Roger Howard – författare
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This book, first published in 1977, attempts to show Mao Tse-tung in his relationship with the Chinese people. The author makes extensive use of a number of interviews with a cross-section of Chinese people, as well as examining the written records made by foreign visitors.
584 kr
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This book, first published in 1977, attempts to show Mao Tse-tung in his relationship with the Chinese people. The author makes extensive use of a number of interviews with a cross-section of Chinese people, as well as examining the written records made by foreign visitors.
672 kr
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635 kr
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Chinese theatre underwent a great experiment under the cultural revolution. Using the reformed Beijing operas as models, the whole range of theatre arts, from straight plays to acrobatics and from ballet to ballads saw a profound transformation. Alongside the professional theatre, an upsurge of workers’ and peasants’ amateur theatre stimulated new developments.
This book, first published in 1978, sketches the historical background to these changes and offers a factual survey of the main forms and characteristics of Chinese theatre at the time. It traces the rise of the new drama since 1949 and explores the political principles underlying the reforms. It examines the new amateur theatre and describes typical plays and operas staged in China.
635 kr
Läs direkt efter köp
Chinese theatre underwent a great experiment under the cultural revolution. Using the reformed Beijing operas as models, the whole range of theatre arts, from straight plays to acrobatics and from ballet to ballads saw a profound transformation. Alongside the professional theatre, an upsurge of workers’ and peasants’ amateur theatre stimulated new developments.
This book, first published in 1978, sketches the historical background to these changes and offers a factual survey of the main forms and characteristics of Chinese theatre at the time. It traces the rise of the new drama since 1949 and explores the political principles underlying the reforms. It examines the new amateur theatre and describes typical plays and operas staged in China.
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