Häftad, Engelska, 1994
879 kr
Rosalind E. Krauss – författare
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10 produkter
10 produkter
- Inbunden, Engelska, 2016
275 kr
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In the early 1950s, Willem de Kooning's Woman I and subsequent paintings established him as a leading member of the abstract expressionist movement. His wildly impacted brushstrokes and heavily encrusted surfaces baffled most critics, who saw de Kooning's monstrous female image as violent, aggressive, and ultimately the product of a misogynistic mind. In the image-rich Willem de Kooning Nonstop, Rosalind E. Krauss counters this view with a radical rethinking of de Kooning's bold canvases and reveals his true artistic practices. Krauss demonstrates that contrary to popular conceptions of de Kooning as an artist who painted chaotically only to end a piece abruptly, he was in fact constantly reworking the same subject based on a compositional template. This template informed all of his art and included a three-part vertical structure; the projection of his male point of view into the painting or sculpture; and the near-universal inclusion of the female form, which was paired with her re-doubled projection onto his work. Krauss identifies these elements throughout de Kooning's oeuvre, even in his paintings of highways, boats, and landscapes: Woman is always there.A thought-provoking study by one of America's greatest art critics, Willem de Kooning Nonstop revolutionizes our understanding of de Kooning and shows us what has always been hiding in plain sight in his work. - E-bokEngelska, 2017
245 kr
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Critical texts and interviews that explore the drawings, animations, and theatrical work of the South African artist William Kentridge.
Since the 1970s, the South African artist William Kentridge has charted the turbulent terrain of his homeland in both personal and political terms. With erudition, absurdist humor, and an underlying hope in humankind, Kentridge''s artwork has examined apartheid, humanitarian atrocities, aging, and the ambiguities of growing up white and Jewish in South Africa. This October Files volume brings together critical essays and interviews that explore Kentridge''s work and shed light on the unique working processes behind his drawings, prints, stop-animation films, and theater works.
The texts include an interview by the artist Carolyn Christov-Bakargiev, curator of the first major retrospective of Kentridge''s work; an essay by Andreas Huyssen on the role of shadow-play in Kentridge''s film series 9 Drawing for Projection; and investigations of Kentridge''s work for opera and theater by Maria Gough, Joseph Leo Koerner, and Margaret Koster Koerner. An analysis by influential art historian Rosalind Krauss, the editor of this volume, argues that Kentridge''s films are the result of a particularly reflexive drawing practice in which the marks on the page—particularly the smudges, smears, and erasures that characterize his stop-animations—define the act of drawing as a temporal medium. Krauss''s understanding of Kentridge''s work as embodying a fundamental tension between formal and sociological poles has been crucial to subsequent analyses of the artist''s work, including the new essay by the anthropologist Rosalind Morris, who has collaborated with Kentridge on several projects.
Essays and InterviewsCarolyn Christov-Bakargiev, Maria Gough, Andreas Huyssen, William Kentridge, Joseph Leo Koerner, Margaret Koster Koerner, Rosalind Krauss, Rosalind Morris
- Häftad, Engelska, 2013
616 kr
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- Häftad, Engelska, 2024
447 kr
Skickas inom 5-8 vardagar
- Häftad, Engelska, 1981
395 kr
Skickas
Studies major works by important sculptors since Rodin in the light of different approaches to general sculptural issues to reveal the logical progressions from nineteenth-century figurative works to the conceptual work of the present. - Häftad, Engelska, 1986
558 kr
Skickas
Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism.In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism. - Inbunden, Engelska, 2011
298 kr
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- Häftad, Engelska, 2017
230 kr
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- Häftad, Engelska, 2000
338 kr
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