The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contempoprary responses to a writer's work, enabling students and researchers to read the material themselves.

In The Writing of Royalism, Robert Wilcher charts the political and ideological development of 'royalism' between 1628 and 1660. His study of the literature and propaganda produced by those who adhered to the crown during the civil wars and their aftermath takes in many kinds of writing to provide a comprehensive account of the emergence of a partisan literature in support of the English monarchy and Church. Wilcher situates a wide range of minor and canonical texts in the tumultuous political contexts of the time, helpfully integrating them into a detailed historical narrative. He illustrates the role of literature in forging a party committed to the military defence of royalist values and determined to sustain them in defeat. The Writing of Royalism casts light on the complex phenomenon of 'royalism' by making available a wealth of material that should be of interest to historians as well as literary scholars.

In The Writing of Royalism, Robert Wilcher charts the political and ideological development of 'royalism' between 1628 and 1660. His study of the literature and propaganda produced by those who adhered to the crown during the civil wars and their aftermath takes in many kinds of writing to provide a comprehensive account of the emergence of a partisan literature in support of the English monarchy and Church. Wilcher situates a wide range of minor and canonical texts in the tumultuous political contexts of the time, helpfully integrating them into a detailed historical narrative. He illustrates the role of literature in forging a party committed to the military defence of royalist values and determined to sustain them in defeat. The Writing of Royalism casts light on the complex phenomenon of 'royalism' by making available a wealth of material that should be of interest to historians as well as literary scholars.

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contempoprary responses to a writer''s work, enabling students and researchers to read the material themselves.

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contempoprary responses to a writer''s work, enabling students and researchers to read the material themselves.

This comprehensive study of the literary output of Sir John Suckling reconstructs the various contexts in which the poems, plays, letters, and prose tracts were produced and, by means of close textual analysis, reveals the nature of one writer's engagement_both creative and subversive_with the social, religious, political, and cultural dimensions of Caroline England. It challenges the common view of Suckling as primarily a court wit and courtier playwright and makes a case for reading much of his poetry and drama as a critique of the social values and aesthetic fashions associated with the patronage of Queen Henrietta Maria. In other words, this so-called 'Cavalier' is revealed as an astute and skeptical commentator on national and international affairs, whose discontent with the religious and political consequences of King Charles I's government during the 1630s was often at odds with his unshakable loyalty to the crown.

Written by one of the editors of the new complete works of Henry Vaughan, Keeping the Ancient Way is the first book-length study of the poet by a single author for twenty years. It deals with a number of key topics that are central to the understanding and appreciation of this major seventeenth-century writer. These include his debt to the hermetic philosophy espoused by his twin brother (the alchemist, Thomas Vaughan); his royalist allegiance in the Civil War; his loyalty to the outlawed Church of England during the Interregnum; the unusual degree of intertextuality in his poetry (especially with the Scriptures and the devotional lyrics of George Herbert); and his literary treatment of the natural world (which has been variously interpreted from Christian, proto-Romantic, and ecological perspectives). Each of the chapters is self-contained and places its topic in relation to past and current critical debates, but the book is organized so that the biographical, intellectual, and political focus of Part One informs the discussion of poetic craftsmanship in Part Two. A wealth of historical information and close critical readings provide an accessible introduction to the poet and his period for students and general readers alike. The up-to-date scholarship will also be of interest to specialists in the literature and history of the Civil War and Interregnum.

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contempoprary responses to a writer's work, enabling students and researchers to read the material themselves.

In The Writing of Royalism, Robert Wilcher charts the political and ideological development of 'royalism' between 1628 and 1660. His study of the literature and propaganda produced by those who adhered to the crown during the civil wars and their aftermath takes in many kinds of writing to provide a comprehensive account of the emergence of a partisan literature in support of the English monarchy and Church. Wilcher situates a wide range of minor and canonical texts in the tumultuous political contexts of the time, helpfully integrating them into a detailed historical narrative. He illustrates the role of literature in forging a party committed to the military defence of royalist values and determined to sustain them in defeat. The Writing of Royalism casts light on the complex phenomenon of 'royalism' by making available a wealth of material that should be of interest to historians as well as literary scholars.

In The Writing of Royalism, Robert Wilcher charts the political and ideological development of 'royalism' between 1628 and 1660. His study of the literature and propaganda produced by those who adhered to the crown during the civil wars and their aftermath takes in many kinds of writing to provide a comprehensive account of the emergence of a partisan literature in support of the English monarchy and Church. Wilcher situates a wide range of minor and canonical texts in the tumultuous political contexts of the time, helpfully integrating them into a detailed historical narrative. He illustrates the role of literature in forging a party committed to the military defence of royalist values and determined to sustain them in defeat. The Writing of Royalism casts light on the complex phenomenon of 'royalism' by making available a wealth of material that should be of interest to historians as well as literary scholars.

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contempoprary responses to a writer''s work, enabling students and researchers to read the material themselves.

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contempoprary responses to a writer''s work, enabling students and researchers to read the material themselves.

This comprehensive study of the literary output of Sir John Suckling reconstructs the various contexts in which the poems, plays, letters, and prose tracts were produced and, by means of close textual analysis, reveals the nature of one writer's engagement_both creative and subversive_with the social, religious, political, and cultural dimensions of Caroline England. It challenges the common view of Suckling as primarily a court wit and courtier playwright and makes a case for reading much of his poetry and drama as a critique of the social values and aesthetic fashions associated with the patronage of Queen Henrietta Maria. In other words, this so-called 'Cavalier' is revealed as an astute and skeptical commentator on national and international affairs, whose discontent with the religious and political consequences of King Charles I's government during the 1630s was often at odds with his unshakable loyalty to the crown.

Written by one of the editors of the new complete works of Henry Vaughan, Keeping the Ancient Way is the first book-length study of the poet by a single author for twenty years. It deals with a number of key topics that are central to the understanding and appreciation of this major seventeenth-century writer. These include his debt to the hermetic philosophy espoused by his twin brother (the alchemist, Thomas Vaughan); his royalist allegiance in the Civil War; his loyalty to the outlawed Church of England during the Interregnum; the unusual degree of intertextuality in his poetry (especially with the Scriptures and the devotional lyrics of George Herbert); and his literary treatment of the natural world (which has been variously interpreted from Christian, proto-Romantic, and ecological perspectives). Each of the chapters is self-contained and places its topic in relation to past and current critical debates, but the book is organized so that the biographical, intellectual, and political focus of Part One informs the discussion of poetic craftsmanship in Part Two. A wealth of historical information and close critical readings provide an accessible introduction to the poet and his period for students and general readers alike. The up-to-date scholarship will also be of interest to specialists in the literature and history of the Civil War and Interregnum.