Robert Pope – författare

In this fresh edition of his tried-and-tested guide, Rob Pope continues to help students get to grips with Chaucer - all the way through from the first tentative encounters with the language to sophisticated critical and historical engagement with Chaucer's narrative art in context. All the commonly studied tales are featured, and each is approached through a series of clear and well-defined steps. In addition to guidance on 'translating' and interpreting Chaucer, there are new sections reviewing key terms and arguments in contemporary critical debates. This is a practical, authoritative and enjoyable handbook that brings the study of Chaucer right up-to-date.

"Creativity in Language and Literature is a provocative and valuable book. Its breadth of topics, variety of approaches, and self-consciously creative and dialogic nature are especially appropriate and creative ways of approaching the subject of creativity. The scope, variety and original content of this book make it a unique contribution to the field" - Professor David L. Hoover, New York University, USAThis unique resource brings together contributions from creative practitioners and academic researchers working across different disciplines. Researchers, literary authors, editors, performers and film makers reflect on their work and collectively explore the art of creativity in language and literature.Creativity in Language and Literature covers a range of texts, genres and practices, such as poetry, hip hop, film, story telling, web chat and pen-friend correspondence. Each part of the book begins with an introduction and the final part includes critical responses to the idea of linguistic creativity, encouraging ongoing dialogue and debate. This richly diverse collection is an ideal text for students and practitioners working at all levels.With contributions by Patience Agbabi, Daniel Allington, R. Amritavalli, Richard D. Brown, Lynne Cameron, Ronald Carter, Guy Cook, Jon Cook, Ruth Finnegan, Angela Goddard, Ben Haggarty, Graeme Harper, G. D. Jayalakshmi, Angel Lin, Janet Maybin, Rukmini Bhaya Nair, Kate Pahl, Mario Petrucci, Rob Pope, Elena Semino, Fiona Sampson, Jane Spiro, Peter Stockwell, Joan Swann, S. Upendran and Michelene Wandor.

In this fresh edition of his tried-and-tested guide, Rob Pope continues to help students get to grips with Chaucer - all the way through from the first tentative encounters with the language to sophisticated critical and historical engagement with Chaucer's narrative art in context. All the commonly studied tales are featured, and each is approached through a series of clear and well-defined steps. In addition to guidance on 'translating' and interpreting Chaucer, there are new sections reviewing key terms and arguments in contemporary critical debates. This is a practical, authoritative and enjoyable handbook that brings the study of Chaucer right up-to-date.

Much work in the field of theology and film lacks a really theological focus. This book suggests a methodology based on the recognition of the imagination as the fundamental category in producing and interpreting film. The argument is presented that the imagination holds theological significance when it is conceived of in certain ways. As a result, the book adopts the 'paradigmatic imagination' (an imagination which works within the paradigms of scripture) or 'theological imagination' (one grounded in theological forms), which is both noetic (it is the image-making faculty of the mind) and almost ontological (it is that which draws human beings into the future which they are able to construct or bring into being). Once the theological (paradigmatic) imagination has been identified and justified, its insights will be applied to 'Jesus films' and 'Christ figure films' asking whether or not they provide us with valid Christological understanding. Films with redemptive or salvific themes are discussed as is the popularity of mythical stories and animation. The final chapter will make the case that the engagement of the theological imagination with film is a method in practical theology.

Protestant Nonconformity, the umbrella term for Congregationalists, Presbyterians, Baptists, Methodists and Unitarians, belongs specifically to the religious history of England and Wales. Initially the result of both unwillingness to submit to the State''s interference in Christian life and a dissatisfaction with the progress of reform in the English Church, Nonconformity has been primarily motivated by theological concern, ecclesial polity, devotion and the nurture of godliness among the members of the church. Alongside such churchly interests, Nonconformity has also made a profound contribution to debates about the role of the State, to family life and education, culture in general, trade and industry, the development of philanthropy and charity, and the development of pacifism. In this volume, for the first time, Nonconformity and the breadth of its activity come under the expert scrutiny of a host of recognised scholars. The result is a detailed and fascinating account of a movement in church history that, while currently in decline, has made an indelible mark on social, political, economic and religious life of the two nations.

Protestant Nonconformity, the umbrella term for Congregationalists, Presbyterians, Baptists, Methodists and Unitarians, belongs specifically to the religious history of England and Wales. Initially the result of both unwillingness to submit to the State's interference in Christian life and a dissatisfaction with the progress of reform in the English Church, Nonconformity has been primarily motivated by theological concern, ecclesial polity, devotion and the nurture of godliness among the members of the church. Alongside such churchly interests, Nonconformity has also made a profound contribution to debates about the role of the State, to family life and education, culture in general, trade and industry, the development of philanthropy and charity, and the development of pacifism. In this volume, for the first time, Nonconformity and the breadth of its activity come under the expert scrutiny of a host of recognised scholars. The result is a detailed and fascinating account of a movement in church history that, while currently in decline, has made an indelible mark on social, political, economic and religious life of the two nations.

This shows how Wales's religious history is intertwined with the emergence of a national identity. The author examines religious and social history, events, characters and thought over the four centuries during which Congregationalism has existed and chronicles the history of Wales and the strengthening of its literary tradition.

This book will focus on religious matters in their contemporary context. The volume will be topical, with analysis of such diverse areas as religion and the cinema and the current global increase in fundamentalist religions. The proposed chapters are as follows: What is theology? What is the contemporary role of theology? Semper Reformanda - The nature and purpose of the church today; Worship; The Church in the World; Theology and Politics; Democracy: What does Christianity tell us? God and Evil: How does certitude relate to morality? Christianity amongst other religions; Fundamentalism - history and development; and, The Gospel and Visual Culture.

''Creativity in Language and Literature is a provocative and valuable book. Its breadth of topics, variety of approaches, and self-consciously creative and dialogic nature are especially appropriate and creative ways of approaching the subject of creativity. The scope, variety and original content of this book make it a unique contribution to the field'' - Professor David L. Hoover, New York University, USA This unique resource brings together contributions from creative practitioners and academic researchers working across different disciplines. Researchers, literary authors, editors, performers and film makers reflect on their work and collectively explore the art of creativity in language and literature.Creativity in Language and Literature covers a range of texts, genres and practices, such as poetry, hip hop, film, story telling, web chat and pen-friend correspondence. Each part of the book begins with an introduction and the finalpart includes critical responses to the idea of linguistic creativity, encouraging ongoing dialogue and debate. This richly diverse collection is an ideal text for students and practitioners working at all levels. With contributions by Patience Agbabi, Daniel Allington, R. Amritavalli, Richard D. Brown, Lynne Cameron, Ronald Carter, Guy Cook, Jon Cook, Ruth Finnegan, Angela Goddard, Ben Haggarty, Graeme Harper, G. D. Jayalakshmi, Angel Lin, Janet Maybin, Rukmini Bhaya Nair, Kate Pahl, Mario Petrucci, Rob Pope, Elena Semino, Fiona Sampson, Jane Spiro, Peter Stockwell, Joan Swann, S. Upendran and Michelene Wandor.

Protestant Nonconformity, the umbrella term for Congregationalists, Presbyterians, Baptists, Methodists and Unitarians, belongs specifically to the religious history of England and Wales. Initially the result of both unwillingness to submit to the State''s interference in Christian life and a dissatisfaction with the progress of reform in the English Church, Nonconformity has been primarily motivated by theological concern, ecclesial polity, devotion and the nurture of godliness among the members of the church. Alongside such churchly interests, Nonconformity has also made a profound contribution to debates about the role of the State, to family life and education, culture in general, trade and industry, the development of philanthropy and charity, and the development of pacifism. In this volume, for the first time, Nonconformity and the breadth of its activity come under the expert scrutiny of a host of recognised scholars. The result is a detailed and fascinating account of a movement in church history that, while currently in decline, has made an indelible mark on social, political, economic and religious life of the two nations.

While the Christian faith has played a major part in the history of both Wales and Scotland, there has been little previous work looking at their histories in a comparative manner. In the light of the establishment of the Welsh Assembly and the Scottish Parliament, this issue is of particular contemporary importance. This collection discusses religion in Scotland and Wales from a historical perspective and examines the contribution of religion to the sense of national identity in the period from the Evangelical Revival to the present day. It suggests that the histories of the two nations are only understood when the religious dimension is taken seriously. The various essays collected here offer new perspectives on particular denominations, from the Scottish Covenanters to Welsh Methodism, as well as discussing individual figures such as Howell Harris, Edward Irving and Arthur Price, in order to examine the complex relationship between language, national identity and religion. Religion and National Identity is an original and timely contribution, not only to the religious histories of Wales and Scotland, but also to the collective history of Great Britain in the modern period.

R. Tudur Jones argues that many of the social, cultural and religious issues that would be important in the late 20th century and early 21st century in Wales were already extant a century earlier and that in understanding that period we can learn something of our own time.

Much of the social and industrial history written during the last quarter of the twentieth century presented Welsh working-class culture in terms of a thirst for knowledge that was secular, economic and political. The emphasis was squarely placed on the influence of the union lodge and the workingmen's institute, and priority was given to the importance of sport and the public house in the life of the working class. Relatively little attention was given to religion and its continuing influence on industrial communities, despite the fact that the 1904 - 5 revival brought many thousands into contact with the chapel. Inspired in part by the challenge of socialist and labour agitation and in part by theological considerations, Nonconformists moved away from specifically political involvement and developed their own responses to the social questions of the day. This new edition will appeal to a fresh generation of scholars and readers interested in Wales's Nonconformist history, presenting an exploration of Welsh social thinking, politics and religion.