Rolena Adorno – författare

A vivid account of the literary culture of the Spanish-speaking Americas from the time of Columbus to Latin American Independence, this Very Short Introduction explores the origins of Latin American literature in Spanish and tells the story of how Spanish literary language developed and flourished in the New World. A leading scholar of colonial Latin American literature, Rolena Adorno examines the writings that debated the justice of the Spanish conquests, described the novelties of New World nature, expressed the creativity of Hispanic baroque culture in epic, lyric, and satirical poetry, and anticipated Latin American Independence. The works of Spanish, creole, and Amerindian authors highlighted here, including Bartolomé de las Casas, Felipe Guaman Poma, Sor Juana Inés de la Cruz, and Andrés Bello, have been chosen for the merits of their writings, their participation in the larger literary and cultural debates of their times, and their resonance among readers today.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

A vivid account of the literary culture of the Spanish-speaking Americas from the time of Columbus to Latin American Independence, this Very Short Introduction explores the origins of Latin American literature in Spanish and tells the story of how Spanish literary language developed and flourished in the New World. A leading scholar of colonial Latin American literature, Rolena Adorno examines the writings that debated the justice of the Spanish conquests, described the novelties of New World nature, expressed the creativity of Hispanic baroque culture in epic, lyric, and satirical poetry, and anticipated Latin American Independence. The works of Spanish, creole, and Amerindian authors highlighted here, including Bartolomé de las Casas, Felipe Guaman Poma, Sor Juana Inés de la Cruz, and Andrés Bello, have been chosen for the merits of their writings, their participation in the larger literary and cultural debates of their times, and their resonance among readers today.About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life''s most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

A vivid account of the literary culture of the Spanish-speaking Americas from the time of Columbus to Latin American Independence, this Very Short Introduction explores the origins of Latin American literature in Spanish and tells the story of how Spanish literary language developed and flourished in the New World. A leading scholar of colonial Latin American literature, Rolena Adorno examines the writings that debated the justice of the Spanish conquests, described the novelties of New World nature, expressed the creativity of Hispanic baroque culture in epic, lyric, and satirical poetry, and anticipated Latin American Independence. The works of Spanish, creole, and Amerindian authors highlighted here, including Bartolomé de las Casas, Felipe Guaman Poma, Sor Juana Inés de la Cruz, and Andrés Bello, have been chosen for the merits of their writings, their participation in the larger literary and cultural debates of their times, and their resonance among readers today.About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life''s most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

In the midst of native people's discontent following Spanish conquest, a native Andean born after the fall of the Incas took up the pen to protest Spanish rule. Felipe Guaman Poma de Ayala wrote his Nueva corÓnica y buen gobierno to inform Philip III of Spain about the evils of colonialism and the need for governmental and societal reform. By examining Guaman Poma's verbal and visual engagement with the institutions of Western art and culture, Rolena Adorno shows how he performed a comprehensive critique of the colonialist discourse of religion, political theory, and history. She argues that Guaman Poma's work chronicles the emergence of a uniquely Latin American voice, characterized by the articulation of literary art and politics. Following the initial appearance of Guaman Poma: Writing and Resistance in Colonial Peru, the 1990s witnessed the creation of a range of new studies that underscore the key role of the Nueva corÓnica y buen gobierno in facilitating our understanding of the Andean and Spanish colonial pasts. At the same time, the documentary record testifying to Guaman Poma's life and work has expanded dramatically, thanks to the publication of long-known but previously inaccessible drawings and documents. In a new, lengthy introduction to this second edition, Adorno shows how recent scholarship from a variety of disciplinary perspectives sheds new light on Guaman Poma and his work, and she offers an important new assessment of his biography in relation to the creation of the Nueva corÓnica y buen gobierno.

In this book on early Latin American narrative, Rolena Adorno argues that the foundations of the Latin American literary tradition are located in the writings that debated the rights to Spanish dominion in the Americas and the treatment of its natives. Placing the works of canonical Spanish and Amerindian writers of the sixteenth and seventeenth centuries—Bartolomé de las Casas in particular—within this larger polemic, she shows how their works sought credibility through reference to the narrative accounts they followed or contradicted, rather than the historical events they sought to defend or condemn. Demonstrating how these authors and their protagonists have been polemically reinvented in narrative form up to the present day, Adorno elucidates the role the “polemics of possession” played in the development of Latin American literary and political discourse.

This highly readable translation fires the imagination and illuminates the enduring appeal of Cabeza de Vaca’s experience for a modern audience.   This edition of Álvar NÚÑez Cabeza de Vaca’s RelaciÓn offers readers Rolena Adorno and Patrick Charles Pautz's celebrated translation of Cabeza de Vaca’s account of the 1527 PÁnfilo de NarvÁez expedition to North America. The dramatic narrative tells the story of some of the first Europeans and the first-known African to encounter the North American wilderness and its Native inhabitants. It is a fascinating tale of survival against the highest odds, and it highlights Native Americans and their interactions with the newcomers in a manner seldom seen in writings of the period. In this English-language edition, reproduced from their award-winning three-volume set, Adorno and Pautz supplement the engrossing account with a general introduction that orients the reader to Cabeza de Vaca’s world. They also provide explanatory notes, which resolve many of the narrative’s most perplexing questions.

En De Guancane a Macondo: estudios de literatura hispanoamericana, Rolena Adorno explora una geografía literaria cuyo eje es las crónicas de Indias y cuyos puntos de referencia se ubican en Guancane, una provincia de La Florida española inventada por El Inca Garcilaso de la Vega, y Macondo, el conocidísimo pueblo de la novela clásica de Gabriel García Márquez. El carácter ficcional de ambos sitios, creados, sin embargo, sobre la base de profundas realidades históricas, une los legados literarios que Adorno destaca en estas páginas: las propias letras hispanoamericanas coloniales, las reescrituras polémicas y creativas que éstas han suscitado, y sus ocasionales ecos en la novelística latinoamericana contemporánea. La autora estudia también la repercusión de las crónicas en obras históricas en lengua inglesa del siglo XIX, así como el desarrollo de los estudios latinoamericanistas en la academia norteamericana a partir de la Segunda Guerra Mundial. Así la metáfora geográfica aludida en el título de este libro posee también una dimensión temporal que va desde el siglo XVI hasta el XX e incluye espacios de reflexión literaria e histórica que abarcan tanto los Estados Unidos como España y América Latina.