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A richly illustrated, up-to-the-minute overview of new approaches in drawing, set in the context of recent developments of other forms of contemporary art. This book explores the variety of ways in which contemporary artists from around the world have come to approach drawing as the primary, sometimes the sole, element of their practice, and one which is autonomous: an end in itself rather than a means to an end in another, more substantial medium. In an era of advanced technologies where image production has accelerated – potentially beyond the capacity of human attention – what values can be attributed to the slow, deliberate process of drawing by hand? The artworks featured in this volume are not confined to traditional tools – one can also draw on a computer, tablet or smartphone, and examples of digital drawing are incorporated into the narrative not as a separate category but as one medium among many. Grouped thematically by specific approaches, including abstraction and figuration, nature and artifice, social observation and critique, with essays and feature spreads for each section, this selection of international artists of diverse backgrounds and experience includes not only recognizable names such as Michael Armitage, Camille Henrot, Robert Longo, Amy Sillman and Kara Walker, but also a host of emerging talents. Beautifully presented in a visually appealing and tactile format with the feel of an artist’s portfolio, this is an inspiring overview of the best drawing practice today.
905 kr
Kommande
İnci Eviner: Moving Across and Beyond the Line is the most comprehensive monograph to date on the Istanbul-based artist and academic, spanning her practice from early 2000s to present. Rooted in drawing yet multiplied across diverse media—video, performance, sculpture, costume, and writing—Eviner’s works form a living ecosystem: interconnected, mutable, and perpetually in flux. Uncanniness emerges at the intersection of humour and violence, where rigid taxonomies collapse, and a network of shifting forms resists linearity and Cartesian logic. Deeply political, Eviner’s practice does not simply address collective and socio-cultural realities but is inherently embedded within them. The figures inhabiting her universe appear and reappear across media, continually transforming while maintaining dialogic relationships with the artist herself. Featuring insightful essays by Roger Malbert and Heinz Peter Schwerfel, this richly illustrated volume unfolds Eviner’s oeuvre as a constellation of doorways—each leading elsewhere, yet all rooted in the generative act of drawing.Text in English and Turkish.