Robin Jarvis – författare

Timely reissue of the classic fantasy trilogy by Robin Jarvis, following on from the landmark publication of DANCING JAX, his first novel in a decade.Dare to enter the Wyrd Museum, where fantasy meets the seriously sinister…In a grimy alley in the East End of London stands the Wyrd Museum, cared for by the strange Webster sisters – and scene of even stranger events…Wandering through the museum, Neil Chapman, son of the new caretaker, discovers it is a sinister place crammed with secrets both dark and deadly. Forced to journey back to the past, he finds himself pitted against an ancient and terrifying evil, something which is growing stronger as it feeds on the destruction around it.

Robin Jarvis’s classic dark fantasy, perfect for fans of Terry Pratchett, Derek Landy and Susan Cooper’s The Dark is Rising. Set in the home of Bram Stoker’s Dracula. ‘Deeply creepy and utterly compelling,’ Guardian When orphans Ben and Jennet arrive in the seaside town of Whitby to stay with Alice Boston, they have no idea what to expect. A lively 92-year-old, Miss Boston is unlike any other foster mother they’ve known.Ben is gifted with ‘the sight’, which gives him the power to see things invisible to other mortals. He soon encounters the mysterious fisher folk who live under the cliffs and discovers that Alice and her friends are not quite what they seem.But a darkness is stalking the streets of Whitby, bringing with it fear and death. Could it be a ghost from the Abbey? Or a beast from hell? Unless the truth is uncovered, the town and all its inhabitants is doomed…

This collection of essays by leading and new British scholars demonstrates the different ways in which Romanticism is currently being revalued and reconceived. No longer are scholars working within the constraints of the old canon which insisted on the division of the central and the marginal, for new Romanticism is being realised as a wider range of cultural activity unconfined by genre, gender, class, rhetoric or style.

The Romantic Period was one of the most exciting periods in English literary history. This book provides a comprehensive and up-to-date account of the intellectual and cultural background to Romantic literature. It is accessibly written and avoids theoretical jargon, providing a solid foundation for students to make their own sense of the poetry, fiction and other creative writing that emerged as part of the Romantic literary tradition.

Why and how did people read literature on North America by explorers, travellers, emigrants, and tourists? This is the central question Robin Jarvis takes up as he addresses a significant gap in scholarship on travel writing: its contemporary reception. Referencing reviews in the periodical press, personal journals, letters, autobiographies, marginalia, and bibliographical evidence relating to the production, distribution, and reception of travel literature, Jarvis focuses especially on the ideas and perceptions of North America expressed by individuals who never visited the subcontinent. Among the issues Jarvis explores are what the British reception of North American travel narratives says about the ways in which the United States was imagined in the Romantic period; how poets such as Samuel Taylor Coleridge, Felicia Hemans, Robert Southey, and William Wordsworth, all voracious travel readers, incorporated their readings of travel books into their works; and the ways in which the reception of North American travel writing should be contextualized within the broader contours of British society and culture. Significantly, Jarvis differentiates between different communities of readers to show the extent to which class or professional status affected the way travel literature was read. Of equally crucial importance, he discusses the reception of travel literature on Canada and the Arctic as distinct from that on the United States. His book constitutes the most thorough exploration to date of the private reading experiences of travel literature during the Romantic period.

The Romantic Period was one of the most exciting periods in English literary history. This book provides a comprehensive and up-to-date account of the intellectual and cultural background to Romantic literature. It is accessibly written and avoids theoretical jargon, providing a solid foundation for students to make their own sense of the poetry, fiction and other creative writing that emerged as part of the Romantic literary tradition.

Why and how did people read literature on North America by explorers, travellers, emigrants, and tourists? This is the central question Robin Jarvis takes up as he addresses a significant gap in scholarship on travel writing: its contemporary reception. Referencing reviews in the periodical press, personal journals, letters, autobiographies, marginalia, and bibliographical evidence relating to the production, distribution, and reception of travel literature, Jarvis focuses especially on the ideas and perceptions of North America expressed by individuals who never visited the subcontinent. Among the issues Jarvis explores are what the British reception of North American travel narratives says about the ways in which the United States was imagined in the Romantic period; how poets such as Samuel Taylor Coleridge, Felicia Hemans, Robert Southey, and William Wordsworth, all voracious travel readers, incorporated their readings of travel books into their works; and the ways in which the reception of North American travel writing should be contextualized within the broader contours of British society and culture. Significantly, Jarvis differentiates between different communities of readers to show the extent to which class or professional status affected the way travel literature was read. Of equally crucial importance, he discusses the reception of travel literature on Canada and the Arctic as distinct from that on the United States. His book constitutes the most thorough exploration to date of the private reading experiences of travel literature during the Romantic period.

This collection of essays by leading and new British scholars demonstrates the different ways in which Romanticism is currently being revalued and reconceived. No longer are scholars working within the constraints of the old canon which insisted on the division of the central and the marginal, for new Romanticism is being realised as a wider range of cultural activity unconfined by genre, gender, class, rhetoric or style.

A glorious new edition of Robin Jarvis’s classic and the inspiration for The Power of Dark and its sequels. Contains bonus material specially produced for this Egmont Modern Classics title. When orphans Ben and Jennet arrive in the seaside town of Whitby to stay with Alice Boston, they have no idea what to expect. A lively 92-year-old, Miss Boston is unlike any other foster mother they’ve known.Ben is gifted with ‘the sight’, which gives him the power to see things invisible to other mortals. He soon encounters the mysterious fisher folk who live under the cliffs and discovers that Alice and her friends are not quite what they seem.But a darkness is stalking the streets of Whitby, bringing with it fear and death. Could it be a ghost from the Abbey? Or a beast from hell? Unless the truth is uncovered, the town and all its inhabitants is doomed.Robin Jarvis started writing in 1988 and quickly became a bestselling author with his Deptford Mice and Whitby Witches series. The Whitby Witches is the book that inspired his latest series, which begins with The Power of Dark. You can find out more at www.robinjarvis.com or follow him on Twitter @robinjarvis1963

Now in its fifth edition, this highly respected and popular text provides non-specialist accounting and finance students on business studies courses with an essential introduction to the role of accounting in a wider managerial setting.Completely updated to reflect recent changes in International Financial Reporting Standards (IFRS), Accounting in a Business Context is one of the most comprehensive texts available. The logical step-by-step approach introduces students to accounting initially by considering an accessible cash-based small business, then carefully builds layers of complexity (e.g. buying and selling on credit) to facilitate clear understanding.New to this Edition- Updated to reflect recent changes in International Financial Reporting Standards (IFRS)- New pedagogical features to aid learning, including “Learning Outcomes’ and ‘Activity’ boxes - Increased use of real-life examples in the case studies - Use of more international companies in case studies and examples - Enhanced online support resources- Exciting new text design

As London shivers in the grip of an icy blizzard, the Deptford Mice huddle indoors, telling ghost stories to keep the bitter cold at bay. Little do they know that this is no ordinary winter. Their most fearsome enemy has returned from beyond the grave. He plans to use his evil sorcery to plunge the world into an eternal, freezing night, and at his command the bloodthirsty rats of the sewers are stirring once moreAlone and seemingly powerless in the face of this most terrible of foes, the mice are close to giving up hope. Can they draw on their last reserves of strength to defeat Jupiter one final time, or is it already too late?