Robert Spencer – författare

In The Truth about Muhammad, New York Times bestselling author and Islam expert Robert Spencer offers a telling portrait of the founder of Islam—perhaps the first such portrait in half a century—unbounded by fear and political correctness, unflinching, and willing to face the hard facts about Muhammad’s life that continue to affect our world today.

Spencer details Muhammad’s development from a preacher of hellfire and damnation into a political and military leader who expanded his rule by force of arms, promising his warriors luridly physical delights in paradise if they were killed in his cause. He explains how the Qur’an’s teachings on warfare against unbelievers developed, with constant war to establish the hegemony of Islamic law as the last stage. Spencer also gives the truth about Muhammad’s convenient “revelations” justifying his own licentiousness; his joy in the brutal murders of his enemies; and above all, his clear marching orders to his followers to convert non-Muslims to Islam—or force them to live as inferiors under Islamic rule.

This introduction to British literature from 1900 to 2021 looks at British writing from the perspective of the 2016 Brexit vote and its seismic repercussions. The book covers a wide variety of British literature in order to expose the cultural and political history of Britain, its repeated challenges and highly class-bound, patriarchal structure.

British Writing from Empire to Brexit: Writing, Identity, and Nation offers a stark view of what British culture has come to represent, and the repercussions. Not shying away from discussions around imperialism, nationalism, and racism, Robert Spencer, Howard J. Booth, and Anastasia Valassopoulos offer a radical deconstruction of what Britishness can, and should, mean, promoting a convincing and accessible way to rethink the texts and field. The authors analyse novels, poetry, and prose which amplify the dissentient and dissident perspectives of women, gender non-conforming, and queer authors, as well as the varied viewpoints and insights of working-class, immigrant, postcolonial, Black, and Asian writers, showing how these works open up post-national futures after empire and after Brexit.

Ultimately offering a model to rescue Britain from its current crises and anxieties, this book is an essential read for anyone approaching the study of British literature and culture, as well as those working on postcolonial studies, decolonisation, recent British history and politics, or with an interest in empire and Brexit.

This introduction to British literature from 1900 to 2021 looks at British writing from the perspective of the 2016 Brexit vote and its seismic repercussions. The book covers a wide variety of British literature in order to expose the cultural and political history of Britain, its repeated challenges and highly class-bound, patriarchal structure.

British Writing from Empire to Brexit: Writing, Identity, and Nation offers a stark view of what British culture has come to represent, and the repercussions. Not shying away from discussions around imperialism, nationalism, and racism, Robert Spencer, Howard J. Booth, and Anastasia Valassopoulos offer a radical deconstruction of what Britishness can, and should, mean, promoting a convincing and accessible way to rethink the texts and field. The authors analyse novels, poetry, and prose which amplify the dissentient and dissident perspectives of women, gender non-conforming, and queer authors, as well as the varied viewpoints and insights of working-class, immigrant, postcolonial, Black, and Asian writers, showing how these works open up post-national futures after empire and after Brexit.

Ultimately offering a model to rescue Britain from its current crises and anxieties, this book is an essential read for anyone approaching the study of British literature and culture, as well as those working on postcolonial studies, decolonisation, recent British history and politics, or with an interest in empire and Brexit.

This is a major new collection of essays on literary and cultural representations of migration and terrorism, the cultural impact of 9/11, and the subsequent ‘war on terror’. The collection commences with analyses of the relationship between migration and terrorism, which has been the focus of much mainstream political and media debate since the attacks on America in 2001 and the London bombings in 2005, not least because liberal democratic governments in Europe and North America have invoked such attacks to justify the regulation of migration and the criminalisation of ‘minority’ groups. Responding to the consequent erosion of the liberal democratic rights of the individual, leading scholars assess the various ways in which literary texts support and/or interrogate the conflation of narratives of transnational migration and perceived terrorist threats to national security. This crucial debate is furthered by contrasting analyses of the manner in which novelists from the UK, North Africa, the US and Palestine have represented 9/11, exploring the event’s contexts and ramifications.

This path-breaking study complicates the simplistic narratives of revenge and wronged innocence commonly used to make sense of the attacks and to justify the US response. Each novel discussed seeks to interrogate and analyse a discourse typically dominated by consent, belligerence and paranoia. Together, the collected essays suggest the value of literature as an effective critical intervention in the very fraught political aftermath of the ‘war on terror’.

This book was published as a special issue of the Journal of Postcolonial Writing.

This is a major new collection of essays on literary and cultural representations of migration and terrorism, the cultural impact of 9/11, and the subsequent ‘war on terror’. The collection commences with analyses of the relationship between migration and terrorism, which has been the focus of much mainstream political and media debate since the attacks on America in 2001 and the London bombings in 2005, not least because liberal democratic governments in Europe and North America have invoked such attacks to justify the regulation of migration and the criminalisation of ‘minority’ groups. Responding to the consequent erosion of the liberal democratic rights of the individual, leading scholars assess the various ways in which literary texts support and/or interrogate the conflation of narratives of transnational migration and perceived terrorist threats to national security. This crucial debate is furthered by contrasting analyses of the manner in which novelists from the UK, North Africa, the US and Palestine have represented 9/11, exploring the event’s contexts and ramifications.

This path-breaking study complicates the simplistic narratives of revenge and wronged innocence commonly used to make sense of the attacks and to justify the US response. Each novel discussed seeks to interrogate and analyse a discourse typically dominated by consent, belligerence and paranoia. Together, the collected essays suggest the value of literature as an effective critical intervention in the very fraught political aftermath of the ‘war on terror’.

This book was published as a special issue of the Journal of Postcolonial Writing.

Postcolonial Locations seeks to clarify the meaning of ‘the postcolonial’ through close textual readings, and prioritises material and located readings over more abstract theoretical discussions; it seeks to re-orient the field by providing practical explorations of what the discipline is for. The book begins with an introduction of the key theoretical debates in the field – between the universal and the particular; the global and the local – but it then goes on to demonstrate, via a series of close textual readings, that these distinctions are not always useful and that we can achieve a more comprehensive and complete reading of the multiple times, places and texts in which colonial power is both exerted and fought.

An engaging and comprehensive guide to contemporary postcolonial studies, this book is essential reading for students as well as professors.

Postcolonial Locations seeks to clarify the meaning of ‘the postcolonial’ through close textual readings, and prioritises material and located readings over more abstract theoretical discussions; it seeks to re-orient the field by providing practical explorations of what the discipline is for. The book begins with an introduction of the key theoretical debates in the field – between the universal and the particular; the global and the local – but it then goes on to demonstrate, via a series of close textual readings, that these distinctions are not always useful and that we can achieve a more comprehensive and complete reading of the multiple times, places and texts in which colonial power is both exerted and fought.

An engaging and comprehensive guide to contemporary postcolonial studies, this book is essential reading for students as well as professors.

You think you know about Islam, but did you know that Islam teaches that Muslims must wage war to impose Islamic law on non-Muslim states? Or that American Muslim groups are engaged in a huge cover-up of Islamic doctrine? These and other “politically incorrect” facts are revealed by Robert Spencer in The Politically Incorrect Guide to Islam (and the Crusades). Spencer traces the history of Islam, the teachings of the Qur’an, and the Crusades and reveals the myths and realities related to Islamic law, the treatment of women, and the continuing jihad.

This is a fast-paced, politically incorrect tour that you will not hear about in school or on the evening news, but it will give you all the information you need to understand the true nature of the global conflict America faces today.

When the bombs went off at the Boston Marathon, it was a stark sign that the Arab Spring had arrived in America. Clearly, the unrest and instability sweeping across the Middle East—from Egypt to Syria—can no longer be ignored as a problem "over there."

Bestselling author and jihad expert Robert Spencer unveils the shocking truth behind the mainstream media''s propaganda about the Arab Spring and shows how the Fort Hood attack, the Boston Marathon bombings, and other violent acts by Muslims in the United States are indeed fresh instances of the Arab Spring ideology coming to this country.

Robert Spencer brings years of study on radical Islam to this shocking and insightful book. Arab Winter Comes to America is a powerful warning of the terror and tyranny to come.