Robert Sutherland – författare

He knows in his heart that his father, Lieutenant James Martin, could not have stolen the money stored overnight in the blockhouse of The Isthmus and then brutally murdered his commanding officer, Colonel Forrester. But the jury has been swayed by damning circumstantial evidence. Now it''s up to 14-year-old Will to find the real murderer and stop the hangman''s noose. Only one slim clue guides him: the colonel''s missing pet parrot, whose strange and eerie mutterings may hold the key to James Martin''s life.

Set in the Brockville/Westport area of Ontario, against the backdrop of the 1837 Rebellion, The Secret of Devil Lake is a race-against-time that''s packed full of action, danger and perfectly timed plot twists.

In 1882 the S.S. Asia, a dangerously overloaded passenger ship, went down in gale-force winds in Georgian Bay, Ontario. More than 100 passengers died in the wreck. Robert Sutherland takes this historical fact and creates a gripping story for middle-grade readers. Tommy Smith, a young orphan, barely survives the sinking. He should feel lucky. But months after being nursed back to health, Tommy discovers that he’s been framed for murder. It’s a good thing everyone believes Tommy drowned in the sinking, allowing him to take on a new identity in Toronto—and a great new job with the circus. But when his past suddenly catches up with him, Tommy must run for his life in a race against time.

It happens so quickly: a car shoots out from the curb, hits Fiona’s father and then speeds away. Is it an accident? Or is it a warning to Gavin and his Scottish cousin, Fiona, to turn back? Gavin is in Scotland to hike across the moors, and Fiona’s dad isn’t about to let a broken leg stop the kids’ fun. Fiona and Gavin will have to go on without him.

A broken leg turns out to be the least of their troubles as the cousins unwittingly stumble onto a monstrous murder plot to kidnap a girl—and get caught by the conspirators. Managing to escape, Gavin and Fiona find themselves in the middle of a mysterious scheme and a race against time across the Scottish moors. Greysteel’s Ghost is a terrific, straight-up adventure story from an author who knows exactly what his middle-grade fans want—a page-turning mystery driven at a souped-up pace.

Fourteen-year-old Ben Random has always been drawn to the ships that skim the blue waters of Lake Ontario off the shores of York, the capital of Upper Canada. But his dream of serving on a Royal Navy vessel is dashed by a gut-wrenching fear: Ben is too terrified of heights to see himself scaling any war ship’s mast. But Ben’s anxiety is the last thing on his mind when on April 26, 1813, a flotilla of American ships invades York and his father is asked to lead a rescue mission to save a key fort on Lake Michigan. Now Ben is thrilled to take part in an impossibly daring plan to outwit the Americans and deliver supplies to Fort Mackinac—before its inhabitants are captured or die from starvation. Blinding blizzards, crushing ice floes and daring cat-and-mouse manoeuvres around the enemy challenge Ben’s strength and determination. But when he’s suddenly called upon in the ultimate test to save a critical supply ship, the Nancy, his fear looms as large as the hopes of those who are desperately counting on him.

Based on a little-known episode during the War of 1812, The Schooner’s Revenge is an action-packed adventure, crackling with plot twists, explosions, treachery and courage—destined to be a hit with middle readers everywhere.

This volume contains two Open Access Chapters

Volume 1 of the two part collection Stories and Lessons from the World’s Leading Opera, Orchestra Librarians, and Music Archivists, explores the current trends and practices in the field of music performance librarianship. Featuring interviews and conversations from over twenty orchestra, opera, and ballet librarians and archivists working for some of the world’s leading performing arts and educational institutions from North and South America, this book is a helpful resource to librarians, and archivists who need to manage artifacts in a variety of situations in the world of performing arts.

For music and library science professors, this serves as a useful teaching tool or reference material by allowing students to gain a glimpse into the profession of music performance librarianship. Finally, this book functions as a unique and important reference tool for all students who are considering a career in music performance librarianship or a profession in archives in the world of performing arts.

This volume contains two Open Access Chapters

Volume 1 of the two part collection Stories and Lessons from the World’s Leading Opera, Orchestra Librarians, and Music Archivists, explores the current trends and practices in the field of music performance librarianship. Featuring interviews and conversations from over twenty orchestra, opera, and ballet librarians and archivists working for some of the world’s leading performing arts and educational institutions from North and South America, this book is a helpful resource to librarians, and archivists who need to manage artifacts in a variety of situations in the world of performing arts.

For music and library science professors, this serves as a useful teaching tool or reference material by allowing students to gain a glimpse into the profession of music performance librarianship. Finally, this book functions as a unique and important reference tool for all students who are considering a career in music performance librarianship or a profession in archives in the world of performing arts.

Volume 2 of the two part collection Stories and Lessons from the World’s Leading Opera, Orchestra Librarians, and Music Archivists, explores the current trends and practices in the field of music performance librarianship. Featuring interviews and conversations from over twenty orchestra, opera, and ballet librarians and archivists working for some of the world’s leading performing arts and educational institutions from Europe and Asia, this book is a helpful resource to librarians, and archivists who need to manage artifacts in a variety of situations in the world of performing arts.

For music and library science professors, this serves as a useful teaching tool or reference material by allowing students to gain a glimpse into the profession of music performance librarianship. Finally, this book functions as a unique and important reference tool for all students who are considering a career in music performance librarianship or a profession in archives in the world of performing arts.