Ron Moy - Böcker

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All the cosmetic dermatologic surgery techniques you need--and nothing that you don't!

Successfully performing cosmetic dermatologic surgery starts with mastering techniques… and that's the focus--the only focus--of this learn-as-you-go guide. Concise Manual of Cosmetic Dermatologic Surgery is written by four of the field's preeminent experts who deliver clear, authoritative guidance on the most essential cosmetic dermatology surgical techniques.

Logically organized by technique instead of problem, the book first reviews the general approach to the dermasurgery patient, providing useful background information before systematically addressing specific surgical procedures. Each templated chapter begins with key points and includes a range of clinically relevant considerations--from set up to common pitfalls--that represent a practitioner's ideal checklist.

Features

Systematic approach to coverage of all surgical techniques: flaps and grafts, chemical peels, fat transfer, liposuction, hair transplantation, treatment of varicose and telangiectatic leg veins, blepharoplasty, forehead and face lift, and more Streamlined, focused content Consistent chapter format that includes key points, indications and contraindications, set up, choice of agents/techniques, a step-by-step description of the technique, and how to avoid potential pitfalls Excellent full-color illustrations, including diagrams and clinical photographsChapter on the use of lasers in cosmetic dermatologic surgery

An accessible introduction to the study of popular music, this book takes a schematic approach to a range of popular music genres, and examines them in terms of their antecedents, histories, visual aesthetics, and sociopolitical contexts. Within this interdisciplinary and genre-based focus, readers will gain insights into the relationships between popular music, cultural history, economics, politics, iconography, production techniques, technology, marketing, and musical structure.

This book presents a linear track-by-track musical analysis of Kate Bush's albums released between 1978 and 2005. It focuses on the 1985 album Hounds of Love and explores several important critical issues raised by the artist's work and position as a solo, female artist in an industry.

Kate Bush is widely respected as one of the most unique solo female performers to have ever emerged in the field of popular music. She has achieved that rare combination of great commercial success and critical acclaim, with Hounds of Love considered widely to be her masterpiece. The album regularly features in 'best album' lists, and in the 2004 Observer poll was the highest placed work by a solo female artist. The album allows the author, Ron Moy, the critical opportunity to explore a wide range of issues relating to technology, production, authorship, grain of the voice, iconography, critical and commercial impact, collaboration, gender, sexuality, narrative, and social and cultural context.

Authorship Roles in Popular Music applies the critical concept of auteur theory to popular music via different aspects of production and creativity. Through critical analysis of the music itself, this book contextualizes key concepts of authorship relating to gender, race, technology, originality, uniqueness, and genius and raises important questions about the cultural constructions of authenticity, value, class, nationality, and genre. Using a range of case studies as examples, it visits areas as diverse as studio production, composition, DJing, collaboration, performance and audience. This book is an essential introduction to the critical issues and debates surrounding authorship in popular music. It is an ideal resource for students, researchers, and scholars in popular musicology and cultural studies.

Authorship Roles in Popular Music applies the critical concept of auteur theory to popular music via different aspects of production and creativity. Through critical analysis of the music itself, this book contextualizes key concepts of authorship relating to gender, race, technology, originality, uniqueness, and genius and raises important questions about the cultural constructions of authenticity, value, class, nationality, and genre. Using a range of case studies as examples, it visits areas as diverse as studio production, composition, DJing, collaboration, performance and audience. This book is an essential introduction to the critical issues and debates surrounding authorship in popular music. It is an ideal resource for students, researchers, and scholars in popular musicology and cultural studies.