Robin Silbergleid - Böcker

Through personal narrative, poetry, and visual art, stories of infertility that are far more nuanced than statistics, insurance diagnostic codes, and treatment plans, are brought to light. These works highlight the varied perspectives of individuals who have lived with infertility and include perspectives from women, men, and nonbinary and transgender individuals, as well as heterosexual couples, single parents by choice, and lesbian and queer-identified couples. This collection intentionally makes visible the emotional depths of infertility. From diagnosis and treatment, adoption, or living childfree, to miscarriage and pregnancy loss, editors, writers, and artists explore the range of experiences with infertility and their psychological, physical, and emotional impacts in all aspects of life. This carefully curated anthology reveals that infertility cannot be reduced to a singular narrative; instead, it is an assemblage of multiple embodied moments. Whether a reader comes to this book as someone personally affected by infertility or someone who wants to learn more about the experiences of individuals facing reproductive loss, Infertilities, A Curation invites readers to consider how creative practices such as art and writing can aid in efforts to heal individual traumas and more broadly as means of advocacy.

At twenty-seven, Robin Silbergleid decided to become a single mother by choice; The Baby Book depicts her long struggle to build her family through assisted reproductive technology. It is a bold, multi-voiced narrative of reproductive choice, including infertility treatment, recurrent miscarriage, and high-risk pregnancy. The Baby Book will be of interest to readers of poetry, women, people interested in reproductive rights, fertility patients and their doctors, and women who have experienced pregnancy loss.

This collection of essays offers twelve innovative approaches to contemporary literary criticism. The contributors, women scholars who range from undergraduate students to contingent faculty to endowed chairs, stage a critical dialogue that raises vital questions about the aims and forms of criticism— its discourses and politics, as well as the personal, institutional, and economic conditions of its production. Offering compelling feminist and queer readings of avant-garde twentieth- and twenty-first-century texts, the essays included here are playful, performative, and theoretically savvy.Written for students, scholars, and professors in literature and creative writing, Reading and Writing Experimental Texts provides examples for doing literary scholarship in innovative ways. These provocative readings invite conversation and community, reminding us that if the stakes of critical innovation are high, so are the pleasures.