Roderick Beaton – författare

A new history of the idea of Europe from Ancient Greece to the present'A magisterial history, written with great panache, that is both enlightening and deeply readable. A true tour de force - Peter Frankopan What do we talk about when we talk about Europe? Is it defined by geography? Or is it politics, or shared culture? In Europe, award-winning historian Roderick Beaton tells the story of Europe as never before - as the history of an idea, and a collective identity. Since its dramatic birth in ancient Greece, 'Europe' has been defined, and redefined, by its people. Through this powerful lens, and with the narrative drive and scope of a novelist, Beaton deftly surveys Europe’s major historical developments: the rise and fall of Rome; the explosion of Christianity; the intellectual ferment of the Renaissance and the Enlightenment; the arrival of Europeans in the Americas; the violent upheavals of the nineteenth and twentieth centuries; and the uncertainties of the present. Throughout, original sources allow the voices of the past, from Tacitus to Thatcher, to speak for themselves.Grappling with the multilayered identities that have always come with being European, Europe places the Europe of today in a long arc of history stretching back more than 2,500 years.

SHORTLISTED FOR THE CUNDILL HISTORY PRIZE 2020 AND THE RUNCIMAN AWARD 2021A FINANCIAL TIMES BOOK OF THE YEAR 'The best history of Greece around... Beautifully written and packed with insights about the culture and the people. I will be dipping into this book for the rest of my life' Victoria HislopWe think we know ancient Greece, the civilisation that shares the same name and gave us just about everything that defines 'western' culture today, in the arts, sciences, social sciences and politics. Yet, as Greece has been brought under repeated scrutiny during the financial crises that have convulsed the country since 2010, worldwide coverage has revealed just how poorly we grasp the modern nation. This book sets out to understand the modern Greeks on their own terms.How did Greece come to be so powerfully attached to the legacy of the ancients in the first place, and then define an identity for themselves that is at once Greek and modern? This book reveals the remarkable achievement, during the last 300 years, of building a modern nation on, sometimes literally, the ruins of a vanished civilisation. This is the story of the Greek nation-state but also, and perhaps more fundamentally, of the collective identity that goes with it. It is not only a history of events and high politics, it is also a history of culture, of the arts, of people and of ideas.

The first biography in any language of one of the world’s greatest modernist poetsPoet, essayist, diarist, novelist, and diplomat, George Seferis brought about a revolution in the way people viewed his native Greece. Acclaimed for his thought-provoking lyric poetry, he was awarded the Nobel Prize for Literature in 1963. At the same time, he rose in the diplomatic corps to the position of Ambassador to Britain. This elegantly written book—the first full biography of Seferis—provides insights into his work, life, and country. Roderick Beaton, an acknowledged authority on modern Greek literature and culture, draws on previously unknown sources to tell Seferis’s story. He describes how Seferis occupied key diplomatic positions during periods of historic crisis before, during, and after World War II. He explores Seferis’s service as Ambassador to London at a time when Greece and Great Britain were disputing the future of Cyprus, noting that some of Seferis’s finest poetry was written about that troubled island. He analyzes Seferis’s literary production and his impact on Lawrence Durrell, Henry Miller, and other British and American writers. Exploring the interplay between poet and diplomat, public and private, and poetry and politics in Seferis’s life and career, this book will fascinate anyone interested in twentieth-century Greek literature, culture, or history.

'It is no great matter, supposing that Italy could be liberated, who or what is sacrificed. It is a grand object - the very poetry of politics. Only think - a free Italy!!! Why, there has been nothing like it since the days of Augustus.' So wrote Lord Byron in his journal, in February 1821, only days before the outbreak of revolution in Greece, where three years later he would die in the service of the revolutionary cause. For a poet whose life and work are interlaced with action of multiple sorts, surprisingly little attention has been devoted to Byron's engagement with issues of politics. This volume brings together the work of eminent Byronists from seven European countries and the USA to re-assess the evidence. What did Byron mean by the 'poetry of politics'? Was he, in any sense, a 'political animal'? Can his final, fateful involvement in Greece be understood as the culmination of earlier, more deeply rooted quests? The first part of the book examines the implications of reading and writing as themselves political acts; the second interrogates the politics inherent or implied in Byron's poems and plays; the third follows the trajectory of his political engagement (or non-engagement), from his abortive early career in the British House of Lords, via the Peninsular War in Spain to his involvement in revolutionary politics abroad.

First published by CUP in 1989, The Medieval Greek Romance provides basic information for the non-specialist about Greek fiction during the period 1071-1453, as well as proposing new solutions to problems that have vexed previous generations of scholars. Roderick Beaton applies sophisticated methods of literary analysis to the material, and the bridges of the artificial gap which has separated `Byzantine'literature, in a form of ancient Greek as both homogenous and of a high level of literary sophistication.Throughout, consideration is given to relations and interconnections with similar literature in western Europe. As most of the texts discussed are not available in English translation, the argument is illustrated by lucid plot summaries and extensive quotation (accompanied by literal English renderings).For this edition, The Medieval Greek Romance has been revised throughout and expanded with the addition of an `Afterword' which assesses and responds to recent work on the subject.

A wide-ranging study of popular poetry and song in the Greek language from the last years of the Byzantine Empire to the present day. The folk poetry of the title includes the songs, composed and handed down by word of mouth, of unlettered villagers, of wandering minstrels with pretensions to professionalism, and, in more recent times, of the poorer inhabitants of Ottoman and Greek cities. The creative period of this folk poetry covers, at the minimum, 500 years of history and a geographical area stretching from Corsica in the west to Cyprus and Trebizond in the east, as well as northwards into the Balkans. This is not a general or theoretical survey of folk poetry, but an exploration, based on literary, historical and sociological evidence, of a single cultural tradition and the forces which have shaped it.

The twelfth century was a time of cultural renewal and innovation in Byzantium, just as it was in the west. In literature, the long disused genres of epic, satire and the novel (or 'romance') took new forms during that century; at the same time, in language, the vernacular made its first tentative literary appearances. These developments continued uninterruptedly through the late Byzantine and early modern periods. Scholarship since the nineteenth century has been sharply divided over these texts: do they represent the first 'breakthrough' of an emergent 'Modern Greek' literature, or merely a footnote to the Byzantine learned tradition? What, in particular, do they have to tell us about the collective self-definition of the Greek-speakers who wrote them (roughly during the period 1100-1600)? And how has their subsequent reception contributed to defining and consolidating the national identity of the Modern Greeks, since the nation state was established in the 1820s? The papers collected in this book explore the relation between literary texts and collective consciousness, scrutinizing the evidence of the texts themselves in their late- or post-Byzantine context, and assessing how their reception both influenced and was influenced by the processes of nation-building in Modern Greece.

Every Greek and every friend of the country knows the date 1821, when the banner of revolution was raised against the empire of the Ottoman Turks, and the story of 'Modern Greece' is usually said to begin. Less well known, but of even greater importance, was the international recognition given to Greece as an independent state with full sovereign rights, as early as 1830. This places Greece in the vanguard among the new nation-states of Europe whose emergence would gather momentum through to the early twentieth century, a process whose repercussions continue to this day. Starting out from that perspective, which has been all but ignored until now, this book brings together the work of scholars from a variety of disciplines to explore the contribution of characteristically nineteenth-century European modes of thought to the 'making' of Greece as a modern nation. Closely linked to nationalism is romanticism, which exercised a formative role through imaginative literature, as is demonstrated in several chapters on poetry and fiction. Under the broad heading 'uses of the past', other chapters consider ways in which the legacies, first of ancient Greece, then later of Byzantium, came to be mobilized in the construction of a durable national identity at once 'Greek' and 'modern'. The Making of Modern Greece aims to situate the Greek experience, as never before, within the broad context of current theoretical and historical thinking about nations and nationalism in the modern world. The book spans the period from 1797, when Rigas Velestinlis published a constitution for an imaginary 'Hellenic Republic', at the cost of his life, to the establishment of the modern Olympic Games, in Athens in 1896, an occasion which sealed with international approval the hard-won self-image of 'Modern Greece' as it had become established over the previous century.

Called variously the ’Byzantine epic’, the ’epic of Modern Greece’, an ’epic-romance’ and ’romance’, the poem of Digenes Akrites has, since its rediscovery towards the end of the nineteenth century, exerted a tenacious hold on the imagination of scholars from a wide range of disciplines and from many countries of the world, as well as of writers and public figures in Greece. There are many reasons for this, not least among them the prestige accorded to ’national epics’ in the nineteenth century and for some time afterwards. Another reason must surely be the work’s uniqueness: there is nothing quite like Digenes Akrites in either Byzantine or Modern Greek literature. However, this uniqueness is not confined to its problematic place in the literary ’canon’ and literary history. As historical testimony, and in its complex relationship to later oral song and to older myth and story-telling, Digenes Akrites again has no close parallels of comparable length in Byzantine or Modern Greek culture. Whether as a literary text, a historical source, or a manifestation of an oral popular culture, Digenes Akrites remains, more than a century after its rediscovery, persistently enigmatic. This Byzantine ’epic’ or ’romance’ has now become the focus of new research across a range of disciplines since the publication in 1985 of a radically revised edition based on the Escorial text of the poem, by Stylianos Alexiou. The papers in this volume, derived from a conference held in May 1992 at King’s College London, seeks to present and discuss the results of this new research. Digenes Akrites: New Approaches to Byzantine Heroic Poetry is the second in the series published by Variorum for the Centre for Hellenic Studies, King’s College London.

The national element in music has been the subject of important studies, yet the scholarly framework has remained restricted almost exclusively to the field of music studies. This volume brings together experts from different fields (musicology, literary theory and modern Greek studies), who investi- gate the links that connect music, language and national identity, focusing on the Greek paradigm. Through the study of the Greek case, the book paves the way for innovative interdisciplinary approaches to the formation of the ‘national’ in different cultures, shedding new light on ideologies and mechanisms of cultural policies.

Roderick Beaton re-examines Lord Byron's life and writing through the long trajectory of his relationship with Greece. Beginning with the poet's youthful travels in 1809-1811, Beaton traces his years of fame in London and self-imposed exile in Italy, that culminated in the decision to devote himself to the cause of Greek independence. Then comes Byron's dramatic self-transformation, while in Cephalonia, from Romantic rebel to 'new statesman', subordinating himself for the first time to a defined, political cause, in order to begin laying the foundations, during his 'hundred days' at Missolonghi, for a new kind of polity in Europe - that of the nation-state as we know it today. Byron's War draws extensively on Greek historical sources and other unpublished documents to tell an individual story that also offers a new understanding of the significance that Greece had for Byron, and of Byron's contribution to the origin of the present-day Greek state.

Roderick Beaton re-examines Lord Byron's life and writing through the long trajectory of his relationship with Greece. Beginning with the poet's youthful travels in 1809-1811, Beaton traces his years of fame in London and self-imposed exile in Italy, that culminated in the decision to devote himself to the cause of Greek independence. Then comes Byron's dramatic self-transformation, while in Cephalonia, from Romantic rebel to 'new statesman', subordinating himself for the first time to a defined, political cause, in order to begin laying the foundations, during his 'hundred days' at Missolonghi, for a new kind of polity in Europe - that of the nation-state as we know it today. Byron's War draws extensively on Greek historical sources and other unpublished documents to tell an individual story that also offers a new understanding of the significance that Greece had for Byron, and of Byron's contribution to the origin of the present-day Greek state.

Called variously the ’Byzantine epic’, the ’epic of Modern Greece’, an ’epic-romance’ and ’romance’, the poem of Digenes Akrites has, since its rediscovery towards the end of the nineteenth century, exerted a tenacious hold on the imagination of scholars from a wide range of disciplines and from many countries of the world, as well as of writers and public figures in Greece. There are many reasons for this, not least among them the prestige accorded to ’national epics’ in the nineteenth century and for some time afterwards. Another reason must surely be the work’s uniqueness: there is nothing quite like Digenes Akrites in either Byzantine or Modern Greek literature. However, this uniqueness is not confined to its problematic place in the literary ’canon’ and literary history. As historical testimony, and in its complex relationship to later oral song and to older myth and story-telling, Digenes Akrites again has no close parallels of comparable length in Byzantine or Modern Greek culture. Whether as a literary text, a historical source, or a manifestation of an oral popular culture, Digenes Akrites remains, more than a century after its rediscovery, persistently enigmatic. This Byzantine ’epic’ or ’romance’ has now become the focus of new research across a range of disciplines since the publication in 1985 of a radically revised edition based on the Escorial text of the poem, by Stylianos Alexiou. The papers in this volume, derived from a conference held in May 1992 at King’s College London, seeks to present and discuss the results of this new research. Digenes Akrites: New Approaches to Byzantine Heroic Poetry is the second in the series published by Variorum for the Centre for Hellenic Studies, King’s College London.

The national element in music has been the subject of important studies, yet the scholarly framework has remained restricted almost exclusively to the field of music studies. This volume brings together experts from different fields (musicology, literary theory and modern Greek studies), who investi- gate the links that connect music, language and national identity, focusing on the Greek paradigm. Through the study of the Greek case, the book paves the way for innovative interdisciplinary approaches to the formation of the ‘national’ in different cultures, shedding new light on ideologies and mechanisms of cultural policies.

Every Greek and every friend of the country knows the date 1821, when the banner of revolution was raised against the empire of the Ottoman Turks, and the story of 'Modern Greece' is usually said to begin. Less well known, but of even greater importance, was the international recognition given to Greece as an independent state with full sovereign rights, as early as 1830. This places Greece in the vanguard among the new nation-states of Europe whose emergence would gather momentum through to the early twentieth century, a process whose repercussions continue to this day. Starting out from that perspective, which has been all but ignored until now, this book brings together the work of scholars from a variety of disciplines to explore the contribution of characteristically nineteenth-century European modes of thought to the 'making' of Greece as a modern nation. Closely linked to nationalism is romanticism, which exercised a formative role through imaginative literature, as is demonstrated in several chapters on poetry and fiction. Under the broad heading 'uses of the past', other chapters consider ways in which the legacies, first of ancient Greece, then later of Byzantium, came to be mobilized in the construction of a durable national identity at once 'Greek' and 'modern'. The Making of Modern Greece aims to situate the Greek experience, as never before, within the broad context of current theoretical and historical thinking about nations and nationalism in the modern world. The book spans the period from 1797, when Rigas Velestinlis published a constitution for an imaginary 'Hellenic Republic', at the cost of his life, to the establishment of the modern Olympic Games, in Athens in 1896, an occasion which sealed with international approval the hard-won self-image of 'Modern Greece' as it had become established over the previous century.

Political history and history of ideas, art history, theories of nations and nationalism, Classical Reception studies, modern Greek history and modern Scottish history come together in this collection of essays by experts in all these fields. The starting point for the volume is the bicentenary of the Greek Revolution (1821 1832), for the first time linked to the cultural and intellectual history of Scotland, and particularly of Edinburgh, during roughly the same period. The book's two parts respectively contextualise the struggle for Greek national independence in space and time, and explore the engagement of Scots with Greece during the period, as well as parallels between the two nations. Throughout, the Greek Revolution and its Scottish supporters are viewed in relation to the Classical Tradition, or Classical Reception.This pioneering book makes a unique contribution to the burgeoning literature on the Greek Revolution during the anniversary decade, and raises issues of national identity and self-determination that have contemporary resonances in both Greece and Scotland, at opposite ends of Europe, today.

'It is no great matter, supposing that Italy could be liberated, who or what is sacrificed. It is a grand object - the very poetry of politics. Only think - a free Italy!!! Why, there has been nothing like it since the days of Augustus.' So wrote Lord Byron in his journal, in February 1821, only days before the outbreak of revolution in Greece, where three years later he would die in the service of the revolutionary cause. For a poet whose life and work are interlaced with action of multiple sorts, surprisingly little attention has been devoted to Byron's engagement with issues of politics. This volume brings together the work of eminent Byronists from seven European countries and the USA to re-assess the evidence. What did Byron mean by the 'poetry of politics'? Was he, in any sense, a 'political animal'? Can his final, fateful involvement in Greece be understood as the culmination of earlier, more deeply rooted quests? The first part of the book examines the implications of reading and writing as themselves political acts; the second interrogates the politics inherent or implied in Byron's poems and plays; the third follows the trajectory of his political engagement (or non-engagement), from his abortive early career in the British House of Lords, via the Peninsular War in Spain to his involvement in revolutionary politics abroad.

It has been called the "age of revolution". The white heat of it came in the decades either side of the year 1800. But it lasted a full century: from the American Declaration of Independence in 1776 to the great national "unifications" of Germany and Italy during the 1860s. Right in the middle of this long "age of revolution" and, as it turns out, the pivotal point within it, comes the Greek Revolution that broke out in the spring of 1821. Historians have been slow to recognise the key role of the Greek uprising in 1821, and the international recognition of Greece as a sovereign, independent state nine years later, in 1830, in this process that did so much to shape the geopolitics of the European continent, and indeed of much of the world. This little book sets out to explain what happened during these nine years to bring about such far-reaching (and surely unanticipated) consequences, and why the full significance of these events is only now coming to be appreciated, two hundred years later.