Robert Philip – författare

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33 produkter

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33 produkter

Performing Music in the Age of Recording

AvRobert Philip

Häftad, Engelska, 2015

511 kr

Skickas inom 5-8 vardagar

Listeners have enjoyed classical music recordings for more than a century, yet important issues about recorded performances have been little explored. What is the relationship between performance and recording? How are modern audiences affected by the trends set in motion by the recording era? What is the impact of recordings on the lives of musicians? In this wide-ranging book, Robert Philip extends the scope of his earlier pioneering book, Early Recordings and Musical Style: Changing Tastes in Instrumental Performance 1900–1950. Philip here considers the interaction between music-making and recording throughout the entire twentieth century.The author compares the lives of musicians and audiences in the years before recordings with those of today. He examines such diverse and sometimes contentious topics as changing attitudes toward freedom of expression, the authority of recordings made by or approved by composers, the globalization of performing styles, and the rise of the period instrument movement. Philip concludes with a thought-provoking discussion of the future of classical music performance.

Classical Music Lover's Companion to Orchestral Music

AvRobert Philip

Häftad, Engelska, 2020

244 kr

Skickas inom 5-8 vardagar

An invaluable guide for lovers of classical music designed to enhance their enjoyment of the core orchestral repertoire from 1700 to 1950Robert Philip, scholar, broadcaster, and musician, has compiled an essential handbook for lovers of classical music, designed to enhance their listening experience to the full. Covering four hundred works by sixty-eight composers from Corelli to Shostakovich, this engaging companion explores and unpacks the most frequently performed works, including symphonies, concertos, overtures, suites, and ballet scores. It offers intriguing details about each piece while avoiding technical terminology that might frustrate the non-specialist reader. Philip identifies key features in each work, as well as subtleties and surprises that await the attentive listener, and he includes enough background and biographical information to illuminate the composer’s intentions. Organized alphabetically from Bach to Webern, this compendium will be indispensable for classical music enthusiasts, whether in the concert hall or enjoying recordings at home.

Little History of Music

AvRobert Philip

Häftad, Engelska, 2025

134 kr

Skickas inom 5-8 vardagar

A superbly engaging guide to music around the world, from prehistory to the present Music excites and moves us perhaps more than any other art form. From a Neanderthal’s bone flute to the festivals of Glastonbury and Coachella, human beings have always made and enjoyed music. Covering a remarkable range, including Indian raga, Javanese gamelan, medieval chant, jazz and K-pop, this Little History celebrates the wonder of music, and why it is treasured across the world. Within its pages, readers will find familiar composers and musicians, and will be introduced to a host of exciting new discoveries. Little Histories – Inspiring Guides for Curious Minds

Early Recordings and Musical Style

Changing Tastes in Instrumental Performance, 1900-1950

AvRobert Philip

Häftad, Engelska, 2004

595 kr

Skickas inom 7-10 vardagar

Until recently, early recordings were regarded as little more than old-fashioned curiosities by musicians. Scholars and musicians now are beginning to realise their importance as historical documents which preserve the performance of composers and the musicians with whom they worked. In this fascinating study, Robert Philip argues that recordings of the early twentieth-century provide an important and hitherto neglected resource in the history of musical performance. The book concentrates on aspects of performance which underwent the greatest change in the early twentieth century, including rhythm, rubato, vibrato, and portamento. The final chapters explore some of the implications of these changes, both for the study of earlier periods and for the understanding of our own attitudes to the music of the past.