Robert Rowland Smith – författare

What is the role of fate in our lives? Why should we avoid repeating patterns? And how can we identify our purpose? In What It Means To Be Human, former Oxford don Robert Rowland Smith draws on his personal experience to answer some of life’s most fundamental questions. Robert’s story involves a love triangle, office politics, police raids and a near-death experience. We see him confronting his demons, but also looking out for angels.As we are led into Robert’s private world– exploring themes like love, death, work and creativity – we gain an understanding of what it means to be human that is relevant to all.Previously published as AutoBioPhilosophy.

AutoBioPhilosophy is an astonishingly frank and original autobiography that explores the fundamental question of what it means to be human.Robert Rowland Smith’s life story involves a love triangle, office politics, police raids, illegal drugs, the academic elite and a near-death experience. It sees him grappling with the tragic fate of his father, going through a double divorce and encountering a living divinity. We witness him confronting his demons but also looking out for angels.A former Oxford don, Robert uses these deeply personal experiences to generate philosophical insights that will resonate with everybody. What are the recurring patterns, unconscious motives and social forces that govern our behaviour? Through his experiences, and referencing writers from Shakespeare to Freud, he offers new models and ways into human psychology.As we are led into Robert’s private world, we gain an understanding of what it means to be human that is relevant to all.

Robert Rowland Smith takes Freud's work on the death-drive and compares it with other philosophies of death - Pascal, Heidegger and Derrida in particular. He also applies it in a new way to literature and art - to Shakespeare, Rothko and Katharina Fritsch, among others. He asks whether artworks are dead or alive, if artistic creativity isn't actually a form of destruction, and whether our ability to be seduced by fine words means we don't put our selves at risk of death. In doing so, he proposes a new theory of aesthetics in which artworks and literary texts have a death-drive of their own, not least by their defining ability to turn away from all that is real, and where the effects of the death-drive mean that we are constantly living in imaginary, rhetorical or 'artistic' worlds. The book also provides a valuable introduction to the rich tradition of work on the death-drive since Freud.Key Features* Includes a general introduction to the death-drive* Presents an original theory of aesthetics* Analyses both theoretical and clinical psychoanalysis* Offers in-depth treatment of Freud* Provides an overview of philosophies of death

All too often, the history of poetry criticism in the 20th Century is told as a tale of two sides. While ''Lit crit'' pored over the author''s every line, ''Theory'' stood on the shoulder of texts to gaze into the metaphysical mists. Drawing on the key insights of both Lit crit and Theory, On Modern Poetry tries to get beyond the opposition between them, proposing instead a ''total criticism'' that draws on all resources available. It combines ''analytic irony'' with ''imaginative empathy'' in order to generate fresh insights. The themes discussed in the first part of the book include tradition, voice, rhyme, rhetoric, and objects, bringing in critics such as Eliot, Heidegger, Empson, Blackmur, and De Man. The second part examines texts by Tennyson, Symons, Hopkins, Larkin and Prynne. An original exploration of poetry and its criticism, On Modern Poetry is an essential guide for readers and students at all levels.

All too often, the history of poetry criticism in the 20th Century is told as a tale of two sides. While 'Lit crit' pored over the author's every line, 'Theory' stood on the shoulder of texts to gaze into the metaphysical mists. Drawing on the key insights of both Lit crit and Theory, On Modern Poetry tries to get beyond the opposition between them, proposing instead a 'total criticism' that draws on all resources available. It combines 'analytic irony' with 'imaginative empathy' in order to generate fresh insights. The themes discussed in the first part of the book include tradition, voice, rhyme, rhetoric, and objects, bringing in critics such as Eliot, Heidegger, Empson, Blackmur, and De Man. The second part examines texts by Tennyson, Symons, Hopkins, Larkin and Prynne. An original exploration of poetry and its criticism, On Modern Poetry is an essential guide for readers and students at all levels.

Including applied readings, this book explores the divide between practical criticism and theory in 20th century criticism to propose a new way of reading poetry. The history of poetry criticism in the 20th Century is often told as the story of two opposing sides. On the one hand, practical criticism emphasized close reading and a concern with authorial intention and technique; by contrast, the 'theory revolution' reacted against this in favour of a concern with the anonymous ideological forces at play in the text. Critically exploring this history of 20th Century literary criticism, "On Modern Poetry" draws on the insights of both traditions to offer a new way of reading poetry. Taking students through the work of such critics as T.S. Eliot, William Empson, Harold Bloom, Jacques Derrida and Martin Heidegger, the book considers such topics as rhyme, poetic 'voice' and language. The second part of the book then goes on to apply these critical insights through close readings of poems by such writers as Matthew Arnold, Thomas Hardy, Gerard Manley Hopkins and Alfred Lord Tennyson.A new exploration of poetry criticism in the last hundred years, "On Modern Poetry" is an essential guide for readers and students at all levels.

Including applied readings, this book explores the divide between practical criticism and theory in 20th century criticism to propose a new way of reading poetry. The history of poetry criticism in the 20th Century is often told as the story of two opposing sides. On the one hand, practical criticism emphasized close reading and a concern with authorial intention and technique; by contrast, the 'theory revolution' reacted against this in favour of a concern with the anonymous ideological forces at play in the text. Critically exploring this history of 20th Century literary criticism, "On Modern Poetry" draws on the insights of both traditions to offer a new way of reading poetry. Taking students through the work of such critics as T.S. Eliot, William Empson, Harold Bloom, Jacques Derrida and Martin Heidegger, the book considers such topics as rhyme, poetic 'voice' and language. The second part of the book then goes on to apply these critical insights through close readings of poems by such writers as Matthew Arnold, Thomas Hardy, Gerard Manley Hopkins and Alfred Lord Tennyson.A new exploration of poetry criticism in the last hundred years, "On Modern Poetry" is an essential guide for readers and students at all levels.

What does it mean to be awake? What exactly is therapeutic about retail therapy? And what are you really working on when you''re at your desk, in the gym, or having dinner? From getting ready in the morning, through heading to work, going to a party, having sex and falling back to sleep, Breakfast with Socrates provides an hour-by-hour commentary on what history''s greatest philosophers have said about the meaning behind everything we do. A fascinating exploration of our daily lives, Breakfast with Socrates also draws on literature, art, politics and psychology to offer an informal introduction to the history of ideas that will help anyone to think more healthily. Breakfast will never be the same again...

If life is meaningless as Sartre suggests, what is the point of being born? What does Freud have to say about losing one''s virginity or Nietzsche about having a mid-life crisis? From birth to death (and beyond), the best brains in history have thought long and hard about the meaning behind the landmarks that shape our lives - and now acclaimed popular philosopher Robert Rowland Smith brings their genius together for the first time in this smart, witty and accessible journey through life''s ups and downs. Drawing on philosophy, art, literature and psychology, Driving with Plato explores the real meaning of the hoops we all have to jump through. You''ll hear from Aristotle on starting school, learn from St Paul about falling in love, and get tips from Cicero on becoming wise in your old age. Whether you are learning to drive or about to get married, Driving with Plato is certain to enlighten and entertain.

How is it that the most carefully-laid business strategies can go horribly wrong when put into practice? Robert Rowland Smith''s answer, based on years of experience in high-level consultancy, is that ''reality eats strategy for breakfast'': strategy, based on projections and assuming business is a rational pursuit, can''t deal with the messy reality of life. More helpful are these practical questions that can help you plan what to do when your business comes into contact with reality. From learning the lessons of the past (rather than fixating on the future) to finding out what your business is really about, he explains the real-life factors that lead to success or failure. Including many new examples from the front line, from all around the world, The Reality Test will help you establish yourself as more effective and distinctive than your competitors, who follow the same rigid theoretical avenues.Whether you ask ''Are you making enough of your weaknesses?'' or ''Are you 100% productive 100% of the time?'', it''s time to stop living in strategy La-La Land and face reality.