Robert Oppenheim – författare

Kyongju is South Korea's preeminent "culture city," an urban site rich with archaeological wonders that residents compare to those of Nara, Xian, and Rome. By examining these ancient objects in relation to the controversies that engulfed South Korea's high-speed railway line when it was first proposed in the 1990s, Kyongju Things offers a grounded and theoretically sophisticated account of South Korean development and citizenship in the last quarter of the twentieth century. Its sensitivity to issues of place, knowledge, and cultural heritage and its innovative use of network theory will be of interest to a wide range of scholars in anthropology, Asian studies, the history of science and technology, cultural geography, urban planning, and political science.Robert Oppenheim is Assistant Professor of Asian Studies at the University of Texas at Austin."A tale of South Korea's new politics involving antiquarians, weekend hikers, activists, and entrepreneurs, told with wit and theoretical sophistication."---Laurel Kendall, Curator, Division of Anthropology, American Museum of Natural History"In Kyongju Things, Robert Oppenheim employs an innovative theoretical blend to insightfully illuminate the interactions of agency and objects in the making of a 'place.'"---Roger L. Janelli, Professor Emeritus, Department of East Asian Languages and Cultures and Department of Folklore and Ethnomusicology, Indiana University"Kyongju Things is responsible, pathbreaking, and ambitious, with a stunning and welcoming introduction . . . Oppenheim calls upon a theoretical tool kit that allows him to productively re-think place, locality, technology, things, and subjectivity in ways that really do challenge the existing scholarship on South Korea. Kyongju Things will make a splash in Korean studies."---Nancy Abelmann, Associate Professor of Anthropology, University of Illinois at Urbana-Champaign, and author of Echoes of the Past, Epics of Dissent: A South Korean Social Movement

In the nineteenth century the predominant focus of American anthropology centered on the native peoples of North America, and most anthropologists would argue that Korea during this period was hardly a cultural area of great anthropological interest. However, this perspective underestimates Korea as a significant object of concern for American anthropology during the period from 1882 to 1945-otherwise a turbulent, transitional period in Korea’s history. An Asian Frontier focuses on the dialogue between the American anthropological tradition and Korea, from Korea’s first treaty with the United States to the end of World War II, with the goal of rereading anthropology’s history and theoretical development through its Pacific frontier.  Drawing on notebooks and personal correspondence as well as the publications of anthropologists of the day, Robert Oppenheim shows how and why Korea became an important object of study-with, for instance, more published about Korea in the pages of American Anthropologist before 1900 than would be seen for decades after. Oppenheim chronicles the actions of American collectors, Korean mediators, and metropolitan curators who first created Korean anthropological exhibitions for the public. He moves on to examine anthropologists-such as AleŠ Hrdlicka, Walter Hough, Stewart Culin, Frederick Starr, and Frank Hamilton Cushing-who fit Korea into frameworks of evolution, culture, and race even as they engaged questions of imperialism that were raised by Japan’s colonization of the country. In tracing the development of American anthropology’s understanding of Korea, Oppenheim discloses the legacy present in our ongoing understanding of Korea and of anthropology’s past.

In the nineteenth century the predominant focus of American anthropology centered on the native peoples of North America, and most anthropologists would argue that Korea during this period was hardly a cultural area of great anthropological interest. However, this perspective underestimates Korea as a significant object of concern for American anthropology during the period from 1882 to 1945-otherwise a turbulent, transitional period in Korea’s history. An Asian Frontier focuses on the dialogue between the American anthropological tradition and Korea, from Korea’s first treaty with the United States to the end of World War II, with the goal of rereading anthropology’s history and theoretical development through its Pacific frontier.  Drawing on notebooks and personal correspondence as well as the publications of anthropologists of the day, Robert Oppenheim shows how and why Korea became an important object of study-with, for instance, more published about Korea in the pages of American Anthropologist before 1900 than would be seen for decades after. Oppenheim chronicles the actions of American collectors, Korean mediators, and metropolitan curators who first created Korean anthropological exhibitions for the public. He moves on to examine anthropologists-such as AleŠ Hrdlicka, Walter Hough, Stewart Culin, Frederick Starr, and Frank Hamilton Cushing-who fit Korea into frameworks of evolution, culture, and race even as they engaged questions of imperialism that were raised by Japan’s colonization of the country. In tracing the development of American anthropology’s understanding of Korea, Oppenheim discloses the legacy present in our ongoing understanding of Korea and of anthropology’s past.