Robert W. Jones – författare

Beauty is one of the most important and intriguing ideas in eighteenth-century culture. In Gender and the Formation of Taste in Eighteenth-Century Britain Robert Jones provides a fresh understanding of how emergent critical discourses negotiated with earlier accounts of taste and beauty in order to redefine culture in line with the polite virtues of the urban middle classes. Crucially, the ability to form opinions on questions of beauty, and the capacity to enter into debates on its nature, was thought to characterise those able to participate in cultural discourse. Furthermore, the term 'beauty' was frequently invoked, in various and contradictory ways, to determine acceptable behaviour for women. In his book, Jones discusses a wide range of material, including philosophical texts by William Hogarth and Edmund Burke and Joshua Reynolds, novels by Charlotte Lennox and Sarah Scott, and the many representations of the celebrated beauty Elizabeth Gunning.

Beauty is one of the most important and intriguing ideas in eighteenth-century culture. In Gender and the Formation of Taste in Eighteenth-Century Britain Robert Jones provides a fresh understanding of how emergent critical discourses negotiated with earlier accounts of taste and beauty in order to redefine culture in line with the polite virtues of the urban middle classes. Crucially, the ability to form opinions on questions of beauty, and the capacity to enter into debates on its nature, was thought to characterise those able to participate in cultural discourse. Furthermore, the term 'beauty' was frequently invoked, in various and contradictory ways, to determine acceptable behaviour for women. In his book, Jones discusses a wide range of material, including philosophical texts by William Hogarth and Edmund Burke and Joshua Reynolds, novels by Charlotte Lennox and Sarah Scott, and the many representations of the celebrated beauty Elizabeth Gunning.

The successful performance of a particular kind of masculinity was critical to political life during the eighteenth century, when men who claimed membership of the public sphere were expected to be men of honour as well as property. By the 1770s, however, the transformative effects of commerce and the claims of politeness complicated older certainties. Robert Jones examines how the parliamentary Opposition and their literary allies responded to political pressures and the emergencies of a disastrous war by fashioning a new mode of politics based on a more flexible range of masculinities. Basing his study on close readings of Edmund Burke and Richard Brinsley Sheridan, the trials of General Burgoyne and Admiral Keppel, and the Whig appropriation of Thomas Chatterton, Jones explores how Opposition discourse risked the charge of effeminacy in order to fuse the languages of honour and sensibility.

The successful performance of a particular kind of masculinity was critical to political life during the eighteenth century, when men who claimed membership of the public sphere were expected to be men of honour as well as property. By the 1770s, however, the transformative effects of commerce and the claims of politeness complicated older certainties. Robert Jones examines how the parliamentary Opposition and their literary allies responded to political pressures and the emergencies of a disastrous war by fashioning a new mode of politics based on a more flexible range of masculinities. Basing his study on close readings of Edmund Burke and Richard Brinsley Sheridan, the trials of General Burgoyne and Admiral Keppel, and the Whig appropriation of Thomas Chatterton, Jones explores how Opposition discourse risked the charge of effeminacy in order to fuse the languages of honour and sensibility.

Groundbreaking reassessment of the role played by armour, weapons and heraldry in medieval warfare, showing their cultural as well as military significance.A penetrating investigation of medieval martial display... The reader is struck by its originality, and by its sophisticated and critical interpretative engagement with historical and literary sources. Particularly notable is theauthor's subtle exploration of the function of armour: not only its practical role, but as a form of display... A refreshingly different approach to the world of the medieval combatant and his place within that `host of many colours' that was a medieval army, it adds a new dimension to our understanding of medieval warfare. ANDREW AYTON, University of HullThe medieval battlefield was a place of spectacle and splendour. The fully-armed knight,bedecked in his vivid heraldic colours, riding out beneath his brightly-painted banner, is a stock image of war and the warrior in the middle ages. Yet too often the significance of such display has been ignored or dismissed as the empty preening of a militaristic social elite.Drawing on a broad range of source material and using innovative historical approaches, this book completely re-evaluates the way that such men and their weapons were viewed,showing that martial display was a vital part of the way in which war was waged in the middle ages. It maintains that heraldry and livery served not only to advertise a warrior's family and social ties, but also announced his presence on the battlefield and right to wage war. It also considers the physiological and psychological effect of wearing armour, both on the wearer and those facing him in combat, arguing that the need for display in battle was deeper than any medieval cultural construct and was based in the fundamental biological drives of threat and warning.Dr ROBERT W. JONES teaches Medieval History at Advanced Studies in England, a branch campus of Franklinand Marshall College, in Bath. He was formerly a Visiting Research Fellow at the University of Leeds, and an Associate Lecturer at Cardiff University.

A comprehensive study of every aspect of chivalry and chivalric culture.Chivalry lay at the heart of elite society in the Middle Ages, but it is a nebulous concept which defies an easy definition. More than just a code of ethical behaviour, it shaped literary tastes, art and manners, as well as social hierarchies, political events and religious practices; its impact is everywhere.This work aims to provide an accessible and holistic survey of the subject. Its chapters, by leading experts in the field, cover a wide range of areas: the tournament, arms and armour, the chivalric society's organisation in peace and war, its literature and its landscape. They also consider the gendered nature of chivalry, its propensity for violence, and its post-medieval decline and reinvention in the early modern and modern periods. It will be invaluable to the student and the scholar of chivalry alike.

A comprehensive study of every aspect of chivalry and chivalric culture.Chivalry lay at the heart of elite society in the Middle Ages, but it is a nebulous concept which defies an easy definition. More than just a code of ethical behaviour, it shaped literary tastes, art and manners, as well as social hierarchies, political events and religious practices; its impact is everywhere.This work aims to provide an accessible and holistic survey of the subject. Its chapters, by leading experts in the field, cover a wide range of areas: the tournament, arms and armour, the chivalric society's organisation in peace and war, its literature and its landscape. They also consider the gendered nature of chivalry, its propensity for violence, and its post-medieval decline and reinvention in the early modern and modern periods. It will be invaluable to the student and the scholar of chivalry alike.

The sword is an important and multi-faceted symbol of military power, royal and communal authority, religion and mysticism. This study takes the sword beyond its functional role as a tool for killing, considering it as a cultural artefact, and the broader meaning and significance it had to its bearer.It should be on the bookshelf of anybody who claims to be interested in the importance of the sword in medieval life and thought and their cultural significance in the past - and present. Robert Woosnam-Savage, Royal Armouries.We see the sword as an object of nobility and status, a mystical artefact, imbued with power and symbolism. It is Roland's Durendal, Arthur's Excalibur, Aragorn's Narsil. A thing of beauty, its blade flashes in the sun, and its hilt gleams with opulent decoration. Yet this beauty belies a bloody function, for it is also a weapon that appears crude and brutal, requiring great strength to wield: cleaving armour, flesh, and bone. This wide-ranging book uncovers the breadth of the sword's place within the culture of high medieval Europe. Encompassing swords both real and imagined, physical, and in art and literature, it shows them as a powerful symbol of authority and legitimacy. It looks at the practicalities of the sword, including its production, as well as challenging our preconceptions about when and where it was used. In doing so, it reveals a far less familiar culture of swordsmanship, beyond the elite, in which swordplay was an entertainment, taught in the fencing school by masters such as Lichtenauer, Talhoffer, and Fiore, and codified in fencing manuals, or fechtbücher. The book also considers how our modern attempts to reconstruct medieval swordsmanship on screen, and in re-enactment and Historical European Martial Arts (or HEMA), shape, and have been shaped by, our preconceptions of the sword. As a whole, the weapon is shown to be at once far more mundane, and yet just as special, as we imagine it.

Groundbreaking reassessment of the role played by armour, weapons and heraldry in medieval warfare, showing their cultural as well as military significance.`A penetrating investigation of medieval martial display... The reader is struck by its originality, and by its sophisticated and critical interpretative engagement with historical and literary sources. Particularly notable is the author's subtle exploration of the function of armour: not only its practical role, but as a form of display... A refreshingly different approach to the world of the medieval combatant and his place within that "host of many colours" that was a medieval army, it adds a new dimension to our understanding of medieval warfare.' Dr ANDREW AYTON, Senior Lecturer in History, University of HullThe medieval battlefield was a place of spectacle and splendour. The fully-armed knight, bedecked in his vivid heraldic colours, mounted on his great charger, riding out beneath his brightly-painted banner, is a stock image of war and the warrior in the middle ages. Yet too often the significance of such display has been ignored or dismissed as the empty preening of a militaristic social elite.Drawing on a broad range of source material and using innovative historical approaches, this book completely re-evaluates the way that such men and their weapons were viewed, showing that martial display was a vital part of the way in which war was waged in the middle ages. It maintains that heraldry and livery served not only to advertise a warrior's family and social ties, but also announced his presence on the battlefield and right to wage war. It also considers the physiological and psychological effect of wearing armour, both on the wearer and those facing him in combat, arguing that the need for display in battle was deeper than any medieval cultural construct and was based in the fundamental biological drives of threat and warning.ROBERT W. JONES gained his PhD from Cardiff University.

Covering 27 chapters, and written by Mexican and international authors, this book analyzes a wide range of vertebrate and invertebrate animal taxa, their ecosystems and the critical processes related to their present conservation status.

Covering 27 chapters, and written by Mexican and international authors, this book analyzes a wide range of vertebrate and invertebrate animal taxa, their ecosystems and the critical processes related to their present conservation status.