Robert Perinbanayagam – författare

Language, Signs and Selves applies conversational analysis to the discourse of everyday life and its roles in social behavior. The explanation offered of the complex elements and processes of language use is theoretically and empirically grounded, synthesizing European post structuralist theory and semiotics with American pragmatist currents.This book parallels work done under other rubrics sociolinguistics, conversation and discourse analysis, and ethnomethodology. This work, however, presents the same matter from a different standpoint. While enthnomethodology and sociolinguistics focus on certain formal properties of conversations, they have pursued the quest for these properties with great methodological rigor, while avoiding questions about intentions. In their work, as in that of many structuralists, discourse has become depersonalized, with the linguistic form itself becoming an independent entity sealed from the world of selves, interaction, conflict, and suffering. Perinbanayagam's interest is in displaying the dialogic properties of such discourses, conceiving each element in them as pragmatic and directed.In many ways Language, Signs and Selves is an enlargement and exemplification of themes discussed in the analysis of language, interactions, and social relationships. The author takes dialogue to be the central event of human being and doing and argues that it is the defining principle of all actions and interactions. Drawing from a variety of sources, he seeks to construct a theory of interaction between humans that is dialectical in all senses of the word; that is to say, a theory concerned with dialects and double processes, as well as with speaking and the logic of relational processes.

The work is an examination of the role of language in the constitution of self and in the presentation of identity. Following the path laid out by George Herbert Mead, Kenneth Burke and Mikhail Bakhtin the work presents self, identity and meaning as ongoing accomplishments between human actors who participate in what may be termed the dramas of human relations. Human agents use language as symbolic actions with which they transform themselves and others, as well as places and things, clothing and money etc into meanings with which they conduct their lives.

Kenneth Burke, founder of the critical method of dramatism, believed that motives and attitudes are constantly generated by individuals as they encounter social situations and material objects in the course of their everyday lives. In The Rhetoric of Emotions, Robert Perinbanayagam proposes that by analysing individuals' experiences, especially through their interaction with creative outlets, we can come to a deeper understanding of how the human mind systematically approaches the emotive process.The author maintains that individuals use spoken language, and all other forms of symbolism, including art and literature, to elicit social cooperation and emotional understanding, both in regard to the world around them and within themselves. Rhetoric and culture are mechanisms for managing values, behaviour, and emotions. In order to ground this philosophical viewpoint, Perinbanayagam strategically discusses famous novels and paintings to show how individuals construct emotional responses to the rhetorical objects at their disposal.In addition to the ideas of Burke and George Herbert Mead, the ideas of Max Weber, Georg Simmel, Charles Sanders Peirce, Edmund Husserl, Alfred Schutz, and Erving Goffman are also reflected in this provocative analysis.

The games that human societies devised over the centuries can be considered one of the most comprehensive and fertile symbolic systems ever created by human ingenuity. In all societies, members feel compelled to interact and communicate with each other as much as possible. As linguistic creatures, humans use language to establish social and interpersonal contacts. Games are a device to enable such connections.Robert Perinbanayagam examines how players value games. He assesses games as systems that embody metaphysics and pragmatic action. He then examines various religious ideas and how participants reference respective approaches to game playing.Perinbanayagam argues that games are forms of activity in which the human agent as an actor engages with others in various interactional situations. Such engagement creates dramas in which agents assume identities, give play to emotions and enrich their selves. He also examines the issue of game writing, particularly how selected writers have used game structures as narrative devices in their work.

Language, Signs and Selves applies conversational analysis to the discourse of everyday life and its roles in social behavior. The explanation offered of the complex elements and processes of language use is theoretically and empirically grounded, synthesizing European post structuralist theory and semiotics with American pragmatist currents.This book parallels work done under other rubrics sociolinguistics, conversation and discourse analysis, and ethnomethodology. This work, however, presents the same matter from a different standpoint. While enthnomethodology and sociolinguistics focus on certain formal properties of conversations, they have pursued the quest for these properties with great methodological rigor, while avoiding questions about intentions. In their work, as in that of many structuralists, discourse has become depersonalized, with the linguistic form itself becoming an independent entity sealed from the world of selves, interaction, conflict, and suffering. Perinbanayagam's interest is in displaying the dialogic properties of such discourses, conceiving each element in them as pragmatic and directed.In many ways Language, Signs and Selves is an enlargement and exemplification of themes discussed in the analysis of language, interactions, and social relationships. The author takes dialogue to be the central event of human being and doing and argues that it is the defining principle of all actions and interactions. Drawing from a variety of sources, he seeks to construct a theory of interaction between humans that is dialectical in all senses of the word; that is to say, a theory concerned with dialects and double processes, as well as with speaking and the logic of relational processes.

The games that human societies devised over the centuries can be considered one of the most comprehensive and fertile symbolic systems ever created by human ingenuity. In all societies, members feel compelled to interact and communicate with each other as much as possible. As linguistic creatures, humans use language to establish social and interpersonal contacts. Games are a device to enable such connections.Robert Perinbanayagam examines how players value games. He assesses games as systems that embody metaphysics and pragmatic action. He then examines various religious ideas and how participants reference respective approaches to game playing.Perinbanayagam argues that games are forms of activity in which the human agent as an actor engages with others in various interactional situations. Such engagement creates dramas in which agents assume identities, give play to emotions and enrich their selves. He also examines the issue of game writing, particularly how selected writers have used game structures as narrative devices in their work.

Kenneth Burke, founder of the critical method of dramatism, believed that motives and attitudes are constantly generated by individuals as they encounter social situations and material objects in the course of their everyday lives. In The Rhetoric of Emotions, Robert Perinbanayagam proposes that by analysing individuals' experiences, especially through their interaction with creative outlets, we can come to a deeper understanding of how the human mind systematically approaches the emotive process.The author maintains that individuals use spoken language, and all other forms of symbolism, including art and literature, to elicit social cooperation and emotional understanding, both in regard to the world around them and within themselves. Rhetoric and culture are mechanisms for managing values, behaviour, and emotions. In order to ground this philosophical viewpoint, Perinbanayagam strategically discusses famous novels and paintings to show how individuals construct emotional responses to the rhetorical objects at their disposal.In addition to the ideas of Burke and George Herbert Mead, the ideas of Max Weber, Georg Simmel, Charles Sanders Peirce, Edmund Husserl, Alfred Schutz, and Erving Goffman are also reflected in this provocative analysis.

Drawing ideas from the works of George Herbert Mead, Mikhail Bakhtin, Kenneth Burke, and the American pragmatic philosophers, Dialogues, Dramas, and Emotions: Essays in Interactionist Sociology argues that the verbal interactions of human agents are characterized by addresses and rejoinders, which Bakhtin called dialogues. These moves conform to what Burke called dramatism. Robert Perinbanayagam uses examples both from dramatic literature and everyday conversations to demonstrate how everyday interactions are inescapably dramas, conducted through the use of dialogues in order to promote mutual understanding. Along with analyzing the dialogues themselves, the author also examines what comes to play in these interactions and shows the various consequences of these emotionalities in ongoing human relationships.