Ronald Binns – författare

Malcolm Lowry’s Under the Volcano is now recognized as one of the major novels of the 20th Century, whose breadth and experimental prose have influenced a wide range of contemporary writers. This study, originally published in 1984, considers the significance of the autobiographical elements in Lowry’s writing, in the context of his developing concern with fictionality and the romantic sensibility. It gives special attention to his exotic many-sided masterpiece and discusses the ways in which the narrative’s reflexive games-playing elements affect the representation of character, history, myth and magic. It surveys Lowry’s late experimental novels and stories and considers how their metafictional aspects anticipate some key interests of contemporary writing.

When it was originally published in 1986, this book was the first full-length study of Farrell’s fiction. Ronald Binns provides a comprehensive account of the development of this idiosyncratic Anglo-Irish novelist’s career. Farrell’s Empire trilogy was one of the most ambitious literary projects of the 20th Century and Binns examines in detail its component parts – Troubles, The Siege of Krishnapur and The Singapore Grip – showing their structural links and discussing Farrell’s use both of historical materials and of parody, pastiche and symbol in his ironic vision of the end of the empire.

Malcolm Lowry’s Under the Volcano is now recognized as one of the major novels of the 20th Century, whose breadth and experimental prose have influenced a wide range of contemporary writers. This study, originally published in 1984, considers the significance of the autobiographical elements in Lowry’s writing, in the context of his developing concern with fictionality and the romantic sensibility. It gives special attention to his exotic many-sided masterpiece and discusses the ways in which the narrative’s reflexive games-playing elements affect the representation of character, history, myth and magic. It surveys Lowry’s late experimental novels and stories and considers how their metafictional aspects anticipate some key interests of contemporary writing.

When it was originally published in 1986, this book was the first full-length study of Farrell’s fiction. Ronald Binns provides a comprehensive account of the development of this idiosyncratic Anglo-Irish novelist’s career. Farrell’s Empire trilogy was one of the most ambitious literary projects of the 20th Century and Binns examines in detail its component parts – Troubles, The Siege of Krishnapur and The Singapore Grip – showing their structural links and discussing Farrell’s use both of historical materials and of parody, pastiche and symbol in his ironic vision of the end of the empire.