Rodney Castleden – författare

Knossos, like the Acropolis or Stonehenge, is a symbol for an entire culture. The Knossos Labyrinth was first built in the reign of a Middle Kingdom Egyptian pharaoh, and was from the start the focus of a glittering and exotic culture. Homer left elusive clues about the Knossian court and when the lost site of Knossos gradually re-emerged from obscurity in the nineteenth century, the first excavators - Minos Kalokairinos, Heinrich Schliemann, and Arthur Evans - were predisposed to see the site through the eyes of the classical authors. Rodney Castleden argues that this line of thought was a false trail and gives an alternative insight into the labyrinth which is every bit as exciting as the traditional explanations, and one which he believes is much closer to the truth. Rejecting Evans' view of Knossos as a bronze age royal palace, Castleden puts forward alternative interpretations - that the building was a necropolis or a temple - and argues that the temple interpretation is the most satisfactory in the light of modern archaeological knowledge about Minoan Crete.

First published in 1990. Of all the monuments left by the past, Stonehenge is the most evocative, the most memorable and the most mysterious. Whilst the monuments of other cultures have gradually surrendered their mysteries, Stonehenge alone seems to stimulate endless conjecture. Rodney Castleden's vivid presentation of the world of the megaliths answers many of the most baffling questions about Stonehenge. There are, he stresses, few absolute certainties, but from the vast body of evidence assembled during the last hundred years it is now possible to get much closer to the truth than ever before. Who built the monuments and for what purpose? How were the bluestones moved from the sacred mountains of the west to Salisbury Plain? Who were the people responsible for this amazing undertaking, and what did they think and believe?

Every generation has created its own interpretation of Stonehenge, but rarely do these relate to the physical realities of the monument. Rodney Castleden begins with those elements which made possible the building of this vast stone circle: the site, the materials and the society that undertook the enormous task of transporting and raising the great vertical stones, then capping them, all to a carefully contrived plan.What emerges from this detailed examination is a much fuller sense of Stonehenge, both in relation to all the similar sites close by, and in terms of the uses to which it was put. Castleden suggests that there is no one 'meaning' or 'purpose' for Stonehenge, that from its very beginning it has filled a variety of needs. The Romans saw it as a centre of resistance; the antiquaries who 'rediscovered' it in the seventeenth century saw a long line of continuity leading back into the nation's past. The archaeologists see it as a subject for rational, scientific investigation; The National Trust and English Heritage view it as an unfailing magnet for visitors; UNESCO has declared it a World Heritage Site, the cultural property of the whole of humanity. Lost to view amid competing interests over the millenia are the uses it has served for those who live within its penumbra, for whom Stonehenge has never been 'lost' or 'rediscovered'. It exists in local myth and legend, stretching back beyond history.

Thoroughly researched, Rodney Castleden's Minoans: Life in Bronze Age Crete here sues the results of recent research to produce a comprehensive new vision of the peoples of Minoan Crete.Since Sir Arthur Evans rediscovered the Minoans in the early 1900s, we have defined a series of cultural traits that make the ‘Minoan personality’: elegant, graceful and sophisticated, these nature lovers lived in harmony with their neighbours, while their fleets ruled the seas around Crete. This, at least, is the popular view of the Minoans. But how far does the later work of archaeologists in Crete support this view? Drawing on his experience of being actively involved in research on landscapes processes and prehistory for the last twenty years, Castleden writes clearly and accessibly to provide a text essential to the study of this fascinating subject.

Plato's legend of Atlantis has become notorious among scholars as the absurdest lie in literature. Atlantis Destroyed explores the possibility that the account given by Plato is historically true. Rodney Castleden first considers the location of Atlantis re-examining two suggestions put forward in the early twentieth century; Minoan Crete and Minoan Thera. He outlines the latest research findings on Knossos and Bronze Age Thera, discussing the material culture, trade empire and agricultural system, writing and wall paintings, art, religion and society of the Minoan civilization. Castleden demonstrates the many parallels between Plato's narrative and the Minoan Civilization in the Aegean.Fired by the imagination a new vision of Atlantis has arisen over the last one hundred and fifty years as a lost utopia. Rodney Castleden discusses why this picture arose and xplains how it has become confused with Plato's genuine account.

King Arthur is often written off as a medieval fantasy, the dream of those yearning for an age of strong, just rulers and a contented kingdom. Those who accept his existence at all generally discard the stories that surround him. This exciting new investigation argues not only that Arthur did exist, as a Dark Age chieftain, but that many of the romantic tales - of Merlin, Camelot and Excalibur - are rooted in truth.In his quest for the real King Arthur, Rodney Castleden uses up-to-date archaeological and documentary evidence to recreate the history and society of Dark Age Britain and its kings. He revives the possibility that Tintagel was an Arthurian legend, and proposes a radical new theory - that Arthur escaped alive from his final battle. A location is even suggested for perhaps the greatest mystery, the whereabouts of Arthur's grave.King Arthur: The Truth Behind the Legend offers a more complete picture of Arthur's Britain and his place in it than ever before. The book's bold approach and compelling arguments will be welcomed by all readers with an interest in Arthuriana.

Plato's legend of Atlantis has become notorious among scholars as the absurdest lie in literature. Atlantis Destroyed explores the possibility that the account given by Plato is historically true. Rodney Castleden first considers the location of Atlantis re-examining two suggestions put forward in the early twentieth century; Minoan Crete and Minoan Thera. He outlines the latest research findings on Knossos and Bronze Age Thera, discussing the material culture, trade empire and agricultural system, writing and wall paintings, art, religion and society of the Minoan civilization. Castleden demonstrates the many parallels between Plato's narrative and the Minoan Civilization in the Aegean.Fired by the imagination a new vision of Atlantis has arisen over the last one hundred and fifty years as a lost utopia. Rodney Castleden discusses why this picture arose and xplains how it has become confused with Plato's genuine account.

Following on from Rodney Castleden's best-selling study Minoans, this major contribution to our understanding of the crucial Mycenaean period clearly and effectively brings together research and knowledge we have accumulated since the discovery of the remains of the civilization of Mycenae in the 1870s.In lively prose, informed by the latest research and using a full bibliography and over 100 illustrations, this vivid study delivers the fundamentals of the Mycenaean civilization including its culture, hierarchy, economy and religion. Castleden introduces controversial views of the Mycenaean palaces as temples, and studies their impressive sea empire and their crucial interaction with the outside Bronze Age world before discussing the causes of the end of their civilization. Providing clear, easy information and understanding, this is a perfect starting point for the study of the Greek Bronze Age.

King Arthur is often written off as a medieval fantasy, the dream of those yearning for an age of strong, just rulers and a contented kingdom. Those who accept his existence at all generally discard the stories that surround him. This exciting new investigation argues not only that Arthur did exist, as a Dark Age chieftain, but that many of the romantic tales - of Merlin, Camelot and Excalibur - are rooted in truth.In his quest for the real King Arthur, Rodney Castleden uses up-to-date archaeological and documentary evidence to recreate the history and society of Dark Age Britain and its kings. He revives the possibility that Tintagel was an Arthurian legend, and proposes a radical new theory - that Arthur escaped alive from his final battle. A location is even suggested for perhaps the greatest mystery, the whereabouts of Arthur's grave.King Arthur: The Truth Behind the Legend offers a more complete picture of Arthur's Britain and his place in it than ever before. The book's bold approach and compelling arguments will be welcomed by all readers with an interest in Arthuriana.

Following on from Rodney Castleden's best-selling study Minoans, this major contribution to our understanding of the crucial Mycenaean period clearly and effectively brings together research and knowledge we have accumulated since the discovery of the remains of the civilization of Mycenae in the 1870s.In lively prose, informed by the latest research and using a full bibliography and over 100 illustrations, this vivid study delivers the fundamentals of the Mycenaean civilization including its culture, hierarchy, economy and religion. Castleden introduces controversial views of the Mycenaean palaces as temples, and studies their impressive sea empire and their crucial interaction with the outside Bronze Age world before discussing the causes of the end of their civilization. Providing clear, easy information and understanding, this is a perfect starting point for the study of the Greek Bronze Age.

Knossos, like the Acropolis or Stonehenge, is a symbol for an entire culture. The Knossos Labyrinth was first built in the reign of a Middle Kingdom Egyptian pharaoh, and was from the start the focus of a glittering and exotic culture. Homer left elusive clues about the Knossian court and when the lost site of Knossos gradually re-emerged from obscurity in the nineteenth century, the first excavators - Minos Kalokairinos, Heinrich Schliemann, and Arthur Evans - were predisposed to see the site through the eyes of the classical authors. Rodney Castleden argues that this line of thought was a false trail and gives an alternative insight into the labyrinth which is every bit as exciting as the traditional explanations, and one which he believes is much closer to the truth. Rejecting Evans' view of Knossos as a bronze age royal palace, Castleden puts forward alternative interpretations - that the building was a necropolis or a temple - and argues that the temple interpretation is the most satisfactory in the light of modern archaeological knowledge about Minoan Crete.

Every generation has created its own interpretation of Stonehenge, but rarely do these relate to the physical realities of the monument. Rodney Castleden begins with those elements which made possible the building of this vast stone circle: the site, the materials and the society that undertook the enormous task of transporting and raising the great vertical stones, then capping them, all to a carefully contrived plan.What emerges from this detailed examination is a much fuller sense of Stonehenge, both in relation to all the similar sites close by, and in terms of the uses to which it was put. Castleden suggests that there is no one 'meaning' or 'purpose' for Stonehenge, that from its very beginning it has filled a variety of needs. The Romans saw it as a centre of resistance; the antiquaries who 'rediscovered' it in the seventeenth century saw a long line of continuity leading back into the nation's past. The archaeologists see it as a subject for rational, scientific investigation; The National Trust and English Heritage view it as an unfailing magnet for visitors; UNESCO has declared it a World Heritage Site, the cultural property of the whole of humanity. Lost to view amid competing interests over the millenia are the uses it has served for those who live within its penumbra, for whom Stonehenge has never been 'lost' or 'rediscovered'. It exists in local myth and legend, stretching back beyond history.

Thoroughly researched, Rodney Castleden's Minoans: Life in Bronze Age Crete here sues the results of recent research to produce a comprehensive new vision of the peoples of Minoan Crete.Since Sir Arthur Evans rediscovered the Minoans in the early 1900s, we have defined a series of cultural traits that make the ‘Minoan personality’: elegant, graceful and sophisticated, these nature lovers lived in harmony with their neighbours, while their fleets ruled the seas around Crete. This, at least, is the popular view of the Minoans. But how far does the later work of archaeologists in Crete support this view? Drawing on his experience of being actively involved in research on landscapes processes and prehistory for the last twenty years, Castleden writes clearly and accessibly to provide a text essential to the study of this fascinating subject.

First published in 1990. Of all the monuments left by the past, Stonehenge is the most evocative, the most memorable and the most mysterious. Whilst the monuments of other cultures have gradually surrendered their mysteries, Stonehenge alone seems to stimulate endless conjecture. Rodney Castleden's vivid presentation of the world of the megaliths answers many of the most baffling questions about Stonehenge. There are, he stresses, few absolute certainties, but from the vast body of evidence assembled during the last hundred years it is now possible to get much closer to the truth than ever before. Who built the monuments and for what purpose? How were the bluestones moved from the sacred mountains of the west to Salisbury Plain? Who were the people responsible for this amazing undertaking, and what did they think and believe?

The climax of the Stone Age in Britain, the Neolithic period (4700-2000BC), was a period of startling achievement. The British Isles are rich in Neolithic sites, which give us evidence of a complex and surprisingly developed archaic society. The author surveys 1100 secular and ceremonial sites in Britain, selecting some for detailed explanation; from these a sense of the diversity and dynamism of the living Neolithic communities emerges. He presents a comprehensive, profusely illustrated and up-to-date view of the Neolithic, organised by county.Archaeologists and prehistorians will find this book of interest and it should prove indispensable to students of archaeology as a source of information about the British Neolithic.

The climax of the Stone Age in Britain, the Neolithic period (4700-2000BC), was a period of startling achievement. The British Isles are rich in Neolithic sites, which give us evidence of a complex and surprisingly developed archaic society. The author surveys 1100 secular and ceremonial sites in Britain, selecting some for detailed explanation; from these a sense of the diversity and dynamism of the living Neolithic communities emerges. He presents a comprehensive, profusely illustrated and up-to-date view of the Neolithic, organised by county.Archaeologists and prehistorians will find this book of interest and it should prove indispensable to students of archaeology as a source of information about the British Neolithic.