Robert Stauffer – författare

Speculative modernists--that is, British and American writers of science fiction, fantasy and horror during the late 19th and early 20th centuries--successfully grappled with the same forces that would drive their better-known literary counterparts to existential despair. Building on the ideas of the 19th-century Gothic and utopian movements, these speculative writers anticipated literary Modernism and blazed alternative literary trails in science, religion, ecology and sociology. Such authors as H.G. Wells and H.P. Lovecraft gained widespread recognition--budding from them, other speculative authors published fascinating tales of individuals trapped in dystopias, of anti-society attitudes, post-apocalyptic worlds and the rapidly expanding knowledge of the limitless universe. This book documents the Gothic and utopian roots of speculative fiction and explores how these authors played a crucial role in shaping the culture of the new century with their darker, more evolved themes.

Between the years of 1886 and 1939, the world saw the first automobiles, rapid urbanization, the decay of empires, vast economic inequality, the first airplanes and the terrifying secrets of the atom. It was a time of cataclysmic cultural and technological transformation, and spawned the rise of the literary genres of science fiction, fantasy and horror.This work assembles gems of late nineteenth and early twentieth century genre literature, including stories by such literary giants as H.P. Lovecraft, Robert E. Howard, C. L. Moore, A. Merritt and E. M. Forster, as well as smaller authors like Clare Winger Harris, Marie Corelli, William Hope Hodgson and others. An array of incisive nonfiction pieces on cultural and scientific advances of the time period provides a context for the anthology's stories.

Essential for anyone seeking an authenticChristian mysticism that refuses to beconfined by its historical boundary of thecloister. Carl McColman, author ofThe NewBig Book of Christian MysticismThe lost fictionfantasy and horrorof the famous Christian writer.A revered priests horrifying metaphysical secret that is revealed only after his death. A sculptors obsessive desire to craft the horrific face that haunts his dreams and drives him to madness. A journey upriver to an unspoiled realm whose denizens revile anything tainted by humans. The sole survivor of an island shipwreck and the terrifying ancient being he confronts.Evelyn Underhill (1875-1941) is best known for her groundbreaking and accessible studies on Christian mysticism: over forty books and hundreds of articles and lectures on spiritual practices, including her most famous work, Mysticism (1911). Yet even the most avid Underhill reader does not know that she spent her youth writing some seriously weird fiction: supernatural short stories that H.P. Lovecraft might have enjoyed. Here for the first time is a collection of short stories, poetry, and an essay written by the foremost Christian mystic of the twentieth century. Furthermore, Underhills brief fiction career represents an important step in her mystical and spiritual development. Understand these stories and you go a long way toward understanding how Underhill became the transformational thinker and mystic the world knows her to be.

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Even with growing popularity in the United States, there existed no English-language scholarly introduction to Marguerite Porete or her sole-surviving work Mirror of Simple Souls until now. The study of Marguerite and her work touches on so many disciplines – from religious and secular histories to theological and literary readings of her book – that the scholarship had often been lost in the divides between the disciplines. Our contributors are chosen from both sides of the Atlantic and from an array of disciplines in order to bridge this geographical and linguistic divide. The interdisciplinary nature of the interest in Marguerite and the Mirror and the implications her book has on medieval scholarship make a collection such as this companion ideal.Contributors are Marleen Cré, Imke De Gier, Dávid Falvay, Sean Field, Geneviève Hasenohr (with Zan Kocher), Jonathan Juilfs, Zan Kocher, Joanne Robinson, Elizabeth Scarborough, Robert Stauffer, Wendy R. Terry, and Justine Trombley.