Roger Bromley – författare

This analysis of the films of Wim Wenders from the early 1970's through the 1990's attempts to place his work in the cultural and political context of the time. Feminist analysis, cultural theory, and psychoanalysis combine to explore the major themes in the films with an emphasis on gender and narrative and on Wenders' concern with the representation of otherness. Wenders' earlier films reflect concerns with identity and with issues of masculinity and detachment. His later films reveal a preoccupation with seeing, images, and love, which culminated in the international success of The Buena Vista Social Club. As this study suggests, Wenders' later works manifest a shift in direction away from indifference and toward reconciliation, ethical practice, and relationships.This study will appeal to film scholars, to those with a special interest in German cinema and culture and to admirers of Wenders' films. Thematically arranged, chapters begin with the early films and trace the masculinity, identity, and lost narrative motifs throughout Wenders' oeuvre.

This analysis of the films of Wim Wenders from the early 1970's through the 1990's attempts to place his work in the cultural and political context of the time. Feminist analysis, cultural theory, and psychoanalysis combine to explore the major themes in the films with an emphasis on gender and narrative and on Wenders' concern with the representation of otherness. Wenders' earlier films reflect concerns with identity and with issues of masculinity and detachment. His later films reveal a preoccupation with seeing, images, and love, which culminated in the international success of The Buena Vista Social Club. As this study suggests, Wenders' later works manifest a shift in direction away from indifference and toward reconciliation, ethical practice, and relationships.This study will appeal to film scholars, to those with a special interest in German cinema and culture and to admirers of Wenders' films. Thematically arranged, chapters begin with the early films and trace the masculinity, identity, and lost narrative motifs throughout Wenders' oeuvre.

Bringing together important theoretical work defining the role and practices of culture, this volume provides a historical overview of the field. The book includes a wide range of texts from 19th-century thinkers and contemporary theorists.

Bringing together the most important theoretical work defining the role and practices of culture, this volume provides a historical overview of the field. It includes a wide range of texts from nineteenth-century thinkers and contemporary theorists such as Raymond Williams and Antonio Gramsci, enabling the reader to construct their own maps of cultural studies, criticism and debate. The book focuses on the central issues of cultural criticism in America and Britain. Writers from Britain, America, as well as Europe, Asia and Africa are represented, bringing the reader up to date with current issues such as post-colonialism and identity politics. Each section is introduced with a general description of the field, its contents and practitioners and contains a bibliographical summary of the writer's work. A discussion of the future development of cultural studies concludes the book and this contains original interviews with leading commentators Stuart Hall and J Hillis Miller.

Narratives of Forced Mobility and Displacement in Contemporary Literature and Culture: Border Violence focuses on the evidence of the effects of displacement as seen in narratives—cinematic, photographic, and literary—produced by, with, or about refugees and migrants. The book explores refugee journeys, asylum-seeking, trafficking, and deportation as well as territorial displacement, the architecture of occupation and settlement, and border separation and violence. The large-scale movement of people from the global South to the global North is explored through the perspectives of the new mobilities paradigm, including the fact that, for many of the displaced, waiting and immobility is a common part of their experience. Through critical analysis drawing on cultural studies and literary studies, Roger Bromley generates an alternative “map” of texts for understanding displacement in terms of affect, subjectivity, and dehumanization with the overall aimof opening up new dialogues in the face of the current stream of anti-refugee rhetoric.