Roberto Filippello – författare

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.In the wake of the Second Intifada and energized by the Arab Spring, young Palestinian designers have used fashion to voice their political consciousness and forge affective communities in the face of Israeli occupation. This book proposes to understand their practices as “queer decolonial fashion,” a collaborative aesthetic ethos attuned to gender, sexuality, race, and the environment that transcends nationalist framings of the Palestinian struggle. Making the case for queer decolonial fashion as a model of creative activism, Dressed for Dissent shows how these designers’ work—imbricated with body, identity, and land—ultimately emerges as a site where a viable future for a free Palestine can be envisioned, while also offering insights relevant to other settler-colonial contexts.

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.In the wake of the Second Intifada and energized by the Arab Spring, young Palestinian designers have used fashion to voice their political consciousness and forge affective communities in the face of Israeli occupation. This book proposes to understand their practices as "e;queer decolonial fashion,"e; a collaborative aestheticethos attuned to gender, sexuality, race, and the environment that transcends nationalist framings of the Palestinian struggle. Making the case for queer decolonial fashion as a model of creative activism,Dressed for Dissentshows how these designers' work-imbricated with body, identity, and land-ultimately emerges as a site where a viable future for a free Palestine can be envisioned, while also offering insights relevant to other settler-colonial contexts.

Fashion and Feeling: The Affective Politics of Dress explores the complex nexus of fashion and the feeling body from a variety of critical perspectives across fashion studies, anthropology, sociology, design practice, and media studies. It asks such questions as: What does fashion look and feel like in an age dominated by amplified anxiety, isolation, depression, and precariousness? How are feelings woven into clothing and mobilized through fashion practices in ways that might sustain living with a sense of ongoing crisis? Does fashion have the potential to help us reimagine new lifeworlds which might be reinvigorating? In other words, how is fashion engaging with the “bad,” the “good,” and the ambivalent feelings associated with our personal and collective histories, with our troubled political present, and with our imagined future? Despite such diverse and scattered contributions, the potentialities of “feeling” for the study of fashion arestill largely neglected. This edited volume seeks to tease out possible avenues of investigation of the clothed body and its representations through the lens of feeling.

Fashion and Feeling: The Affective Politics of Dress explores the complex nexus of fashion and the feeling body from a variety of critical perspectives across fashion studies, anthropology, sociology, design practice, and media studies. It asks such questions as: What does fashion look and feel like in an age dominated by amplified anxiety, isolation, depression, and precariousness? How are feelings woven into clothing and mobilized through fashion practices in ways that might sustain living with a sense of ongoing crisis? Does fashion have the potential to help us reimagine new lifeworlds which might be reinvigorating? In other words, how is fashion engaging with the “bad,” the “good,” and the ambivalent feelings associated with our personal and collective histories, with our troubled political present, and with our imagined future? Despite such diverse and scattered contributions, the potentialities of “feeling” for the study of fashion arestill largely neglected. This edited volume seeks to tease out possible avenues of investigation of the clothed body and its representations through the lens of feeling.