Robin Jarvis – författare

A brilliant supernatural thriller with a modern twist, and a triumphant return from one of Britain’s best-loved writers.At the end of a track, on the outskirts of an ordinary coastal town, lies a dilapidated house. Once, a group of amateur ghost hunters spent the night there. Two of them don’t like to speak about the experience. The third can’t speak about it. He went into the basement, you see, and afterwards he screamed so hard and so long he tore his vocal cords.Now, a group of teenagers have decided to hang out in the old haunted house. Dismissing the fears of the others, their leader Jezza goes down into the basement… and comes back up with a children’s book, full of strange and colourful tales of a playing-card world, a fairytale world, full of Jacks, Queens and Kings, unicorns and wolves.But the book is no fairytale. Written by Austerly Fellows, a mysterious turn-of-the-century occultist, it just might be the gateway to something terrifying…and awfully final. As the children and teenagers of the town are swept up by its terrible power, swept into its seductive world, something has begun that could usher in hell on earth. Soon, the only people standing in its way are a young boy with a sci-fi obsession, and his dad – an unassuming maths teacher called Martin…

The first enstalment of an exciting NEW series from the author of The Wyrd Museum Trilogy and The Deptford Mice.Robin Jarvis’s latest creation is a world set in an alternate past – in a genre that can only be described as Scyence Fyctione! This strangely familiar Britain consists of ninety-three individual `blessed isles’ floating in the deep darkness and the story begins in December in the Gloriana Kalendar, when Elizabeth Tudor has reigned for one hundred and seventy-eight years.Into this world – a place with no animals and little technology – comes a stranger, Brindle. No one knows where he’s from, or how he’s arrived. But he brings strange implements and practices, and he’s about to change things forever…

The Woven Path is the first book in the compelling Wyrd Museum trilogy. All readers will be drawn in by the gripping storytelling of Robin Jarvis, where the fantastical elements combine with the seriously chilling.In a grimy alley in the East End of London stands the Wyrd Museum, cared for by the stranger Webster sisters – and scene of even stranger events.Wandering through the museum, Neil Chapman, son of the new caretaker, discovers it is a sinister place crammed with secrets both dark and deadly. Forced to journey back to the past, he finds himself pitted against an ancient and terrifying evil, something which is growing stronger as it feeds on the destruction around it.Dare to enter the chilling and fantastical world of the Wyrd Museum in this first book of a compelling trilogy.

The second novel in the extraordinary, ground-breaking, genre-busting new trilogy from master of fantasy Robin JarvisFive months have passed since the publication of the devilish book discovered in Dancing Jax. It is on its ninth reprint and tens of millions of copies have been sold in the UK. The entire country is now under its evil spell.Yet a tiny percentage of the population have proven to be immune to the words of Austerly Fellows. The number of unaffected children between the ages of 7 and 15 is only 49. With the critical eyes of the rest of the world turned towards Britain, the Ismus decides to send the children for an intensive holiday camp, where they will study the sacred text and learn to embrace it.But after the holiday is over, the children are told their stay has been extended. A barbed wire fence is put up around the site. And it soon becomes apparent that the place is not a camp and the children are not guests. They are prisoners of war…

The concluding volume in an epic and terrifying trilogy for teen readersThroughout the world, Dancing Jax reigns supreme. The Ismus and his court are celebrated and adored, and the Ismus is writing the much-awaited sequel to Dancing Jax. But when someone accidentally reads the manuscript, the true, evil purpose of Austerly Fellows is finally revealed. Can the resistance halt the publication of Fighting Pax? Or is humanity doomed and will the Dawn Prince arise at last?

Timely reissue of the classic fantasy trilogy by Robin Jarvis, following on from the landmark publication of DANCING JAX, his first novel in a decade.In a grimy alley in the East End of London stands the Wyrd Museum, cared for by the strange Webster sisters – the scene of even stranger events.Brought out of the past, elfin-like Edie Dorkins must now help the Websters to protect their age-old secret. For outside the museum’s enchanted walls, a nightmarish army is gathering in the mystical town of Glastonbury, bent on destroying the sisters and their ancient power once and for all…Revisit the chilling, fantastical world of the Wyrd Museum in this sequel to The Woven Path.

Timely release of the classic fantasy trilogy by Robin Jarvis in ebook format, following on from the landmark publication of DANCING JAX, his first novel in a decadeIn a grimy alley in the East End of London stands the Wyrd Museum, cared for by the strange Webster sisters – the scene of even stranger events.But something has come to disturb the slumbering shadows and watchful walls of that forbidding edifice. Miss Ursula Webster is determined to defend her realm to the last as the spectral unrest mounts. Once again, Neil Chapman is ensnared in the Web of Fate, facing an uncertain Destiny. Can he and Edie avert the approaching darkness, or has the final Doom descended upon the world at last?The thrilling conclusion to the chilling trilogy.

The concluding volume in an epic and terrifying trilogy for teen readers. Fighting Pax can either be read as a full-length ebook or in 4 serialised ebook-only parts. This is PART 1 of 4 (Chapters 1-9 of 29).Throughout the world, Dancing Jax reigns supreme. The Ismus and his court are celebrated and adored, and the Ismus is writing the much-awaited sequel to Dancing Jax. But when someone accidentally reads the manuscript, the true, evil purpose of Austerly Fellows is finally revealed. Can the resistance halt the publication of Fighting Pax? Or is humanity doomed and will the Dawn Prince arise at last?

The concluding volume in an epic and terrifying trilogy for teen readers. Fighting Pax can either be read as a full-length ebook or in 4 serialised ebook-only parts. This is PART 2 of 4 (Chapters 10-15 of 29).Throughout the world, Dancing Jax reigns supreme. The Ismus and his court are celebrated and adored, and the Ismus is writing the much-awaited sequel to Dancing Jax. But when someone accidentally reads the manuscript, the true, evil purpose of Austerly Fellows is finally revealed. Can the resistance halt the publication of Fighting Pax? Or is humanity doomed and will the Dawn Prince arise at last?

The concluding volume in an epic and terrifying trilogy for teen readers. Fighting Pax can either be read as a full-length ebook or in 4 serialised ebook-only parts. This is PART 3 of 4 (Chapters 16-21 of 29).Throughout the world, Dancing Jax reigns supreme. The Ismus and his court are celebrated and adored, and the Ismus is writing the much-awaited sequel to Dancing Jax. But when someone accidentally reads the manuscript, the true, evil purpose of Austerly Fellows is finally revealed. Can the resistance halt the publication of Fighting Pax? Or is humanity doomed and will the Dawn Prince arise at last?

The concluding volume in an epic and terrifying trilogy for teen readers. Fighting Pax can either be read as a full-length ebook or in 4 serialised ebook-only parts. This is PART 4 of 4 (Chapters 22-29).Throughout the world, Dancing Jax reigns supreme. The Ismus and his court are celebrated and adored, and the Ismus is writing the much-awaited sequel to Dancing Jax. But when someone accidentally reads the manuscript, the true, evil purpose of Austerly Fellows is finally revealed. Can the resistance halt the publication of Fighting Pax? Or is humanity doomed and will the Dawn Prince arise at last?

The concluding volume in an epic and terrifying trilogy for teen readers.Throughout the world, Dancing Jax reigns supreme. The Ismus and his court are celebrated and adored, and the Ismus is writing the much-awaited sequel to Dancing Jax. But when someone accidentally reads the manuscript, the true, evil purpose of Austerly Fellows is finally revealed. Can the resistance halt the publication of Fighting Pax? Or is humanity doomed and will the Dawn Prince arise at last?

Robin Jarvis’s classic dark fantasy, perfect for fans of Terry Pratchett, Derek Landy and Susan Cooper’s The Dark is Rising. Set in the home of Bram Stoker’s Dracula. ‘Deeply creepy and utterly compelling,’ Guardian When orphans Ben and Jennet arrive in the seaside town of Whitby to stay with Alice Boston, they have no idea what to expect. A lively 92-year-old, Miss Boston is unlike any other foster mother they’ve known.Ben is gifted with ‘the sight’, which gives him the power to see things invisible to other mortals. He soon encounters the mysterious fisher folk who live under the cliffs and discovers that Alice and her friends are not quite what they seem.But a darkness is stalking the streets of Whitby, bringing with it fear and death. Could it be a ghost from the Abbey? Or a beast from hell? Unless the truth is uncovered, the town and all its inhabitants is doomed…

Robin Jarvis's classic dark fantasy, perfect for fans of Terry Pratchett, Derek Landy and Susan Cooper's The Dark is Rising. Set in the home of Bram Stoker s Dracula. Deeply creepy and utterly compelling, GuardianWhen orphans Ben and Jennet arrive in the seaside town of Whitby to stay with Alice Boston, they have no idea what to expect. A lively 92-year-old, Miss Boston is unlike any other foster mother they ve known.Ben is gifted with the sight , which gives him the power to see things invisible to other mortals. He soon encounters the mysterious fisher folk who live under the cliffs and discovers that Alice and her friends are not quite what they seem.But a darkness is stalking the streets of Whitby, bringing with it fear and death. Could it be a ghost from the Abbey? Or a beast from hell? Unless the truth is uncovered, the town and all its inhabitants is doomed

This collection of essays by leading and new British scholars demonstrates the different ways in which Romanticism is currently being revalued and reconceived. No longer are scholars working within the constraints of the old canon which insisted on the division of the central and the marginal, for new Romanticism is being realised as a wider range of cultural activity unconfined by genre, gender, class, rhetoric or style.

The Romantic Period was one of the most exciting periods in English literary history. This book provides a comprehensive and up-to-date account of the intellectual and cultural background to Romantic literature. It is accessibly written and avoids theoretical jargon, providing a solid foundation for students to make their own sense of the poetry, fiction and other creative writing that emerged as part of the Romantic literary tradition.

Why and how did people read literature on North America by explorers, travellers, emigrants, and tourists? This is the central question Robin Jarvis takes up as he addresses a significant gap in scholarship on travel writing: its contemporary reception. Referencing reviews in the periodical press, personal journals, letters, autobiographies, marginalia, and bibliographical evidence relating to the production, distribution, and reception of travel literature, Jarvis focuses especially on the ideas and perceptions of North America expressed by individuals who never visited the subcontinent. Among the issues Jarvis explores are what the British reception of North American travel narratives says about the ways in which the United States was imagined in the Romantic period; how poets such as Samuel Taylor Coleridge, Felicia Hemans, Robert Southey, and William Wordsworth, all voracious travel readers, incorporated their readings of travel books into their works; and the ways in which the reception of North American travel writing should be contextualized within the broader contours of British society and culture. Significantly, Jarvis differentiates between different communities of readers to show the extent to which class or professional status affected the way travel literature was read. Of equally crucial importance, he discusses the reception of travel literature on Canada and the Arctic as distinct from that on the United States. His book constitutes the most thorough exploration to date of the private reading experiences of travel literature during the Romantic period.

The Romantic Period was one of the most exciting periods in English literary history. This book provides a comprehensive and up-to-date account of the intellectual and cultural background to Romantic literature. It is accessibly written and avoids theoretical jargon, providing a solid foundation for students to make their own sense of the poetry, fiction and other creative writing that emerged as part of the Romantic literary tradition.

Why and how did people read literature on North America by explorers, travellers, emigrants, and tourists? This is the central question Robin Jarvis takes up as he addresses a significant gap in scholarship on travel writing: its contemporary reception. Referencing reviews in the periodical press, personal journals, letters, autobiographies, marginalia, and bibliographical evidence relating to the production, distribution, and reception of travel literature, Jarvis focuses especially on the ideas and perceptions of North America expressed by individuals who never visited the subcontinent. Among the issues Jarvis explores are what the British reception of North American travel narratives says about the ways in which the United States was imagined in the Romantic period; how poets such as Samuel Taylor Coleridge, Felicia Hemans, Robert Southey, and William Wordsworth, all voracious travel readers, incorporated their readings of travel books into their works; and the ways in which the reception of North American travel writing should be contextualized within the broader contours of British society and culture. Significantly, Jarvis differentiates between different communities of readers to show the extent to which class or professional status affected the way travel literature was read. Of equally crucial importance, he discusses the reception of travel literature on Canada and the Arctic as distinct from that on the United States. His book constitutes the most thorough exploration to date of the private reading experiences of travel literature during the Romantic period.

Why and how did people read literature on North America by explorers, travellers, emigrants, and tourists? This is the central question Robin Jarvis takes up as he addresses a significant gap in scholarship on travel writing: its contemporary reception. Referencing reviews in the periodical press, personal journals, letters, autobiographies, marginalia, and bibliographical evidence relating to the production, distribution, and reception of travel literature, Jarvis focuses especially on the ideas and perceptions of North America expressed by individuals who never visited the subcontinent. Among the issues Jarvis explores are what the British reception of North American travel narratives says about the ways in which the United States was imagined in the Romantic period; how poets such as Samuel Taylor Coleridge, Felicia Hemans, Robert Southey, and William Wordsworth, all voracious travel readers, incorporated their readings of travel books into their works; and the ways in which the reception of North American travel writing should be contextualized within the broader contours of British society and culture. Significantly, Jarvis differentiates between different communities of readers to show the extent to which class or professional status affected the way travel literature was read. Of equally crucial importance, he discusses the reception of travel literature on Canada and the Arctic as distinct from that on the United States. His book constitutes the most thorough exploration to date of the private reading experiences of travel literature during the Romantic period.

Why and how did people read literature on North America by explorers, travellers, emigrants, and tourists? This is the central question Robin Jarvis takes up as he addresses a significant gap in scholarship on travel writing: its contemporary reception. Referencing reviews in the periodical press, personal journals, letters, autobiographies, marginalia, and bibliographical evidence relating to the production, distribution, and reception of travel literature, Jarvis focuses especially on the ideas and perceptions of North America expressed by individuals who never visited the subcontinent. Among the issues Jarvis explores are what the British reception of North American travel narratives says about the ways in which the United States was imagined in the Romantic period; how poets such as Samuel Taylor Coleridge, Felicia Hemans, Robert Southey, and William Wordsworth, all voracious travel readers, incorporated their readings of travel books into their works; and the ways in which the reception of North American travel writing should be contextualized within the broader contours of British society and culture. Significantly, Jarvis differentiates between different communities of readers to show the extent to which class or professional status affected the way travel literature was read. Of equally crucial importance, he discusses the reception of travel literature on Canada and the Arctic as distinct from that on the United States. His book constitutes the most thorough exploration to date of the private reading experiences of travel literature during the Romantic period.

The Romantic Period was one of the most exciting periods in English literary history. This book provides a comprehensive and up-to-date account of the intellectual and cultural background to Romantic literature. It is accessibly written and avoids theoretical jargon, providing a solid foundation for students to make their own sense of the poetry, fiction and other creative writing that emerged as part of the Romantic literary tradition.

The Romantic Period was one of the most exciting periods in English literary history. This book provides a comprehensive and up-to-date account of the intellectual and cultural background to Romantic literature. It is accessibly written and avoids theoretical jargon, providing a solid foundation for students to make their own sense of the poetry, fiction and other creative writing that emerged as part of the Romantic literary tradition.

This collection of essays by leading and new British scholars demonstrates the different ways in which Romanticism is currently being revalued and reconceived. No longer are scholars working within the constraints of the old canon which insisted on the division of the central and the marginal, for new Romanticism is being realised as a wider range of cultural activity unconfined by genre, gender, class, rhetoric or style.

This collection of essays by leading and new British scholars demonstrates the different ways in which Romanticism is currently being revalued and reconceived. No longer are scholars working within the constraints of the old canon which insisted on the division of the central and the marginal, for new Romanticism is being realised as a wider range of cultural activity unconfined by genre, gender, class, rhetoric or style.

Now in its fifth edition, this highly respected and popular text provides non-specialist accounting and finance students on business studies courses with an essential introduction to the role of accounting in a wider managerial setting.Completely updated to reflect recent changes in International Financial Reporting Standards (IFRS), Accounting in a Business Context is one of the most comprehensive texts available. The logical step-by-step approach introduces students to accounting initially by considering an accessible cash-based small business, then carefully builds layers of complexity (e.g. buying and selling on credit) to facilitate clear understanding.New to this Edition- Updated to reflect recent changes in International Financial Reporting Standards (IFRS)- New pedagogical features to aid learning, including “Learning Outcomes’ and ‘Activity’ boxes - Increased use of real-life examples in the case studies - Use of more international companies in case studies and examples - Enhanced online support resources- Exciting new text design

“Fun for Hobbit-addicts and Potter-philes of all ages.” —Publishers Weekly Dark forces are brewing in HagwoodThe werlings of Hagwood live peacefully in the trees of the forest—overlooked and unbothered while they leisurely perfect the art of wergling (shape-changing). But unlike his fellow werlings, the bumbling Gamaliel Tumpin can’t manage to wergle into even the simplest of forms—a mouse—like his peers. He’s tormented by his sister, Kernella, and teased by his classmates. And he envies star student Finnen Lufkin, who can transform into almost any creature. But wergling will soon be the least of Gamaliel’s troubles. The evil elf queen Rhiannon, the High Lady of the Hollow Hill, is desperately seeking a precious possession that was stolen long ago. Her evil knows no bounds, and with her army of monstrous thorn ogres, she will not stop until it’s found. The werlings’ peaceful existence is threatened by death and danger—and clumsy, awkward Gamaliel will need to call on the strength within him to fight for his family and his home. This ebook features an illustrated biography of Robin Jarvis including rare photos from the author’s personal collection.