Roger Lewis – författare

Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product.The world-renowned experts at JAMA® explain statistical analysis and the methods used in medical research Written in the language and style appropriate for clinicians and researchers, this new JAMA Guide to Statistics and Methods provides explanations and expert discussion of the statistical analytic approaches and methods used in the medical research reported in articles appearing in JAMA and the JAMA Network journals. This addition to the JAMAevidence® series is particularly timely and necessary because today’s physicians and other health care professionals must pursue lifelong learning to keep up with the ever-expanding universe of new medical science and evidence-based clinical information. Readers and users of research articles must have a firm grasp of the myriad new statistical, analytic, and methodologic approaches used in contemporary medical studies. To provide concrete examples, the explanations in the book link to research articles that incorporate the specific statistical test or methodological approach being discussed.

At last – a complete new edition of the poetry of Robert Louis Stevenson.During his lifetime Stevenson published A Child's Garden of Verses (1885), Penny Whistles, Underwoods (1887) and Ballads (1890). There were also various private press adventures in poetry with his stepson Lloyd Osbourne, and the posthumous Songs of Travel (1895), and New Poems (1918). This new edition contains these collections and also some of Stevenson's printed and manuscript poems that have never been published in any collection. The edition also identifies and restores various poems assembled by Stevenson in his Notebooks, many of which were mutilated by members of The Boston Bibliophile Society.The editor, Roger Lewis, has carefully studied Stevenson's manuscripts and letters, identifying many variants in individual poems and in orders of his collections, as well as in the editorial procedures of a succession of RLS's literary associates who claimed to be fulfilling his intentions or acting on his authority.The ordering of this edition will follow Stevenson's own final arrangement over unauthorised editorial rearrangments or strict considerations of chronology. Complete and accurate dates of composition and publication of individual poems and of collections are given wherever possible.Appendices include bibliographical description and location for manuscript and printed sources of all poems in the edition; 'poems in process' - how Stevenson sketched and revised during composition; notebooks - bibliographical history and significance; chronology and ordonnance of poetic units. There are also explanatory and textual notes. Scots poems are glossed and annotated using The Concise Scots Dictionary and web resources of the SNDA.A substantial introduction covers the publishing histories of individual volumes and literary influences, placing emphasis on Stevenson as a Scottish poet and arguing for his best verse to be considered

'The book of the year' SUNDAY TIMES'One of the very best biographies I have ever read' STEPHEN FRY'A hot thunderstorm of a book' DAVID HARE'Erotic Vagrancy gave me a week of pure joy' CRAIG BROWN'Unputdownable' TONY PALMER'A genius writer' LYNN BARBER'ABSOLUTE MASTERPIECE . . . ONE OF THE GREAT READING EXPERIENCES OF MY LIFE' MARINA HYDEA TOP 25 BEST BOOK OF 2023 (INDEPENDENT)Thirteen years in the writing, Erotic Vagrancy doesn't only surpass every other biography of Elizabeth Taylor and Richard Burton yet to appear, this rich, vital and passionately articulated book, which is as extravagant and wayward as its two subjects, is also about celebrity, creativity, being flawed, being brilliant, sexuality, the intermingling of a low and a highbrow existence, pride, insecurity, attraction and repulsion, and devilry.We see Taylor the child actress exchanging dogs and horses for husbands. We see Burton emerging from the mists and brimstone of Wales to be the greatest theatrical animal of his generation. The pair come together in Rome during the making of Cleopatra, which gives Lewis the opportunity for a major farcical set-piece. We then enter a world of jewels and private jets, vodka, yachts and furs - the splendid vulgarity of the Sixties, where the narrative of Taylor and Burton becomes a Pop Art story.Then, inevitably, it all goes wrong, with alcoholism, violence, recrimination and divorce ( twice ) - with Burton, whom Lewis depicts as a Faustus figure, damned by fame, dead at fifty-eight.Stephen Fry has said, 'It is one of the very best biographies I have ever read. One of the best books about fame, desire, Hollywood and mid-to-late twentieth century culture ever written. Inside which, brilliant, hilarious and sensitive insights on all manner of subjects fizz and froth. Magnificent, terrible, tragic, triumphant.'

Richard Burton and Elizabeth Taylor were a Sixties supercharged couple in an era of supercharged couples. As a pairing they were fantasy figures, impossibly desirable. Liz supple and soft, in perfumes and furs - yet with something demonic and lethal about her. Dick, in turn, with his ravaged, handsome face, looked as though lit by silver moonlight - poised to turn into a wolf. Roger Lewis uses this glamorous and damaged pair as the starting point to tell the story of an age of excess: the freaks and groupies, the private jets and jewels and the yachts sailing in an azure sea; the magnificent bad taste and greed. It is about the clash of worlds: the filth and decay of South Wales and the grandeur and elegance of Old Hollywood; the fantasies we have about film stars and the fantasies the Burtons had about each other.

'The book of the year' SUNDAY TIMES'One of the very best biographies I have ever read' STEPHEN FRY'A hot thunderstorm of a book' DAVID HARE'I've never read anything like it!' RICHARD E GRANT 'Erotic Vagrancy gave me a week of pure joy' CRAIG BROWN'Unputdownable' TONY PALMER'A genius writer' LYNN BARBER'ABSOLUTE MASTERPIECE . . . ONE OF THE GREAT READING EXPERIENCES OF MY LIFE' MARINA HYDEA TOP 25 BEST BOOK OF 2023 (INDEPENDENT)AN OBSERVER BOOK OF THE YEARA SUNDAY TIMES BOOK OF THE YEARThirteen years in the writing, Erotic Vagrancy doesn't only surpass every other biography of Elizabeth Taylor and Richard Burton yet to appear, this rich, vital and passionately articulated book, which is as extravagant and wayward as its two subjects, is also about celebrity, creativity, being flawed, being brilliant, sexuality, the intermingling of a low and a highbrow existence, pride, insecurity, attraction and repulsion, and devilry.We see Taylor the child actress exchanging dogs and horses for husbands. We see Burton emerging from the mists and brimstone of Wales to be the greatest theatrical animal of his generation. The pair come together in Rome during the making of Cleopatra, which gives Lewis the opportunity for a major farcical set-piece. We then enter a world of jewels and private jets, vodka, yachts and furs - the splendid vulgarity of the Sixties, where the narrative of Taylor and Burton becomes a Pop Art story.Then, inevitably, it all goes wrong, with alcoholism, violence, recrimination and divorce ( twice ) - with Burton, whom Lewis depicts as a Faustus figure, damned by fame, dead at fifty-eight.Stephen Fry has said, 'It is one of the very best biographies I have ever read. One of the best books about fame, desire, Hollywood and mid-to-late twentieth century culture ever written. Inside which, brilliant, hilarious and sensitive insights on all manner of subjects fizz and froth. Magnificent, terrible, tragic, triumphant.'

'Unremittingly glorious. I and the world demand more and we shall thump our tin mugs on the table demanding it until we are satisfied.'Stephen FryLoveable... Dreadful... Amazing... Learned... Baroque... Exquisite... Utterly wonderful... Uplifting... Stupendously Acute... Very scary... Genuinely mad...Having written acclaimed biographies of uncompromising and glittering geniuses such as Peter Sellers, Laurence Olivier, Carry On star Charles Hawtrey, and Anthony Burgess, of A Clockwork Orange fame, Roger Lewis, rotund, dark and difficult, has at long last stumbled upon the greatest monster of all - himself.As with bestselling and beloved Seasonal Suicide Notes, in this new book Lewis has produced a funny and appalling self-portrait, crammed with his clashes and frustrations.The calamities he describes, however, such as coming a pathetic fifth in the Oxford Chair of Poetry Election or throwing a party in what turned out to be a Cornish old peoples' home, are always offset by beautiful riffs - about Seville, a city he can't keep away from; or the train ride from Salzburg to Venice, where he stays in the restaurant car so long he alights in Zagreb by mistake; or the lush flowering magnolias he sees at Agatha Christie's house on the River Dart.It was when Lewis suggested in the press that Agatha Christie was a lesbian that the death threats began.Hearing the overture to Iolanthe played on Radio Three, and his own name mentioned by the announcer, Lewis is conveyed back to his extraordinary Welsh past, where Gilbert & Sullivan was put on in the village hall, and where Roger Lewis knew at once that his destiny was to become Evil Fairy, complete with wand.Who is to say he has not succeeded in this ambition?What Am I Still Doing Here? will win its author hordes more passionate devotees.'There is only one writer alive today who is as mordantly funny as Kingsley Amis, as acute about human misery as Philip Larkin, and as brilliant in skewering pretension and vanity as both. His name is Roger Lewis... Nothing funnier or wise has been published all year. If you love someone buy them this book. If they don't appreciate the gift then purge them from your life.' Mail on Sunday'The funniest book of the year. What Am I Still Doing Here? by Roger Lewis is a wonderfully splenetic journal - part-diary, part-diatribe - by a man who rages with an indignant eloquence against the modern world. But Lewis' furious rants are never far from hilarity, and his anger is redeemed by flashes of pur poetry. Like all the best comics, Lewis is a disappointed optimist rather than an outright cynic, and it's this thwarted idealism which makes this such a liberating, life-affirming read.'Independent

Laurence Olivier was both an enchanter and a force of nature. In The Real Life of Laurence Olivier, Roger Lewis goes beyond the magical illusions the actor created, to tell the truth about the man’s sexuality, ambition, revenges, power, preoccupations and achievements.Most of all, Olivier’s life and work become a love story — the tale of the relationship with Vivien Leigh, who was destroyed by the extent of her passion for him, as he himself was cast into a frenzy of guilt and disillusion.

'A fascinating, tragic and instructive story, vividly told' Sunday TelegraphRoger Lewis, in his no-holds-barred biography, exposes a Peter Sellers the world little knows. Recognized as the greatest British comic since Charlie Chaplin, Sellers was the grand master of fifty-five films - from Dr. Strangelove, to Being There and the Pink Panther hits. But shadowing his phenomenal career was a history of increasingly bizarre behaviour involving psychotic violence, compulsive promiscuity, drug abuse and humiliating self-destructive obsessions with people including Princess Margaret, Sophia Loren, Liza Minnelli and each of his four wives (Ann Hayes, Britt Ekland, Miranda Quarry and Lynne Frederick). He alternately showered his wives and children with gifts and then threatened to kill them. Sellers' fluidity as an actor made for a terrifying madness that grew like a slow metastasizing cancer throughout his adult life. The Life and Death of Peter Sellers concludes with his premature death at the age of 54, 'sick at heart and alone in those sunless hotel rooms', so recoiled from intimacy that no one really knew him anymore.PRAISE FOR THE LIFE AND DEATH OF PETER SELLERS'It is a mad book - but then the subject is a madman. I love Lewis's passion ... I recommend it' Sunday Times'Reinventing the genre as well as reassessing its subject with formidable intelligence, this book is a remarkable achievement' Literary Review

Charles Hawtrey, the skinny one with the granny glasses, was everybody's favourite in the Carry Ons - but who exactly was he? Up to now the man has remained a mystery. Examining Hawtrey's origins as a child star and as a performer in revue and the Will Hay films, this wonderful little book also looks at his career in radio and television, and then to the sad and slow decline of a belligerent recluse in Deal, on the Kent coast. The high camp exuberance of his acting gave way to bitterness and alcoholism - if you asked Hawtrey for an autograph he'd be more likely to call the police instead.In The Man Who Was Private Widdle, Roger Lewis conjures this sense of doom and acute melancholy which is at the same time hysterically funny. The book opens out like a Chinese box to address such issues as the nature of fame, neglect, loss, sexual confusion, Drambuie, betrayal, Royal Marines bandsmen, and fine cambric knickers trimmed with lace and blue ribbon. Its moral would seem to be that you don't necessarily turn out as the person you thought you'd become. Hawtrey, born to play Shakespearean clowns or Restoration fops, ended up sacked from the Carry On films, wandering about the stage drunk on a provincial tour of Stop It Nurse!Incorporating extensive research and exclusive interviews with the major players, The Man Who Was Private Widdle is a masterpiece of biographical investigation and a fitting testament to a quirky comic genius whose place in British cultural history is now assured.For this new edition, Roger Lewis has written A Widdling Afterword, bringing the story and his reflections up to date, and Sir Stephen Fry has contributed an insightful and characteristic Preface, placing both Charles Hawtrey and Roger Lewis in the context of light entertainment and the biographical genre.

Sellers' fluidity as an actor made for a terrifying madness that grew like a slow metastasizing cancer throughout his adult life. The story of Peter Sellers concludes with his premature death at the age of 54 sick at heart and alone in those sunless hotel rooms so recoiled from intimacy that no one really knew him anymore.

An "Engineering Research Series" title. Valve wear and its effect upon engine performance still presents a major challenge to the tribologist. Although new valve materials and production techniques are constantly being developed, these advances have been outpaced by demands for increased engine performance. The drive for reduced oil consumption and exhaust emissions, use of lead-replacement and low-sulphur fuels, and the introduction of alternative fuels such as gas all have implications for valve and seat insert wear.Automotive Engine Valve Recession aims to provide the reader with a complete understanding of valve recession. The fundamental nature of contact and wear between valves and valve seats is considered, followed by an outline of the essential features of valve operation and the potentially serious problems associated with wear and valve recession in automobile engines. An overview is then given of an experimental study of valve wear and the development of special apparatus for the simulation of engine operating conditions carried out in the School of Mechanical Engineering, University of Sheffield, UK. CONTENTS INCLUDE: IntroductionValve operation and designValve failureAnalysis of failed componentsValve and seat wear testing apparatusExperimental studies on valve wearDesign tools for prediction of valve recession and solving valve failure problems.