers, both as literature and drama, and as controversialist activity in its own right. This work is a landmark examination of two hugely respected radical writers.

An Illustrated History of British Theatre and Performance chronicles the history and development of theatre from the Roman era to the present day. As the most public of arts, theatre constantly interacted with changing social, political and intellectual movements and ideas, and Robert Leach’s masterful work restores to the foreground of this evolution the contributions of women, gay people and ethnic minorities, as well as the theatres of the English regions, and of Wales and Scotland.Highly illustrated chapters trace the development of theatre through major plays from each period; evaluations of playwrights; contemporary dramatic theory; acting and acting companies; dance and music; the theatre buildings themselves; and the audience, while also highlighting enduring features of British theatre, from comic gags to the use of props. Continuing on from the Enlightenment, Volume Two of An Illustrated History of British Theatre and Performance leads its readers from the drama and performances of the Industrial Revolution to the latest digital theatre. Moving from Punch and Judy, castle spectres and penny showmen to Modernism and Postdramatic Theatre, Leach’s second volume triumphantly completes a collated account of all the British Theatre History knowledge anyone could ever need.

An Illustrated History of British Theatre and Performance chronicles the history and development of theatre from the Roman era to the present day. As the most public of arts, theatre constantly interacts with changing social, political and intellectual movements and ideas, and Robert Leach’s masterful work restores to the foreground of this evolution the contributions of women, gay people and ethnic minorities, as well as the theatres of the English regions, and of Wales and Scotland.Highly illustrated chapters trace the development of theatre through major plays from each period; evaluations of playwrights; contemporary dramatic theory; acting and acting companies; dance and music; the theatre buildings themselves; and the audience, while also highlighting enduring features of British theatre, from comic gags to the use of props.This first volume spans from the earliest forms of performance to the popular theatres of high society and the Enlightenment, tracing a movement from the outdoor and fringe to the heart of the social world. The Illustrated History acts as an accessible, flexible basis for students of the theatre, and for pure fans of British theatre history there could be no better starting point.

Partners of the Imagination is the first in-depth study of the work of John Arden and Margaretta D’Arcy, partners in writing and cultural and political campaigns. Beginning in the 1950s, Arden and D’Arcy created a series of hugely admired plays performed at Britain’s major theatres. Political activists, they worked tirelessly in the peace movement and the Northern Ireland ‘Troubles’, during which D’Arcy was gaoled. She is also a veteran of the Greenham Common Women’s Peace camp. Their later work included Booker-listed novels, prize-winning stories, essays and radio plays, and D’Arcy founded and ran a Woman’s Pirate Radio station. Raymond Williams described Arden as ‘the most genuinely innovative’ of the playwrights of his generation, and Chambers and Prior claimed that ‘The Non-Stop Connolly Show’, D’Arcy and Arden’s six-play epic, ‘has fair claim to being one of the finest pieces of post-war drama in the English language’. This study explores the connections between art and life, and between the responsibilities of the writer and the citizen. Importantly, it also evaluates the range of literary works (plays, poetry, novels, essays, polemics) created by these writers, both as literature and drama, and as controversialist activity in its own right. This work is a landmark examination of two hugely respected radical writers.

Revolutionary Theatre is the first full-length study of the dynamic theatre created in Russia in the aftermath of the Bolshevik Revolution. Fired by social and political as well as artistic zeal, a group of directors, playwrights, actors and organisers collected around the charismatic Vsevolod Meyerhold. Their aim was to achieve in the theatre what Lenin and his comrades had achieved in politics: the complete overthrow of the status quo and the installation of a radically new regime.Until now the efforts and influence of this idealistic group of theatrical avant-gardists have been largely unacknowledged; the oppressive reign of Stalin condemned many of them to death and their work to oblivion. In this enlightening work Robert Leach uncovers in fascinating detail their roots, their achievements and their legacy.

Who were the giants of the twentieth-century stage, and exactly how did they influence modern theatre?Robert Leach's Makers of Modern Theatre is the first detailed introduction to the work of the key theatre-makers who shaped the drama of the last century: Konstantin Stanislavsky, Vsevolod Meyerhold, Bertolt Brecht and Antonin Artaud.Leach focuses on the major issues which relate to their dominance of theatre history:*What was significant in their life and times?*What is their main legacy?*What were their dramatic philosophies and practices?*How have their ideas been adapted since their deaths?*What are the current critical perspectives on their work?Never before has so much essential information on the making of twentieth-century theatre been compiled in one brilliantly concise, beautifully illustrated book. This is a genuinely insightful volume by one of the foremost theatre historians of our age.

Who were the giants of the twentieth-century stage, and exactly how did they influence modern theatre?Robert Leach's Makers of Modern Theatre is the first detailed introduction to the work of the key theatre-makers who shaped the drama of the last century: Konstantin Stanislavsky, Vsevolod Meyerhold, Bertolt Brecht and Antonin Artaud.Leach focuses on the major issues which relate to their dominance of theatre history:*What was significant in their life and times?*What is their main legacy?*What were their dramatic philosophies and practices?*How have their ideas been adapted since their deaths?*What are the current critical perspectives on their work?Never before has so much essential information on the making of twentieth-century theatre been compiled in one brilliantly concise, beautifully illustrated book. This is a genuinely insightful volume by one of the foremost theatre historians of our age.

An Illustrated History of British Theatre and Performance chronicles the history and development of theatre from the Roman era to the present day. As the most public of arts, theatre constantly interacted with changing social, political and intellectual movements and ideas, and Robert Leach’s masterful work restores to the foreground of this evolution the contributions of women, gay people and ethnic minorities, as well as the theatres of the English regions, and of Wales and Scotland.Highly illustrated chapters trace the development of theatre through major plays from each period; evaluations of playwrights; contemporary dramatic theory; acting and acting companies; dance and music; the theatre buildings themselves; and the audience, while also highlighting enduring features of British theatre, from comic gags to the use of props. Continuing on from the Enlightenment, Volume Two of An Illustrated History of British Theatre and Performance leads its readers from the drama and performances of the Industrial Revolution to the latest digital theatre. Moving from Punch and Judy, castle spectres and penny showmen to Modernism and Postdramatic Theatre, Leach’s second volume triumphantly completes a collated account of all the British Theatre History knowledge anyone could ever need.

Now in a second edition, Theatre Studies: The Basics is a fully updated guide to the wonderful world of theatre. The practical and theoretical dimensions of theatre – from acting to audience – are woven together throughout to provide an integrated introduction to the study of drama, theatre and performance. Topics covered include: dramatic genres, from tragedy to political documentary theories of performance the history of the theatre in the West acting, directing and scenography With a glossary, chapter summaries and suggestions for further reading throughout, Theatre Studies: the Basics remains the ideal starting point for anyone new to the subject.

Now in a second edition, Theatre Studies: The Basics is a fully updated guide to the wonderful world of theatre. The practical and theoretical dimensions of theatre – from acting to audience – are woven together throughout to provide an integrated introduction to the study of drama, theatre and performance. Topics covered include: dramatic genres, from tragedy to political documentary theories of performance the history of the theatre in the West acting, directing and scenography With a glossary, chapter summaries and suggestions for further reading throughout, Theatre Studies: the Basics remains the ideal starting point for anyone new to the subject.

Revolutionary Theatre is the first full-length study of the dynamic theatre created in Russia in the aftermath of the Bolshevik Revolution. Fired by social and political as well as artistic zeal, a group of directors, playwrights, actors and organisers collected around the charismatic Vsevolod Meyerhold. Their aim was to achieve in the theatre what Lenin and his comrades had achieved in politics: the complete overthrow of the status quo and the installation of a radically new regime.Until now the efforts and influence of this idealistic group of theatrical avant-gardists have been largely unacknowledged; the oppressive reign of Stalin condemned many of them to death and their work to oblivion. In this enlightening work Robert Leach uncovers in fascinating detail their roots, their achievements and their legacy.

Interviews with leading contemporary designers, including Paul Smith, Stephen Jones, and Maria Cornejo and education professionals, including Willie Walters, Course Director at Central St Martins, Andrew Groves from the University of Westminster and a Foreword by Shelley Fox, the Donna Karan Professor of Fashion, Director of the MFA Fashion Design and Society Program at Parsons, New York, will enable all readers both to understand the vital role of research and to discover the techniques the designers have adapted for themselves, while a richly illustrated profile of the major themes of fashion is both a highly original resource and a mine of information about each theme for readers to draw on in their own research.

Written by an international team of experts, this book brings together the fruits of recent research into all areas of Russian theatre history. Of particular interest are the chapters written by senior Russian academics, who not only reveal previously unpublished documentation but also offer alternative insights into their subjects. The History covers the whole range of Russian dramatic experience, from puppet theatre to ballet and grand opera, but its emphasis is on the practice of theatre, especially acting, and the final chapter puts Russian theatre into the wider context of Western performance and the stage. The History begins with the earliest endeavours, with rituals and entertainments, and moves through to the emergence of established drama in the eighteenth century. The history of twentieth-century Russian theatre is a special feature of the volume, with chapters following the progress of drama and performance from the revolution, through communism, up until recent years.

This book traces the career of the Russian revolutionary theatre director, Vsevolod Meyerhold, from his early years as a founding member of the Moscow Art Theatre with Stanislavsky and Nemirovich-Danchenko, through his Symbolist period, his experiments with commedia dell'arte and other popular forms, to his demise in the Stalin era. Leach describes in detail Meyerhold's 'system' of theatre: his attitude to the audience, the place of the fore stage, 'biomechanics' and actor training, and the importance of the mise-en-scène. Finally, Leach explores Meyerhold's legacy, which can be detected in the work of Brecht, Eisenstein, Peter Brook and others.

Written by an international team of experts, this book brings together the fruits of recent research into all areas of Russian theatre history. Of particular interest are the chapters written by senior Russian academics, who not only reveal previously unpublished documentation but also offer alternative insights into their subjects. The History covers the whole range of Russian dramatic experience, from puppet theatre to ballet and grand opera, but its emphasis is on the practice of theatre, especially acting, and the final chapter puts Russian theatre into the wider context of Western performance and the stage. The History begins with the earliest endeavours, with rituals and entertainments, and moves through to the emergence of established drama in the eighteenth century. The history of twentieth-century Russian theatre is a special feature of the volume, with chapters following the progress of drama and performance from the revolution, through communism, up until recent years.

An Illustrated History of British Theatre and Performance chronicles the history and development of theatre from the Roman era to the present day. As the most public of arts, theatre constantly interacts with changing social, political and intellectual movements and ideas, and Robert Leach’s masterful work restores to the foreground of this evolution the contributions of women, gay people and ethnic minorities, as well as the theatres of the English regions, and of Wales and Scotland.Highly illustrated chapters trace the development of theatre through major plays from each period; evaluations of playwrights; contemporary dramatic theory; acting and acting companies; dance and music; the theatre buildings themselves; and the audience, while also highlighting enduring features of British theatre, from comic gags to the use of props.This first volume spans from the earliest forms of performance to the popular theatres of high society and the Enlightenment, tracing a movement from the outdoor and fringe to the heart of the social world. The Illustrated History acts as an accessible, flexible basis for students of the theatre, and for pure fans of British theatre history there could be no better starting point.

Theatre Workshop: Joan Littlewood and the Making of Modern British Theatre is the first in-depth study of perhaps Britain’s most influential twentieth-century theatre company. The book sets the company’s aims and achievements in their social, political and theatrical contexts, and explores the elements which made its success so important.Robert Leach has provided the definitive account in this first full-length study of Theatre Workshop and the methods of its director from 1945 to 1965, Joan Littlewood. His book provides the historical and political context needed by theatre studies students (both school and university), who frequently encounter Oh What a Lovely War as part of their courses.

Theatre Workshop: Joan Littlewood and the Making of Modern British Theatre is the first in-depth study of perhaps Britain’s most influential twentieth-century theatre company. The book sets the company’s aims and achievements in their social, political and theatrical contexts, and explores the elements which made its success so important.Robert Leach has provided the definitive account in this first full-length study of Theatre Workshop and the methods of its director from 1945 to 1965, Joan Littlewood. His book provides the historical and political context needed by theatre studies students (both school and university), who frequently encounter Oh What a Lovely War as part of their courses.

The fifth edition of "Printing Ink Manual" is updated throughout to take account of the latest developments in ink technology and sets out the standards required in the industry in the UK and the US as well as setting out the latest EC legislation which affects health and safety and environmental issues. This book should be of interest to ink manufacturers, raw materials manufacturers, equipment manufacturers, technical printers, courses in print technology, industrial libraries, paper manufacturers.

An Illustrated History of British Theatre and Performance chronicles the history and development of theatre from the Roman era to the present day. As the most public of arts, theatre constantly interacted with changing social, political, and intellectual movements and ideas, and Robert Leach’s masterful work restores to the foreground of this evolution the contributions of women, gay people, and ethnic minorities, as well as the regional theatres of Wales and Scotland.Highly-illustrated chapters trace the development of theatre through major plays from each period; evaluations of playwrights; contemporary dramatic theory; acting and acting companies; dance and music; the theatre buildings themselves; and the audience, while also highlighting enduring features of British theatre, from comic gags to the use of props.

The 1980s witnessed an unprecedented series of initiatives aimed at transforming the role and manner of local government operations in Britain. First published in 1990, Local Government and Thatcherism provides a clear and up-to-date framework for understanding the impact of ‘Thatcherism’ on local government during this period and explores future prospects.The authors examine the effect of the ‘Thatcher Revolution’ on the policy and practice of local government, looking at the role of ideology in key policy areas such as finance, public services, local economic development, race, and decentralization. Beginning with an analysis of the evolution of local government, the authors situate Thatcherism in the context of ‘Municipal Toryism’, and discuss changes in local finance, including the introduction of the community charge. They focus on changes in public policy, particularly innovations like grant-maintained schools and Housing Action Trusts and look in detail at economic regeneration and equal opportunities, two areas in local policy development which are increasingly under threat from centralizing tendencies. The authors conclude that the revolution in local government is aimed at nothing less than recasting the local socio-political order and political process. Coming to terms with these challenges, they believe, will change the face of local government in 1990s; the contract authority, the enterprising authority, and the business-corporatist authority.Lucid and stimulating, this discussion will be invaluable to students of British politics, and public and social administration, and to all those who wish to know more about the future of local government.

The 1980s witnessed an unprecedented series of initiatives aimed at transforming the role and manner of local government operations in Britain. First published in 1990, Local Government and Thatcherism provides a clear and up-to-date framework for understanding the impact of ‘Thatcherism’ on local government during this period and explores future prospects.The authors examine the effect of the ‘Thatcher Revolution’ on the policy and practice of local government, looking at the role of ideology in key policy areas such as finance, public services, local economic development, race, and decentralization. Beginning with an analysis of the evolution of local government, the authors situate Thatcherism in the context of ‘Municipal Toryism’, and discuss changes in local finance, including the introduction of the community charge. They focus on changes in public policy, particularly innovations like grant-maintained schools and Housing Action Trusts and look in detail at economic regeneration and equal opportunities, two areas in local policy development which are increasingly under threat from centralizing tendencies. The authors conclude that the revolution in local government is aimed at nothing less than recasting the local socio-political order and political process. Coming to terms with these challenges, they believe, will change the face of local government in 1990s; the contract authority, the enterprising authority, and the business-corporatist authority.Lucid and stimulating, this discussion will be invaluable to students of British politics, and public and social administration, and to all those who wish to know more about the future of local government.

As well as introducing the "mainstream" ideologies of Liberalism, Conservatism and Socialism, this text examines challenges from nationalist, feminist and Green thinkers, amongst others. Now in its third edition, it includes a new chapter on anarchism and assesses the continuing disillusionment of Britain with the ideas of the "Westminster elite".

This succinct but comprehensive textbook leads students through the various aspects of their politics and IR degree. It includes a clear overview of the issues, theories, methods and controversies with which scholars across the discipline have engaged alongside guidance on research and study skills such as critical thinking, distinguishing facts from values and academic reading. Furthermore, it helps students to prepare for a career and a lifetime’s interest and involvement in politics.From pre-course reading, to core text on introductory politics and IR modules, to handy reference guide across a degree program, this Companion provides a one-stop resource, packed with tips for succeeding at university and beyond. Drawing on a wide range of international examples and written accessibly with no expectation of prior familiarity with the subject it will appeal to students across the world.New to this Edition:- Thoroughly revised and updated with the help of new co-author Simon Lightfoot- Coverage of International Relations and Political Economy has been significantly expanded to reflect the ever-changing nature of degree programmes in Political Science- Sections on study skills have been extended and linked more specifically to the demands of Politics and IR

Fully revised and updated third edition of a popular, established textbook, providing a definitive introduction to Britain's politics, political institutions and processes. Comprehensively re-worked and re-structured to better align with courses, this new edition places great emphasis on the changing context of British politics while addressing key themes such as the ongoing importance of gender and ethnicity to political and social life in Britain. Furthermore, the book’s familiar authoritative style has been retained with a fresh look and revitalized pedagogical features to provide a complete learning package.The book is designed for courses on or related to British politics. Its accessible style and context-setting Part 1 will make it ideal for students new to the field (particularly those who haven’t studied the subject at school level or international students), but its rigour will stimulate and engage more experienced students.New to this Edition:- Fully updated to cover the 2016 EU Referendum, the 2017 General Election and other key political developments- ‘Politics in Action’ videos with key academic experts and practitioners offer differing viewpoints on the political system- Expanded companion website featuring regular updates and additional pedagogic tools for students and lecturers alike, such as self-test quizzes, flashcards, timelines, a lecturer testbank and lecture slides- Vibrant and engaging full colour page design to help your students navigate the book’s broad coverage

An Illustrated History of British Theatre and Performance chronicles the history and development of theatre from the Roman era to the present day. As the most public of arts, theatre constantly interacted with changing social, political, and intellectual movements and ideas, and Robert Leach’s masterful work restores to the foreground of this evolution the contributions of women, gay people, and ethnic minorities, as well as the regional theatres of Wales and Scotland.Highly-illustrated chapters trace the development of theatre through major plays from each period; evaluations of playwrights; contemporary dramatic theory; acting and acting companies; dance and music; the theatre buildings themselves; and the audience, while also highlighting enduring features of British theatre, from comic gags to the use of props.