Robert Myers – författare

Robert E. Myers has assembled a collection of essays which explore aspects of the relationship between science fiction and philosophy. Contributing authors focus on significant issues, questions, and ideas that penetrate to the center of our individual and social conceptions of human existence, and affect the ways in which we attempt to comprehend our world, ourselves, and others. The authors bring to this study the insights of diverse disciplines: philosophy, social science, poetry, linguistics, future studies, medical humanities, and literature. Dealing exclusively with topics relating to science fiction and philosophy they offer an initial exploration of the philosophical problems within science fiction and their implications.

This book is the first full-length biographical and critical study of the American Realist author Harold Frederic (1856-1898). As London correspondent for the New York Times and the author of nine novels, Frederic was internationally known at the time of his death; today he is remembered mainly for his novel The Damnation of Theron Ware (1896). Drawing on archival and published material not available to earlier writers on Frederic, Myers paints a fascinating portrait of the man and his times as an expatriate in London in the 1890s, his friendship with James, Crane, Wells, and their circle, and the scandal surrounding his death at the age of 42.Frederic was a colorful fellow. As a correspondent in London in the 1890s, he knew Henry James, Stephen Crane, George Gissing, and a host of other literary characters. He fully lived a bohemian life, keeping a real wife and a common-law wife simultaneously, fathering broods of children, writing journalism and novels at a great rate, and dying at 42 of overwork—partly because he let his second wife talk him into refusing medical help (leading to a scandalous court case). Myers concentrates on four main themes: Frederic as an expatriate; his work as representative of the transition from realism to naturalism in American literature; Frederic as a transitional author in the shift from 19th century to 20th century styles of publishing; and Frederic as a representative of the fin de siecle. Myers has worked extensively with Frederic's correspondence as well as in publishers' archives (especially Scribner's), and he sees Frederic as a writer who flourished just as the American literary marketplace was being transformed from the rather poky 19th-century model into the faster-paced 20th-century version so familiar today. This biography will interest not just specialists and Frederic scholars, but also anyone with an interest in American literary culture in one of its defining moments.

The Theatre of Sa'dallah Wannous is the first book in English to provide a clear sense of the significance and complexity of Wannous' life and work. It is unique in bringing cross-disciplinary scholarship on Wannous together and aligning it with cultural practice and memory by including contributions from leading academics as well as renowned cultural figures from the Arab world. This volume should be of interest to literary and theatre studies scholars, cultural historians, theatre practitioners and anyone who cares about contemporary theatre, Syria and the Arab world. Collectively, the contributions demonstrate the role of cultural production - especially dramatic literature - in providing a portrait of and shaping a culture in the throes of profound transformation.

In Modern and Contemporary Political Theater from the Levant, A Critical Anthology, Robert Myers and Nada Saab provide a sense of the variety and complexity of political theater produced in and around the Levant from the 1960s to the present within a context of wider discussions about political theater and the histories and forms of performance from the Islamic and Arab worlds. Five major playwrights are studied, ʿIsam Mahfuz, from Lebanon; Muhammad al-Maghut and Saʿd Allah Wannus, from Syria; Jawad al-Asadi, from Iraq, Syria and Lebanon; and Raʾida Taha, from Palestine. The volume includes translations of their plays The Dictator, The Jester, The Rape, Baghdadi Bath and Where Would I Find Someone Like You, ʿAli?, respectively.