Ronald J. Grele – författare

What is it that oral historians do? Prior to the publication of Envelopes of Sound oral history was regarded as an archival practice and interviews were considered the repositories of data. Envelopes shows that the interview is a series of dialectical relationships embedded in language, social practice, and historical imagination. It merges theory and method through the analysis of the basic structures of the interview. It incorporates new thinking on the nature of narrative and conversation, and it covers new ground in examining fieldwork in a number of disciplines. While strongly theoretical, it also has direct application in conducting oral history interviews. Ronald Grele is the dean of oral history in the United States, and Envelopes of Sound is the volume by which others will continue to be judged. Its contributions to methods and to meaning are still the place to start a serious discussion, whether with scholars or with high school students interviewing their grandparents. Paul M. Buhle Director, Oral History of the American Left New York University Grele's early, groundbreaking book on oral history remains a classic. It continues to challenge the practitioner to be more self-conscious of and attentive to the nuances of the oral history interview. Sherna Berger Gluck Director, Oral History California State University, Long BeachWhat is it that oral historians do? Prior to the publication of Envelopes of Sound oral history was regarded as an archival practice and interviews were considered the repositories of data. Envelopes shows that the interview is a series of dialectical relationships embedded in language, social practice, and historical imagination. It calls upon oral historians to begin to step back, to think seriously about what it is they do, and to ask what kind of documentation it is that they produce and how they can make it better.This volume merges theory and method through the analysis of the basic structures of the interview. It incorporates new thinking on the nature of narrative and conversation, and it covers new ground in examining fieldwork in a number of disciplines. While strongly theoretical, it also has direct application in conducting oral history interviews. It moves from relatively easy and simple considerations to increasingly complex issues. Envelopes of Sound can be used by a variety of students in discplines ranging from history and sociology to anthropology and contemporary literature, and it can be used in a variety of ways to raise issues on a number of theoretical levels.

This volume marks the transformation of the International Journal of Oral History from a journal publication to an annual. The objective of the publication remains the same: providing a forum for articles on oral history methodologies and research perspectives.This year thirteen articles are presented. Following Ronald Grele's overview introduction, the world of the Japanese silk weaver is explored by Tamara Hareven. Selma Leydesdorff examines the making of a collective identity among workers in Amsterdam, while John Bodnar looks at the Polish immigrant experience. Issues of black South African working class and nationalist experience are the subject of pieces by Isabel Hofmeyr, Ari Sitas, and Glenn Adler. Florence Charpigny and Jenny Gregory raise issues of methodology and interdisciplinarity. Consciousness and political involvement are the concerns of essays by Lu Ann Jones, Alessandro Portelli, Michelle Palmer et al. Issues of political involvement and the ways in which oral history can document that involvement are the subject of articles by Pamela Grundy and Sherna Berger Gluck. As with the earlier issues of the Journal, this volume will be essential reading for scholars and researchers involved with oral history methodology and with working class and ethnic history.