Top Boy has descriptive copy which is not yet available from the Publisher.

The Catastrophist is a brilliant, highly acclaimed novel of love, passion, violence, and desire, set in the Belgian Congo in 1959. While expatriates loll about their pools in a colonial paradise soon to erupt into chaos, huge crowds are drawn to the charismatic Congolese independence leader Patrice Lumumba -- and his even more dangerous rivals. One man sees the cracks appearing around him and struggles to hold on to his lover, his sanity, and ultimately, his life. Gillespie, the outsider, a journalist, is in Léopoldville for the beautiful Italian, Inés. He is desperate for her love, while she is obsessed with the unfolding drama, caught up in history, ideology, hero worship. In a world slipping out of control, gripped by disgust, fear, and incomprehension, Gillespie feels that events threaten to overwhelm him -- as does his friendship with the amiable but sinister American, Stipe; his relationship with his canny native driver, Auguste; and, above all, his love for Inès. It is Inès who defines Gillespie as a catastrofista, an Italian word for somebody for whom "no problem is small. Nothing can be fixed; it is always the end," for Gillespie is deeply pessimistic and skeptical about their relationship as well as politics, while Inès believes in engagement and commitment, whatever the risks -- which, as it turns out, are greater than either of them can foresee. As colonial corruption and injustice give way to turmoil, brutality, and murder, Gillespie is finally forced to confront what is happening before his eyes. In subtle, haunting prose, Ronan Bennett captures the complex connection between the personal and the political, between cruelty and lust, between eroticism and love, between courage and fear, between detachment and involvement. The Catastrophist is a bold, courageous novel, at once a searing love story and a terrifying political thriller, in the tradition of such books as Graham Greene''s The Comedians or such postcolonial classics as The Year of Living Dangerously -- an erotic Heart of Darkness for the twentieth century.

A penetrating and ambitious historical novel, Havoc, in Its Third Year is an ingenious, often deeply unnerving narrative of seventeenth-century England that speaks directly to the fanaticism and fears of today. The time is the early seventeenth century, as the quarrel between Royalists and Parliamentarians turns toward civil war, and that between Catholics and Protestants leads toward bloody religious tyranny; the place is a town in northern England, set in a grim landscape swept by crop failures, plague and rumors of war, in which rigid Puritans have taken over government and imposed their own rules. At the center of the novel is John Brigge, the Coroner and a Governor of the town, though not by any means as convinced a zealot as his fellow governors have become. Married and deeply in love with Elizabeth, who is pregnant with their first child, he has a guilty secret to hide in his affection for Dorcas, his wife's ward -- a secret which, in the world of religious prejudice and extremism toward which England is moving, can be lethal. Determined to obey the law, rather than prejudice and the need to make an example of an Irishwoman accused of murdering her own infant, Brigge draws upon himself the hostility and suspicion of the powerful men who have been his fellow governors and who now set out to destroy him in the name of morality. Brigge is both sympathetic and deeply vulnerable. He genuinely loves Elizabeth and longs for their child to be born, but he is also deeply attracted to Dorcas; he is, however guardedly, of "the old faith" and does not hesitate to hide a priest; he favors the wretched vagrants who infest the roads, seeking shelter and a bite to eat, and employs one of them on his farm. He insists on finding out the truth about the Irishwoman's baby, despite the fact that everybody has already decided on her guilt. In short, without intending to do so, John Brigge offers himself up as a victim by refusing to cooperate with the political and religious masters of the town or to subordinate his own conscience to their demand for rigid obedience and piety. Even his own clerk Adam, whom he regards as a son, turns against him in the end in a struggle that will almost cost Brigge his life and that sends him out into a cold and dangerous world, having sacrificed everything he once held dear, stripped of his power and authority, but made heroic by his commitment to love, truth and human feelings. Havoc, in Its Third Year is a novel of great power, drama and terror, at once a love story and a superb work of historical fiction. It confirms Ronan Bennett's reputation as a masterful creator.

Gillespie, an Irishman, goes to the Congo in 1959 in pursuit of his beautiful lover Inès, a passionate Italian journalist. Unlike her, Gillespie has no interest in the deepening independence crisis, nor in the charismatic leader, Patrice Lumumba. He has other business: this is his last chance to make love work for him.

St Petersburg, 1914. Dr Otto Spethmann, a famous psychoanalyst, is implicated in a murder. But he is preoccupied with Avrom Rozental, the brilliant chess master who is due to play the most important competition of his life but is on the verge of a breakdown. With the city rife with speculation and alarm, Spethmann broods over his own chessboard, its pieces frozen mid-battle, and contemplates the forces - political, historical, sexual - that are holding him in their grasp.

St Petersburg, 1914. Dr Otto Spethmann, a famous psychoanalyst, is implicated in a murder. But he is preoccupied with Avrom Rozental, the brilliant chess master who is due to play the most important competition of his life but is on the verge of a breakdown. With the city rife with speculation and alarm, Spethmann broods over his own chessboard, its pieces frozen mid-battle, and contemplates the forces - political, historical, sexual - that are holding him in their grasp...

Top Boy has descriptive copy which is not yet available from the Publisher.

The Catastrophist is a brilliant, highly acclaimed novel of love, passion, violence, and desire, set in the Belgian Congo in 1959. While expatriates loll about their pools in a colonial paradise soon to erupt into chaos, huge crowds are drawn to the charismatic Congolese independence leader Patrice Lumumba -- and his even more dangerous rivals. One man sees the cracks appearing around him and struggles to hold on to his lover, his sanity, and ultimately, his life. Gillespie, the outsider, a journalist, is in Léopoldville for the beautiful Italian, Inés. He is desperate for her love, while she is obsessed with the unfolding drama, caught up in history, ideology, hero worship. In a world slipping out of control, gripped by disgust, fear, and incomprehension, Gillespie feels that events threaten to overwhelm him -- as does his friendship with the amiable but sinister American, Stipe; his relationship with his canny native driver, Auguste; and, above all, his love for Inès. It is Inès who defines Gillespie as a catastrofista, an Italian word for somebody for whom "no problem is small. Nothing can be fixed; it is always the end," for Gillespie is deeply pessimistic and skeptical about their relationship as well as politics, while Inès believes in engagement and commitment, whatever the risks -- which, as it turns out, are greater than either of them can foresee. As colonial corruption and injustice give way to turmoil, brutality, and murder, Gillespie is finally forced to confront what is happening before his eyes. In subtle, haunting prose, Ronan Bennett captures the complex connection between the personal and the political, between cruelty and lust, between eroticism and love, between courage and fear, between detachment and involvement. The Catastrophist is a bold, courageous novel, at once a searing love story and a terrifying political thriller, in the tradition of such books as Graham Greene''s The Comedians or such postcolonial classics as The Year of Living Dangerously -- an erotic Heart of Darkness for the twentieth century.

A penetrating and ambitious historical novel, Havoc, in Its Third Year is an ingenious, often deeply unnerving narrative of seventeenth-century England that speaks directly to the fanaticism and fears of today. The time is the early seventeenth century, as the quarrel between Royalists and Parliamentarians turns toward civil war, and that between Catholics and Protestants leads toward bloody religious tyranny; the place is a town in northern England, set in a grim landscape swept by crop failures, plague and rumors of war, in which rigid Puritans have taken over government and imposed their own rules. At the center of the novel is John Brigge, the Coroner and a Governor of the town, though not by any means as convinced a zealot as his fellow governors have become. Married and deeply in love with Elizabeth, who is pregnant with their first child, he has a guilty secret to hide in his affection for Dorcas, his wife's ward -- a secret which, in the world of religious prejudice and extremism toward which England is moving, can be lethal. Determined to obey the law, rather than prejudice and the need to make an example of an Irishwoman accused of murdering her own infant, Brigge draws upon himself the hostility and suspicion of the powerful men who have been his fellow governors and who now set out to destroy him in the name of morality. Brigge is both sympathetic and deeply vulnerable. He genuinely loves Elizabeth and longs for their child to be born, but he is also deeply attracted to Dorcas; he is, however guardedly, of "the old faith" and does not hesitate to hide a priest; he favors the wretched vagrants who infest the roads, seeking shelter and a bite to eat, and employs one of them on his farm. He insists on finding out the truth about the Irishwoman's baby, despite the fact that everybody has already decided on her guilt. In short, without intending to do so, John Brigge offers himself up as a victim by refusing to cooperate with the political and religious masters of the town or to subordinate his own conscience to their demand for rigid obedience and piety. Even his own clerk Adam, whom he regards as a son, turns against him in the end in a struggle that will almost cost Brigge his life and that sends him out into a cold and dangerous world, having sacrificed everything he once held dear, stripped of his power and authority, but made heroic by his commitment to love, truth and human feelings. Havoc, in Its Third Year is a novel of great power, drama and terror, at once a love story and a superb work of historical fiction. It confirms Ronan Bennett's reputation as a masterful creator.

Gillespie, an Irishman, goes to the Congo in 1959 in pursuit of his beautiful lover Inès, a passionate Italian journalist. Unlike her, Gillespie has no interest in the deepening independence crisis, nor in the charismatic leader, Patrice Lumumba. He has other business: this is his last chance to make love work for him.

St Petersburg, 1914. Dr Otto Spethmann, a famous psychoanalyst, is implicated in a murder. But he is preoccupied with Avrom Rozental, the brilliant chess master who is due to play the most important competition of his life but is on the verge of a breakdown. With the city rife with speculation and alarm, Spethmann broods over his own chessboard, its pieces frozen mid-battle, and contemplates the forces - political, historical, sexual - that are holding him in their grasp.

St Petersburg, 1914. Dr Otto Spethmann, a famous psychoanalyst, is implicated in a murder. But he is preoccupied with Avrom Rozental, the brilliant chess master who is due to play the most important competition of his life but is on the verge of a breakdown. With the city rife with speculation and alarm, Spethmann broods over his own chessboard, its pieces frozen mid-battle, and contemplates the forces - political, historical, sexual - that are holding him in their grasp...