Roman De La Campa – författare

Analyzes the way North American academics have constructed Latin America.In this timely book, RomÁn de la Campa asks to what degree the Latin America studied in U.S. academies is actually an entity “made in the U.S.A.” He argues that there is an ever-increasing gap between the political, theoretical, and financial pressures affecting the U.S. academy and Latin America’s own cultural, political, and literary practices, and considers what this new Latin Americanism has to say about the claims of poststructuralism, postmodern theory, and deconstruction. De la Campa focuses on the conduct of Latin American literary criticism in U.S. universities and compares this with the “Latin Americanism” of Latin America itself. He examines the translation of Latin American works into English, the careerism of U.S. intellectuals, the conduct of Latin American literary criticism in English, and the diaspora of Third World intellectuals. In a reconsideration of the vogue in Latin American literature and magical realism in light of new work by theorists residing in Latin America, he contrasts this work with critiques of Latin American discourses in the United States.A critique of postmodern and postcolonial constructions as articulated differently in the United States and Latin America, this hard-hitting but fair-minded book provides a postdeconstructive perspective on culture and literature. ISBN 0-8166-3116-6 Cloth £00.00 $47.95xxISBN 0-8166-3117-4 Paper £00.00 $18.95x224 Pages 5 7/8 x 9 JuneCultural Studies of the Americas Series, volume 3Translation inquiries: University of Minnesota Press

Spanning time and space from late Victorian Britain and Ireland to postwar America and Latin America, Late Imperial Culture maps crucial regions in the terrain of imperial cultural practices including theater, film, photography, fiction, autobiography, and body art. The forms reviewed in this lively collection range from those which accept and reproduce empire''s dominant self-images to scathing critiques of the oppressions that colonialism has visited upon its subjects and the price it continues to exact from them.A diverse range of theoretically sophisticated and historically informed contributors take as given two fundamental facts about the culture of imperialism: firstly, that it has a long and complex history which, in the present epoch, merits its being designated "late"; and, secondly, that its impact on the contemporary world is far from exhausted. Together they highlight the contradictions in the serried cultural practices of imperialism in its different historical periods.Contributors: Aijaz Ahmad, Steven Cagan, Rom�n de la Campa, David Glover, May Joseph, Caren Kaplan, Rob Nixon, Ella Shohat, Robert Stam, and Marianna Torgovnick.

Spanning time and space from late Victorian Britain and Ireland to postwar America and Latin America, Late Imperial Culture maps crucial regions in the terrain of imperial cultural practices including theater, film, photography, fiction, autobiography, and body art. The forms reviewed in this lively collection range from those which accept and reproduce empire's dominant self-images to scathing critiques of the oppressions that colonialism has visited upon its subjects and the price it continues to exact from them.A diverse range of theoretically sophisticated and historically informed contributors take as given two fundamental facts about the culture of imperialism: firstly, that it has a long and complex history which, in the present epoch, merits its being designated "late"; and, secondly, that its impact on the contemporary world is far from exhausted. Together they highlight the contradictions in the serried cultural practices of imperialism in its different historical periods.Contributors: Aijaz Ahmad, Steven Cagan, Román de la Campa, David Glover, May Joseph, Caren Kaplan, Rob Nixon, Ella Shohat, Robert Stam, and Marianna Torgovnick.