Robert Vivian – författare

Lem Purchase is in California when a call comes in the dead of night: his younger, disturbed brother in Nebraska announces his plans to carry out an act of terrorism targeting the state capitol building in Lincoln. This isn't the first time Lem has had to make a frantic check on Jackson. Nor is it the first time that author Robert Vivian has taken us to the haunted world of the Great Plains. Critics called Vivian's first two books in the Tall Grass Trilogy "lyrical and harrowing" (Sven Birkerts on The Mover of Bones) and "brilliantly written" (Publishers Weekly on Lamb Bright Saviors). In this third and final volume in the trilogy, Vivian weaves the voices of Lem, Jackson, and Lem's estranged wife, Lissa, into an American triptych of longing, remembrance, and innocence—of hopes almost fulfilled and inevitably disappointed—as we race to Jackson's reckoning with history that must have its day.While Jackson hatches yet another plan that rivals the first in madness and ultimately threatens Lem's life, Lem's reflections reveal what, and how much, that life has meant. In Jackson's determination we encounter another view of what matters, as he clings to his apocalyptic notion of the only way in which the country can be reclaimed from its present madness.

"Robert Vivian's prose is lyrical and harrowing—harrowing in the Biblical sense," Sven Birkerts said of The Mover of Bones, the first book in Vivian's Tall Grass Trilogy. That same lyrical power carries this new volume to a place of hard-won hope and redemption at once both spiritual and earthly. Lamb Bright Saviors begins as an apocalyptically inclined itinerant preacher staggers across the Nebraska prairie. With his young assistant, Mady, in tow hauling a wagon stacked with bibles, it's not long before the preacher finds he's come to the final fulfillment of his self-proclaimed life's work: to die in front of a group of strangers. Odd as his own end-of-days might be, the lives and struggles of the strangers attending this deathbed scene are even odder. As the dying preacher unleashes a barrage of hallucinatory ramblings and rantings in the hope of imparting wisdom, each ragtag member of this unlikely congregation must reckon with his or her own dark past. And, through it all, the irrepressible Mady lends the preacher's strange performance a surprising and unforgettable dignity and humor.

In the tradition of the meditative essay, the writing of Robert Vivian begins with a mundane moment and, through the delicate workings of curiosity, contemplation, and inspiration, reveals unsuspected meaning.In his second collection of essays Vivian finds his occasions in midwestern towns and European cities. He looks for—and sometimes stumbles upon—the spiritual significance of circumstances and places and those who inhabit them, from the Jewish dead in a long-neglected cemetery in Poland to a dog slaughtered on a highway fronting the Black Sea to gunshots ringing out in rural Michigan. Again and again Vivian probes what such phenomena suggest about the times we live in—and what they share with every time that ever was.

It’s been a year since the body of seventeen-year-old Kelsey Little was found in the river outside Dark Vespers, Nebraska. Although the town may have reached an uneasy equilibrium, those who loved her most have certainly not: Javier Martinez, her troubled ex-boyfriend and the father of the child no one knew she was carrying; Sam and Hank, her parents, whose marriage is coming apart under the pressure of grief and not-knowing; and Ike Parrish, a reclusive eccentric whose clairvoyant “river spells” compel him to come forward with information about Kelsey’s disappearance and death.A prismatic look at the impact of loss on individual lives, Water and Abandon tells the moving and paradoxical story of those brought together by the very thing that tears them apart. Haunted by Kelsey’s death, each struggles with his or her own demons of blame and guilt, despair and fury-until one, in a confusion of pain, grief, and unrequited love, decides to do something dire. As deeply felt as it is finely crafted, the novel confirms Robert Vivian’s place among the most compelling fiction writers of our day.

In one hand, Jesse Breedlove holds a bottle of Cuervo Gold—or what's left of it—in the other, the shovel with which he has just unearthed the bones of a small girl buried in the cellar of a Catholic church in Omaha, Nebraska. So begins Breedlove's odyssey across the literal and mythical landscapes of America, bearing the finely articulated body he has uncovered, bones that would neither rest nor, in their restless eloquence, let him remain silent. Through the heart of the United States, this mover of bones encounters people who live on the geographical and emotional margins and who find that his presence and his plight summon their voices. Rumors surface and reports multiply as the lonely, the addicted, the isolated, the damned, the pure of heart, and the holy sane speak. From the dark and distant edges of society, they bear witness—sometimes directly, sometimes obliquely—to what the mover of bones and his burden mean.Defiler, redeemer, sinner, or saint—Breedlove is the stuff myths are made of, and The Mover of Bones, the first of the Tall Grass Trilogy of novels by Robert Vivian, evokes a collective dream of the heartland.

Whether confronting a gravel road, a hallucinatory vision of a horse-woman, a deep sensitivity to noise, or the curiosity of crows, Robert Vivian sees the world in a novel way, and this collection gives readers the opportunity to share his unique and intriguing vision.