Robert Rix – författare

This book examines the sustained interest in legends of the pagan and peripheral North, tracing and analyzing the use of an ‘out-of-Scandinavia’ legend (Scandinavia as an ancestral homeland) in a wide range of medieval texts from all over Europe, with a focus on the Anglo-Saxon tradition. The pagan North was an imaginative region, which attracted a number of conflicting interpretations. To Christian Europe, the pagan North was an abject Other, but it also symbolized a place from which ancestral strength and energy derived. Rix maps how these discourses informed ‘national’ legends of ancestral origins, showing how an ‘out-of-Scandinavia’ legend can be found in works by several familiar writers including Jordanes, Bede, ‘Fredegar’, Paul the Deacon, Freculph, and Æthelweard. The book investigates how legends of northern warriors were first created in classical texts and since re-calibrated to fit different medieval understandings of identity and ethnicity. Among other things, the ‘out-of-Scandinavia’ tale was exploited to promote a legacy of ‘barbarian’ vigor that could withstand the negative cultural effects of Roman civilization. This volume employs a variety of perspectives cutting across the disciplines of poetry, history, rhetoric, linguistics, and archaeology. After years of intense critical interest in medieval attitudes towards the classical world, Africa, and the East, this first book-length study of ‘the North’ will inspire new debates and repositionings in medieval studies.

Considering the fact that Charles Pigott's satirical A Political Dictionary (1795) is regularly quoted and referred to in analyses of late eighteenth-century radical culture, it is surprising that until now it has remained unavailable to readers outside of a few specialised research libraries. Until his death on the 24th of June 1794, Pigott was one of England's most prolific satirists in the decade of revolutionary unrest following the French Revolution, writing a number of pamphlets and plays of which only a small proportion have survived. Pigott finished A Political Dictionary in prison, where he served a sentence for sedition. He died before his release and the book was published posthumously. The Dictionary was a brilliant satire on the "language of Aristocracy" and combined radical politics with a high entertainment value. Indeed, part of what he wrote was considered so scurrilous that the printer left out certain lines in the printed version. Modern scholars will find Pigott's work an unrivalled resource for mapping the rhetorical landscape of political debate in the 1790s, and one that yields a unique insight into the sentiments and rhetoric of radical discourse. The text stands as a convenient handbook, providing some of the wittiest and most acidic turns on familiar satirical conventions of the time, such as the "swinish multitude" metaphor and the comparison of King George III to the mad King Nebuchadnezzar. It will be an invaluable aid to students and researchers of the period - both as a highly amusing source of illustrative quotations, and as an encyclopaedia over the central sites of ideological struggle at the time.

This study traces the links between William Blake's ideas and radical Christian cultures in late eighteenth-century England. Drawing on a significant number of historical sources, Robert W. Rix examines how Blake and his contemporaries re-appropriated the sources they read within new cultural and political frameworks. By unravelling their strategies, the book opens up a new perspective on what has often been seen as Blake's individual and idiosyncratic ideas. We are also presented with the first comprehensive study of Blake's reception of Swedenborgianism. At the time Blake took an interest in Emanuel Swedenborg, the mystical and spiritual writings of the theosophist had become a platform for radical and revolutionary politics, as well as numerous heterodox practices, among his followers in England. Rix focuses on Swedenborgianism as a concrete and identifiable sub-culture from which a number of essential themes in Blake's works are reassessed. This book will appeal not only to Blake scholars, but to anyone studying the radical and sub- culture, religious, intellectual and cultural history of this period.