This book presents studies on the management of the Brazilian world heritage and its international counterparts, relating its preservationist practices to the risks and alerts that run its maintenance in the face of so many challenges in the contemporary world. The book has encouraged scholars from a wide variety of disciplines to contribute their valuable knowledge to research on the management and risks of Brazil''s world heritage. It is a bold initiative that brings together contemporary studies on management, alerts and risks of the Brazilian world heritage and some international examples. It stands out not only for its interdisciplinary approach, but above all for compiling a wide range of approaches that analyze various dimensions of world heritage management.

Unique experience in the management of world heritage allocated to Brazilian territory, this book was written by prominent academics and heritage management professionals and includes national and international case studies. It is a comprehensive academic book in Brazilian world heritage management literature and can therefore be used as an authoritative reference source as well as a significant teaching tool.

The main goal of this work is to illustrate in what way intergovernmental relations have been privileging heritage and culture as acting fields for its broader needs. Therefore, the book addresses topics related to the international agenda, focusing on its less debated themes. Two examples of these undervalued matters are the link between actors, preservationist actions, and the universe of world cultural heritage. The book also pursuits a critical dialogue between interdisciplinary fields that narrow heritage frontiers in search to contribute with a spectrum of academic perspectives and (inter)national study cases. To serve distinct economic, social, or political purposes, institutionalized heritage (embodied by different values) becomes instrumentalized in a top-down direction. In a development frame, when we perceive culture as indispensable to human life, the past is transformed into exchange currency. Through the creation of alternative fields of action, usually in a bottom-up logic, the present builds new heritage connections. Digital heritage''s preservation, dissemination, and appreciation have been representing these same nets.

This book encourages a critical dialogue between interdisciplinary fields that border heritage boundaries and seeks to contribute a wide range of scholarly perspectives and case studies (both national and international). The widespread use of the concept of soft power is sometimes grossly misused as a synonym for anything other than military force. While the concept is one of the most popular and influential in progressive foreign policy circles and is noted for being the ability of a country to convince others that its cause is the best, without having to resort to economic or military threats, the your ability to accurately describe the world we live in needs repair lenses. The power of example, the power of attraction through culture or, in other words, the ability of a country to attract others because of its culture and political values ​​in its foreign policy, that is, soft power, is something that emerges in partly because of government and partly in spite of governments. To have soft power, you need to be connected, and the interaction, management and dissemination of assets can be seen as exercises in soft power action. This book seeks to detail in examples how the concept of “soft power” encompasses and problematizes the multiplicity of themes on the contemporary international agenda, focusing on one of its least discussed elements: the universe of international cultural heritage and the relationship between actors and society, preservationist actions in the globalized world. While cultural heritage embodies different values ​​and can serve different economic, social and political objectives in development contexts, the past becomes a cultural currency when it becomes essential to the human experience.

Heritage in Eight Acts brings together contributions on cultural heritage at an international level with an emphasis on Latin American and Ibero-American studies, addressing points of convergence between the local and the global in an accessible and direct way. It discusses themes that have gained importance on the heritage preservation agenda, signaling how Latin America and Europe have expanded their connections and actions in favor of the multiplicity of heritage. Eight scholars from diverse backgrounds bring critical and nuanced understandings of heritage to the context of international relations. From architecture to history and from archeology to art history, each contribution displays methodological creativity and analytical depth. The result is a synthesis with the impact of showing how points of connection can bring Latin America closer to Europe, but not from a relationship of subalternity, but of shared protagonism.

This book celebrates decades of safeguarding cultural heritage and reckons with reconfigurations and shifts that have shaped the field and understandings of it. The author reflects on a career of safeguarding heritage, offering perspectives from the positions of consumer, researcher, educator, and communicator and at a range of scales, from local-level debates to macro-level perspectives on the role of heritage preservation in international relations.

The book situates heritage preservation in the context of soft power and the international system and examines how it intersects with cultural diplomacy. These interrelationships crystalize in the illicit trafficking of cultural goods, inspiring reflections on private and common goods, interoperability, and decoloniality. Grounded in nuanced understandings of "world heritage" and "heritage of humanity", the author critically examines the foundation, trajectory, and remit of UNESCO and highlights cases of cultural and natural heritage, language, and tourism. These discussions in turn inform treatments of two timely topics: intangible heritage of and for refugees and the treatment of statues and symbols of colonizers.

By integrating diverse themes that are frequently treated independently, International Heritage: New Approaches, Old Concerns is a resource for researchers and practitioners looking to understand the foundations, current debates, and imminent challenges facing communities that aim to safeguard global cultural heritage.

This book presents studies on the management of the Brazilian world heritage and its international counterparts, relating its preservationist practices to the risks and alerts that run its maintenance in the face of so many challenges in the contemporary world. The book has encouraged scholars from a wide variety of disciplines to contribute their valuable knowledge to research on the management and risks of Brazil''s world heritage. It is a bold initiative that brings together contemporary studies on management, alerts and risks of the Brazilian world heritage and some international examples. It stands out not only for its interdisciplinary approach, but above all for compiling a wide range of approaches that analyze various dimensions of world heritage management.

Unique experience in the management of world heritage allocated to Brazilian territory, this book was written by prominent academics and heritage management professionals and includes national and international case studies. It is a comprehensive academic book in Brazilian world heritage management literature and can therefore be used as an authoritative reference source as well as a significant teaching tool.

The main goal of this work is to illustrate in what way intergovernmental relations have been privileging heritage and culture as acting fields for its broader needs. Therefore, the book addresses topics related to the international agenda, focusing on its less debated themes. Two examples of these undervalued matters are the link between actors, preservationist actions, and the universe of world cultural heritage. The book also pursuits a critical dialogue between interdisciplinary fields that narrow heritage frontiers in search to contribute with a spectrum of academic perspectives and (inter)national study cases. To serve distinct economic, social, or political purposes, institutionalized heritage (embodied by different values) becomes instrumentalized in a top-down direction. In a development frame, when we perceive culture as indispensable to human life, the past is transformed into exchange currency. Through the creation of alternative fields of action, usually in a bottom-up logic, the present builds new heritage connections. Digital heritage''s preservation, dissemination, and appreciation have been representing these same nets.

This book encourages a critical dialogue between interdisciplinary fields that border heritage boundaries and seeks to contribute a wide range of scholarly perspectives and case studies (both national and international). The widespread use of the concept of soft power is sometimes grossly misused as a synonym for anything other than military force. While the concept is one of the most popular and influential in progressive foreign policy circles and is noted for being the ability of a country to convince others that its cause is the best, without having to resort to economic or military threats, the your ability to accurately describe the world we live in needs repair lenses. The power of example, the power of attraction through culture or, in other words, the ability of a country to attract others because of its culture and political values ​​in its foreign policy, that is, soft power, is something that emerges in partly because of government and partly in spite of governments. To have soft power, you need to be connected, and the interaction, management and dissemination of assets can be seen as exercises in soft power action. This book seeks to detail in examples how the concept of “soft power” encompasses and problematizes the multiplicity of themes on the contemporary international agenda, focusing on one of its least discussed elements: the universe of international cultural heritage and the relationship between actors and society, preservationist actions in the globalized world. While cultural heritage embodies different values ​​and can serve different economic, social and political objectives in development contexts, the past becomes a cultural currency when it becomes essential to the human experience.

Heritage in Eight Acts brings together contributions on cultural heritage at an international level with an emphasis on Latin American and Ibero-American studies, addressing points of convergence between the local and the global in an accessible and direct way. It discusses themes that have gained importance on the heritage preservation agenda, signaling how Latin America and Europe have expanded their connections and actions in favor of the multiplicity of heritage. Eight scholars from diverse backgrounds bring critical and nuanced understandings of heritage to the context of international relations. From architecture to history and from archeology to art history, each contribution displays methodological creativity and analytical depth. The result is a synthesis with the impact of showing how points of connection can bring Latin America closer to Europe, but not from a relationship of subalternity, but of shared protagonism.

This book celebrates decades of safeguarding cultural heritage and reckons with reconfigurations and shifts that have shaped the field and understandings of it. The author reflects on a career of safeguarding heritage, offering perspectives from the positions of consumer, researcher, educator, and communicator and at a range of scales, from local-level debates to macro-level perspectives on the role of heritage preservation in international relations.

The book situates heritage preservation in the context of soft power and the international system and examines how it intersects with cultural diplomacy. These interrelationships crystalize in the illicit trafficking of cultural goods, inspiring reflections on private and common goods, interoperability, and decoloniality. Grounded in nuanced understandings of "world heritage" and "heritage of humanity", the author critically examines the foundation, trajectory, and remit of UNESCO and highlights cases of cultural and natural heritage, language, and tourism. These discussions in turn inform treatments of two timely topics: intangible heritage of and for refugees and the treatment of statues and symbols of colonizers.

By integrating diverse themes that are frequently treated independently, International Heritage: New Approaches, Old Concerns is a resource for researchers and practitioners looking to understand the foundations, current debates, and imminent challenges facing communities that aim to safeguard global cultural heritage.