Robert Lewis – författare

“I never thought a book written by a man could give me such an eye-opening picture of who I should be as a woman.”

—Shaunti Feldhahn, bestselling author of For Women Only

“Women today have unprecedented opportunities and possibilities before them, but this great new freedom also brings a new dilemma: how to make the best choices for their own good and that of their families. In The New Eve, Robert Lewis gives women of all ages a picture of what God intended for us from the beginning and a clear vision for how we make choices that liberate us to live with purposeful direction. No matter your stage in life, all women can benefit from his coaching. I highly recommend it.” ?? — Barbara Rainey, co-founder of FamilyLife “Robert Lewis sounds a much-needed message as he calls women to walk in the feminine freedom and fullness that result from embracing our core biblical callings. The New Eve dispels the current cultural fog regarding what it means to be a woman, by looking to God's design as revealed in the Scripture, for wisdom, insight, and direction."

— Nancy Leigh DeMoss, author and host of Revive Our Hearts radio

Combining theories of calculation and property relations and using an array of archival sources, this book focuses on the building and decommissioning of state-owned defense factories in World War II–era Chicago. Robert Lewis’s rich trove of material—drawn from research on more than six hundred federally funded wartime industrial sites in metropolitan Chicago—supports three major conclusions. First, the relationship of the key institutions of the military-industrial complex was refashioned by their calculative actions on industrial property. The imperatives of war forced the federal state and the military to become involved in industrial matters in an entirely new manner. Second, federal and military investment in defense factories had an enormous effect on the industrial geography of metropolitan Chicago. The channeling of huge lumps of industrial capital into sprawling plants on the urban fringe had a decisive impact on the metropolitan geographies of manufacturing. Third, the success of industrial mobilization was made possible through the multi-scale relations of national and locational interaction. National policy could only be realized by the placing of these relations at the local level.Throughout, Lewis shows how the interests of developers, factory engineers, corporate executives, politicians, unions, and the working class were intimately bound up with industrial space. Offering a local perspective on a city permanently shaped by national events, this book provides a richer understanding of the dynamics of wartime mobilization, the calculative actions of political and business leaders, the social relations of property, the working of state-industry relations, and the making of industrial space.

Combining theories of calculation and property relations and using an array of archival sources, this book focuses on the building and decommissioning of state-owned defense factories in World War II–era Chicago. Robert Lewis’s rich trove of material—drawn from research on more than six hundred federally funded wartime industrial sites in metropolitan Chicago—supports three major conclusions. First, the relationship of the key institutions of the military-industrial complex was refashioned by their calculative actions on industrial property. The imperatives of war forced the federal state and the military to become involved in industrial matters in an entirely new manner. Second, federal and military investment in defense factories had an enormous effect on the industrial geography of metropolitan Chicago. The channeling of huge lumps of industrial capital into sprawling plants on the urban fringe had a decisive impact on the metropolitan geographies of manufacturing. Third, the success of industrial mobilization was made possible through the multi-scale relations of national and locational interaction. National policy could only be realized by the placing of these relations at the local level.Throughout, Lewis shows how the interests of developers, factory engineers, corporate executives, politicians, unions, and the working class were intimately bound up with industrial space. Offering a local perspective on a city permanently shaped by national events, this book provides a richer understanding of the dynamics of wartime mobilization, the calculative actions of political and business leaders, the social relations of property, the working of state-industry relations, and the making of industrial space.

This book analyses women as spectators at men’s association football (soccer) in Britain from 1863 to 1939. The author shows that women have always been present at men’s football in Britain, a fact not always acknowledged in modern popular accounts of the game, albeit as a small minority in overall attendances.

Some women have always been ‘authentic’ fans of football, both knowledgeable and enthusiastic in their support, and this book will demonstrate that.

This book analyses women as spectators at men’s association football (soccer) in Britain from 1863 to 1939. The author shows that women have always been present at men’s football in Britain, a fact not always acknowledged in modern popular accounts of the game, albeit as a small minority in overall attendances.

Some women have always been ‘authentic’ fans of football, both knowledgeable and enthusiastic in their support, and this book will demonstrate that.

The Third Space serves a crucial need for contemporary performers by providing an interdisciplinary and physiovocal approach to training. It is a new take on body and voice integration designed to develop the holistic performer. It takes performers through a series of step-by-step practical physiovocal exercises that connects the actor’s centre to the outside world, which increases awareness of self and space. It also develops a deeper connection between spaces within the body and the environment by connecting sound, imagination, and movement.

Robert Lewis’s approach is a way of working that unlocks the imagination as well as connecting performers to self, space, and imagination, through voice and body. It conditions, controls, and engages performers by integrating various voice and movement practices.

The theories and practice are balanced throughout by:

This book is the result of nearly 20 years of research and practice working with voice and movement practitioners across the globe to develop training that produces performers that are physiovocally ready to work in theatre, screen, and emergent technologies.

The Third Space serves a crucial need for contemporary performers by providing an interdisciplinary and physiovocal approach to training. It is a new take on body and voice integration designed to develop the holistic performer. It takes performers through a series of step-by-step practical physiovocal exercises that connects the actor’s centre to the outside world, which increases awareness of self and space. It also develops a deeper connection between spaces within the body and the environment by connecting sound, imagination, and movement.

Robert Lewis’s approach is a way of working that unlocks the imagination as well as connecting performers to self, space, and imagination, through voice and body. It conditions, controls, and engages performers by integrating various voice and movement practices.

The theories and practice are balanced throughout by:

This book is the result of nearly 20 years of research and practice working with voice and movement practitioners across the globe to develop training that produces performers that are physiovocally ready to work in theatre, screen, and emergent technologies.