Ronald Hingley – författare

In this almost documentary account of his own experiences of penal servitude in Siberia, Dostoevsky describes the physical and mental suffering of the convicts, the squalor and the degradation, in relentless detail. The inticate procedure whereby the men strip for the bath without removing their ten-pound leg-fetters is an extraordinary tour de force, compared by Turgenev to passages from Dante's Inferno. Terror and resignation - the rampages of a pyschopath, the brief serence interlude of Christmas Day - are evoked by Dostoevsky, writing several years after his release, with a strikingly uncharacteristic detachment. For this reason, House of the Dead is certainly the least Dostoevskian of his works, yet, paradoxically, it ranks among his great masterpieces. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This book, first published in 1950, is a balanced examination of Chekhov’s life and work, a critical analysis of his stories and plays set against the background of his life the Russia of the day. Using Chekhov’s works, biographical details, and, more importantly, his many thousands of letters, this book presents a comprehensive critical study of the writer and the man.

This book, first published in 1950, is a balanced examination of Chekhov’s life and work, a critical analysis of his stories and plays set against the background of his life the Russia of the day. Using Chekhov’s works, biographical details, and, more importantly, his many thousands of letters, this book presents a comprehensive critical study of the writer and the man.

This book, first published in 1959, contains passages with commentary from 12 of the most important Soviet authors. They are lively and typical passages, written in varying styles, depicting historical events such as the 1917 Revolution, collectivisation and the death of Stalin, as well as the everyday side of Soviet life. They are a key introduction to the Russian language used in the Soviet period, an analysis of the language used by its leading writers, and a snapshot of life in Russia at the time.

This book, first published in 1959, contains passages with commentary from 12 of the most important Soviet authors. They are lively and typical passages, written in varying styles, depicting historical events such as the 1917 Revolution, collectivisation and the death of Stalin, as well as the everyday side of Soviet life. They are a key introduction to the Russian language used in the Soviet period, an analysis of the language used by its leading writers, and a snapshot of life in Russia at the time.

This book, first published in 1970, is an important study of Russia’s security services from their earliest years to the mid-twentieth century. Ronald Hingley demonstrates how the secret police acted, both under the Tsars and under Soviet rule, as a key instrument of control exercised over all fields of Russian life by an outstandingly authoritarian state. He analyses the Tsarist Third Section and Okhrana and their role in countering Russian revolutionary groups, and examines the Soviet agencies as they assumed the roles of policeman, judge and executioner. This masterly evaluation of Russian and Soviet secret police makes extensive use of hard-to-find Russian documentary sources, and is the first such research that studies Russian political security (Muscovite, Imperial and Soviet) as a whole.

This book, first published in 1970, is an important study of Russia’s security services from their earliest years to the mid-twentieth century. Ronald Hingley demonstrates how the secret police acted, both under the Tsars and under Soviet rule, as a key instrument of control exercised over all fields of Russian life by an outstandingly authoritarian state. He analyses the Tsarist Third Section and Okhrana and their role in countering Russian revolutionary groups, and examines the Soviet agencies as they assumed the roles of policeman, judge and executioner. This masterly evaluation of Russian and Soviet secret police makes extensive use of hard-to-find Russian documentary sources, and is the first such research that studies Russian political security (Muscovite, Imperial and Soviet) as a whole.

This book, first published in 1978, demonstrates how Dostoyevsky’s novels grew directly out of the pressures of their creator’s tormented experience and personality. Ronald Hingley draws upon important fresh source material, which includes the definitive Soviet edition of Dostoyevsky’s works with drafts and variants, Soviet research on the circumstances of his father’s death, and a newly deciphered section of the diary of his second wife, Anna. Hingley considers with his analysis all Dostoyevsky’s works, the ideas they contain, their varying artistic success, and their contemporary critical reception. He convincingly present’s Dostoyevsky’s genius at its most powerful when most on the attack.

This book, first published in 1978, demonstrates how Dostoyevsky’s novels grew directly out of the pressures of their creator’s tormented experience and personality. Ronald Hingley draws upon important fresh source material, which includes the definitive Soviet edition of Dostoyevsky’s works with drafts and variants, Soviet research on the circumstances of his father’s death, and a newly deciphered section of the diary of his second wife, Anna. Hingley considers with his analysis all Dostoyevsky’s works, the ideas they contain, their varying artistic success, and their contemporary critical reception. He convincingly present’s Dostoyevsky’s genius at its most powerful when most on the attack.

This book, first published in 1981, examines the dramatic and tragic stories of four of the greatest Russian poets of the twentieth century, their struggle to survive the Stalin years, and their dedication to their art despite considerable personal danger. Interweaving the stories of Anna Akhmatova, Osip Mandelstam, Boris Pasternak and Marina Tsvetayeva, the noted Russian scholar Ronald Hingley traces their education, the literary schools and traditions with which they were associated, the impact of World War I and the Bolshevik Revolution on their work, and the emergence of their distinct and disparate styles. He examines how the four influenced and affected each other – as colleague, critic or rival, friend or lover – and, as their fates were increasingly caught up in the aftermath of the Russian Revolution, how they came to depend on each other for solace and refuge. This book makes vivid the historic conflict between artists and political authority, and shows how they came into conflict with the Stalinist totalitarian regime intent on their destruction. Ronald Hingley’s brilliant narrative and superb translations of many of the major poems give us a haunting story of artistic achievement and heroic resistance.

This book, first published in 1981, examines the dramatic and tragic stories of four of the greatest Russian poets of the twentieth century, their struggle to survive the Stalin years, and their dedication to their art despite considerable personal danger. Interweaving the stories of Anna Akhmatova, Osip Mandelstam, Boris Pasternak and Marina Tsvetayeva, the noted Russian scholar Ronald Hingley traces their education, the literary schools and traditions with which they were associated, the impact of World War I and the Bolshevik Revolution on their work, and the emergence of their distinct and disparate styles. He examines how the four influenced and affected each other – as colleague, critic or rival, friend or lover – and, as their fates were increasingly caught up in the aftermath of the Russian Revolution, how they came to depend on each other for solace and refuge. This book makes vivid the historic conflict between artists and political authority, and shows how they came into conflict with the Stalinist totalitarian regime intent on their destruction. Ronald Hingley’s brilliant narrative and superb translations of many of the major poems give us a haunting story of artistic achievement and heroic resistance.

This biographical study, first published in 1985, draws on extensive newly available material and illuminates the life and work of a man who lived through one of the most turbulent periods of Russian history to produce some of his country’s greatest poetry and its most significant modern novel.

This biographical study, first published in 1985, draws on extensive newly available material and illuminates the life and work of a man who lived through one of the most turbulent periods of Russian history to produce some of his country’s greatest poetry and its most significant modern novel.

This book, first published in 1979, provides a systematic anatomy of Russia’s modern authors in the context of their society at the time. Post-revolutionary Russian literature has made a profound impact on the West while still maintaining its traditional role as a vehicle for political struggle at home. Professor Hingley places their lives and work firmly in the setting of the USSR’s social and political structure.

This book, first published in 1979, provides a systematic anatomy of Russia’s modern authors in the context of their society at the time. Post-revolutionary Russian literature has made a profound impact on the West while still maintaining its traditional role as a vehicle for political struggle at home. Professor Hingley places their lives and work firmly in the setting of the USSR’s social and political structure.

This book, first published in 1977, begins with a close look at the lives of nineteenth century Russian writers, and at the problems of their profession. It then examines their environment in its broader aspects, the Russian empire being considered from the point of view of geography, ethnography, economics, and the impact of individual Tsars on writers and society. A discussion of the main social ‘estates’ follows, and concluding is an analysis in their literary context of the activities of the competing forces of cohesion and disruption in imperial society: the civil service, law courts, police, army, schools, universities, press, censorship, revolutionaries and agitators. This book makes possible a fuller understanding of the works of Pushkin, Dostoyevsky, Chekhov and the other great Russian writers.